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最終更新：
dear_dakanda 2017年05月12日(金) 20:25:22履歴
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HAVE FUN!
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Thank you.
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Thanks very much and…
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Ladies and gentlemen,
I have a friend here tonight…
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…who like me, she’s a long way from home.
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And if it’s okay with you…
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I was wondering if you’d like her
to play one of her songs.
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Is that okay? Yeah?
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Gretta, will you come up here please.
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Just give me a moment.
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I think it’d be a really good idea
if you’d come up here…
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and sing one of your songs.
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I think it’d be a really fucking bad idea.
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Gretta, come on. This is New York.
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No.
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You want to hear it, right?
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You’re gonna be amazing.
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Hi.
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This is a new song
so it might be kind of rough.
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It’s for anyone
who’s ever been alone in the city.
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♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
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♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
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♪ AND ALL AT ONCE, IT
SEEMED LIKE A GOOD WAY. ♪
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♪ YOU REALIZE, IT’S THE END OF THE LIFE… ♪
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♪ FOR WHAT IT’S WORTH. ♪
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♪ HERE COMES THE TRAIN UPON THE TRACK. ♪
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♪ THERE GOES THE PAIN. IT CUTS TO BLACK. ♪
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♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
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♪ YOU CAN’T TAKE BACK. ♪
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♪ DID SHE LOVE YOU? ♪
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♪ DID SHE TAKE YOU DOWN? ♪
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♪ WAS SHE ON HER KNEES, ♪
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♪ WHEN SHE KISSED YOUR CROWN? ♪
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♪ TELL ME WHAT YOU FOUND. ♪
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♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
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♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
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See?
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Earlier that day…
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It’s seven AM. Good Morning, New York…
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and welcome to the second hour of Potsy
and Andy in the morning!
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Hey Potsy, did you read about the dog?
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The Korean restaurant thing?
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Oh, I certainly did.
Did you hear about that, Katie?
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Fresh prospects, let’s hear it.
What do you got for me?
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No, no.
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Who’s next on this delightful journey?
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No, no, no. No, man.
You can’t! No! You can’t!
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It’s shit. It’s shit!
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Get fucking out of my car.
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Give me anything. A song. A hook.
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Anything I can work with..
I’m not asking for much.
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That’s something. That’s good.
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Until you started to sing!
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Where’s mom?
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Where’s my daughter?
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What do you mean?
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Your mom has a deadline.
She asked me to watch you today.
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Let’s go.
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So where do you want to go?
The Museum of Natural History?
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You want to go to the park
and get some ice cream, or what?
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Why would I want to do that? I’m not a kid.
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What’s that smell?
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Oh, that’s gasoline.
I was filling up the car with gasoline…
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and I spilled a little on my pant leg.
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That isn’t alcohol.
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I think I’ve got a meeting here.
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You want to wait here
or you want to come with me.
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You think you have a meeting?
Do you or not?
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Let’s see.
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This is fun, right?
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When we came into this neighborhood in ’92…
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there was nobody here.
It was like a war-zone.
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Hookers. Crack.
Now it’s totally gentrified.
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I know, Dad.
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I’ve had the tour.
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Okay, we’re going to go up here.
Just be quiet.
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I think it’s a great way
to generate revenue for the company.
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Was there bad traffic?
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No, traffic was actually pretty good.
I was just passing by.
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We were just closing up
about the audio commentary piece.
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Yeah, shit idea.
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It was a shit idea then.
Still a shit idea. It didn’t age well.
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We appreciate your candor.
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We had a different view of it here though.
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Musicians for the most part
are pretty much…
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monosyllabic teenagers
who really don’t have much to say…
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and that’s the good ones, right?
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So what are we doing here?
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The music industry is fine.
It’s always going to be fine.
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We always have been fine.
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Maybe the kids are right.
Maybe music should be free anyway.
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That’s an alarming thing to hear…
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the head of a record company say.
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What? The truth?
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Thanks so much Karen. Let’s talk more.
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Yeah, of course.
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Great meeting you.
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I’m glad we got it all figured out.
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The band doing audio commentary
on their own music...
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Is so fucking lame, Saul, and you know it.
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Ten years ago, man,
you would have shit on that idea.
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It’s something. It’s an idea.
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It’s something that helps keep the lights on.
It’s something.
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We need vision, not gimmicks.
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That’s us.
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I’ve been following you, Mr. Mulligan.
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Down a track on every long shot…
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you’ve been bringing in here
for the last five years.
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And which one of them has come in.
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Which one?
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Dan.
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Dan.
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See you later, brother Saul.
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Dan.
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We need to talk, man.
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Come back here.
Don’t you walk away from me.
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You can’t do this shit, man.
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You can’t pull this shit, dude.
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You can’t pull this shit.
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Don’t do this here.
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I’m going to do it right fucking here.
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All right, then let’s do it then!
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Let’s go! Cause they know.
These people know...
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that they are sitting behind those desks...
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because I started
an independent record label.
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Above that bar, Saul.
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And we changed the way
things are going to be done, man.
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Nurture and foster.
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Things change. Times change.
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People gotta change with them, Dan.
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It’s not working.
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You gotta go.
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I don’t have time for this.
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I’ve got my own shit going on, all right?
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I’m taking my client list.
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I’m out of here, man.
I am fucking out of here.
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What are you talking about?
They signed to us.
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Don’t bother her.
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Jerry McGuire.
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Dad, let’s go.
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I’m taking my art then. That’s it.
I’m taking the art.
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It’s my art. I paid for it.
I bought it. I picked it out.
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I got it.
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No you don’t.
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Okay. Leave it there.
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I’m coming back for that.
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It’s mine.
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All of that’s mine.
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Come on, baby.
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You want another one?
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Ah, I do but I won’t. I mustn’t. I can’t.
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How could he fire me
when I set the whole fucking thing up?
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Did you?
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Don’t you know anything about your father?
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Yeah.
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I do.
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I know what mom says.
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What does mom say?
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She says you’re a pathetic loser.
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She says that affectionately.
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What about you?
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What do you think?
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I don’t really know you.
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Two years is a long time
in the life of a teenager.
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Where’d you learn to talk like that?
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My psychiatrist.
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Psychiatrist. You have a psychiatrist now.
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I do. Mom thought it’d be a good idea.
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I was acting strange.
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There’s nothing strange about you.
You’re 15-years-old.
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You don’t need a fucking psychiatrist.
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Believe me, I know.
I know you better than anybody.
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Yeah, you sure do, dad.
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How old did you say I was?
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Did I say you were 15?
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I meant you were 14.
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Did I say 15?
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You got money to pay for these beers?
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I’m a kid. I don’t have any money on me!
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What happened to your pocket money?
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Well, I spent that on condoms.
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What? No, no, no, no, no.
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Too much information.
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You ready?
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For what?
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That was fun, right? Don’t smile.
187
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It was fun, dad.
188
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Yeah. You had a good time.
189
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We haven’t run like that
since we were little. That was good.
190
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This your daddy.
191
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I’m glad you’re here cause
I was just going to the car...
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Are you okay?
193
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I’m fine.
194
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I’m sorry, my bad. Have a great day.
195
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I could have taken that guy.
He still had to make a scene.
196
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Do me a favor, all right?
Don’t tell your mom I lost my job today.
197
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Listen to me.
198
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Thanks for a really normal day, dad.
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What?
200
00:13:52,163 --> 00:13:53,621
Hello, everyone.
201
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Hi.
202
00:13:57,617 --> 00:13:59,694
How’s work?
203
00:13:59,773 --> 00:14:00,829
Fine.
204
00:14:02,320 --> 00:14:03,808
You look hungry.
205
00:14:08,819 --> 00:14:11,153
Her teachers are really worried about her.
206
00:14:11,345 --> 00:14:14,704
No girls like her at school.
She is distant.
207
00:14:14,746 --> 00:14:16,933
And the only people
who want to hang out with her...
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00:14:17,089 --> 00:14:19,111
are older boys who want to fuck her.
209
00:14:19,230 --> 00:14:21,214
Oh really?
And you find that a big surprise...
210
00:14:21,402 --> 00:14:24,819
seeing how you let her
walk out of the house looking like...
211
00:14:24,923 --> 00:14:27,026
like Jodie Foster from “Taxi Driver”?
212
00:14:27,237 --> 00:14:29,071
She dresses the way she wants to.
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And any daughter who dresses like that
only wants one thing.
214
00:14:31,891 --> 00:14:32,781
A pimp?
215
00:14:32,791 --> 00:14:34,125
No, Dan. Think about it.
216
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A daddy.
217
00:14:36,891 --> 00:14:38,871
That is fucking bullshit.
218
00:14:38,912 --> 00:14:41,190
She needs some guidance for fucking sake.
219
00:14:41,215 --> 00:14:43,122
Well, guide her. Guide her.
220
00:14:43,263 --> 00:14:45,829
You waltz in here like a fucking clown.
221
00:14:45,871 --> 00:14:48,819
You tell me how to raise my kid.
222
00:14:48,860 --> 00:14:51,083
The kid that you pick up once a month...
223
00:14:51,175 --> 00:14:53,787
and decide you have a
fucking conscience about.
224
00:14:53,812 --> 00:14:56,818
You know what?
Thirty seconds after you’re gone...
225
00:14:57,194 --> 00:14:59,806
we’ll have totally forgotten
you were ever here.
226
00:15:03,094 --> 00:15:04,094
Thank you.
227
00:15:50,334 --> 00:15:51,890
I thought there was no hope.
228
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I thought there were no answers.
229
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And then I found God.
230
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God may not always be on our time.
231
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But he’s on time.
232
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We’re never alone.
233
00:16:04,777 --> 00:16:05,777
Sir?
234
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Go, have a talk with God.
235
00:16:14,831 --> 00:16:17,167
Right, Man. Okay.
236
00:16:18,871 --> 00:16:21,735
I’m gonna have a little talk with God,
all right?
237
00:16:21,798 --> 00:16:23,798
Thank you.
238
00:16:23,881 --> 00:16:25,756
What if he doesn’t answer?
239
00:16:32,359 --> 00:16:35,902
Attention. Due to a signal malfunction
at Jay Street...
240
00:16:36,694 --> 00:16:39,902
the next uptown train
will arrive in 20 minutes.
241
00:16:56,588 --> 00:16:58,144
Give me a bourbon. Hurry up.
242
00:16:58,260 --> 00:16:59,927
What kind of bourbon you want?
243
00:16:59,952 --> 00:17:01,015
I don’t care,
244
00:17:03,902 --> 00:17:08,694
and I was wondering
if it’d be okay if she sang a song.
245
00:17:08,777 --> 00:17:11,944
Is that okay? Yeah? Gretta,
would you come up here please?
246
00:17:15,923 --> 00:17:16,923
Hi.
247
00:17:17,714 --> 00:17:20,798
So, this is a new song
so it might be kind of rough.
248
00:17:22,704 --> 00:17:25,746
It’s for anyone
who’s ever been alone in the city.
249
00:17:37,694 --> 00:17:41,694
♪ SO YOU FIND YOURSELF AT THE SUBWAY ♪
250
00:17:42,902 --> 00:17:46,902
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
251
00:17:48,881 --> 00:17:53,704
♪ AND ALL AT ONCE, IT
SEEMED LIKE A GOOD WAY. ♪
252
00:17:54,860 --> 00:17:58,860
♪ YOU REALIZE, IT’S THE END OF THE LINE. ♪
253
00:17:59,746 --> 00:18:03,819
♪ FOR WHAT IT’S WORTH. ♪
254
00:18:04,777 --> 00:18:10,746
♪ HERE COMES THE TRAIN ON THE TRACK ♪
255
00:18:10,787 --> 00:18:13,725
♪ THERE GOES THE PAIN. ♪
256
00:18:13,912 --> 00:18:15,860
♪ IT CUTS TO BLACK. ♪
257
00:18:15,912 --> 00:18:22,704
♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
258
00:18:25,798 --> 00:18:28,819
♪ YOU CAN’T TAKE BACK. ♪
259
00:18:38,819 --> 00:18:42,933
♪ TAKING ALL THE PUNCHES YOU COULD TAKE. ♪
260
00:18:44,766 --> 00:18:48,694
♪ TOOK ‘EM ALL, RIGHT ON THE CHIN. ♪
261
00:18:49,450 --> 00:18:53,933
♪ AND NOW THE CAMEL’S BACK IS BREAKING. ♪
262
00:18:56,063 --> 00:18:57,839
♪ AGAIN. ♪
263
00:18:59,337 --> 00:19:04,912
♪ AGAIN, FOR WHAT IT’S WORTH. ♪
264
00:19:05,902 --> 00:19:11,766
♪ HERE COMES THE TRAIN UPON THE TRACK. ♪
265
00:19:11,819 --> 00:19:14,933
♪ AND THERE GOES THE PAIN. ♪
266
00:19:15,746 --> 00:19:17,746
♪ IT CUTS TO BLACK. ♪
267
00:19:17,787 --> 00:19:20,871
♪ ARE YOU READY FOR THE LAST ACT ♪
268
00:19:20,912 --> 00:19:23,933
♪ TO TAKE A STEP ♪
269
00:19:26,860 --> 00:19:29,839
♪ YOU CAN’T TAKE BACK. ♪
270
00:19:35,694 --> 00:19:36,902
♪ DID SHE LOVE YOU? ♪
271
00:19:37,923 --> 00:19:40,839
♪ DID SHE TAKE YOU DOWN? ♪
272
00:19:40,881 --> 00:19:43,777
♪ WAS SHE ON HER KNEES ♪
273
00:19:43,902 --> 00:19:46,871
♪ WHEN SHE KISSED YOUR CROWN? ♪
274
00:19:46,912 --> 00:19:51,694
♪ TELL ME WHAT YOU FOUND. ♪
275
00:19:55,586 --> 00:20:01,694
♪ HERE COMES THE RAIN, SO HOLD YOUR HAT. ♪
276
00:20:01,787 --> 00:20:06,871
♪ AND DON’T PRAY TO GOD ♪
♪ CAUSE HE WON’T TALK BACK. ♪
277
00:20:06,912 --> 00:20:13,902
♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
278
00:20:16,756 --> 00:20:18,923
♪ YOU CAN’T TAKE BACK. ♪
279
00:20:19,619 --> 00:20:21,871
♪ BACK. BACK. ♪
280
00:20:22,650 --> 00:20:25,729
♪ YOU CAN’T TAKE BACK. ♪
281
00:20:25,735 --> 00:20:27,850
♪ BACK. BACK. ♪
282
00:20:29,850 --> 00:20:33,881
♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
283
00:20:35,766 --> 00:20:39,933
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
284
00:20:47,235 --> 00:20:49,204
Bravo!
285
00:20:55,106 --> 00:20:56,481
I’m in.
286
00:20:56,762 --> 00:20:57,762
What?
287
00:20:58,754 --> 00:21:01,754
I want to make records with you.
I want to produce you.
288
00:21:01,779 --> 00:21:04,714
I want to sign you.
We’re meant to work together.
289
00:21:04,839 --> 00:21:07,562
Sorry, didn’t you just see
what happened up there?
290
00:21:07,587 --> 00:21:09,799
Yeah, what?
Are you feeling sorry for yourself?
291
00:21:10,019 --> 00:21:12,900
No, I like my music. I mean who cares
if they don’t get it, right?
292
00:21:12,962 --> 00:21:15,120
You just need to work
on your performance a little bit.
293
00:21:15,222 --> 00:21:17,439
I’m not a performer.
I just write songs from time to time.
294
00:21:17,564 --> 00:21:19,352
And are those songs as good as that one?
295
00:21:19,477 --> 00:21:21,450
Are you really an A and R man?
296
00:21:21,491 --> 00:21:23,408
You just look more like a homeless man.
297
00:21:23,460 --> 00:21:24,554
I’ve been out celebrating all week.
298
00:21:24,642 --> 00:21:26,780
And I just signed a band
and we got carried away.
299
00:21:27,124 --> 00:21:29,013
That’s some song you’ve got there.
300
00:21:29,038 --> 00:21:32,261
I promise you it could be a big hit.
Plus you’re beautiful.
301
00:21:32,408 --> 00:21:34,142
Sorry, what does beauty
got to do with anything?
302
00:21:34,228 --> 00:21:36,006
Jesus, you’re tricky aren’t you?
303
00:21:36,031 --> 00:21:39,843
No, I actually just think that
music is about ears not eyes.
304
00:21:40,267 --> 00:21:43,450
And I’m not Judy Garland just off
a Greyhound bus...
305
00:21:43,491 --> 00:21:46,387
looking for stardom, but really, thank you.
306
00:21:51,533 --> 00:21:52,880
Okay, bye.
307
00:21:53,935 --> 00:21:54,935
Bye.
308
00:21:58,590 --> 00:22:01,629
SO BEFORE YOU GO...
309
00:22:03,988 --> 00:22:06,491
ENJOY MY SHOW.
310
00:22:09,584 --> 00:22:13,232
Okay here’s the truth.
I couldn’t have signed you if I wanted to.
311
00:22:13,459 --> 00:22:14,459
Okay.
312
00:22:14,490 --> 00:22:16,418
I didn’t come from a signing tonight.
313
00:22:16,460 --> 00:22:18,366
I haven’t signed anybody in seven years.
314
00:22:18,408 --> 00:22:20,470
My label has completely lost all faith in me.
315
00:22:20,543 --> 00:22:22,377
So why did you give me your card?
316
00:22:22,402 --> 00:22:23,450
Force of habit.
317
00:22:23,491 --> 00:22:25,491
If I look homeless
it’s because I practically am.
318
00:22:25,533 --> 00:22:27,460
I left my home about a year or so ago.
319
00:22:27,502 --> 00:22:29,738
I’m sleeping on a shitty mattress
in some shitty apartment.
320
00:22:29,894 --> 00:22:31,822
And I wasn’t celebrating tonight.
321
00:22:31,915 --> 00:22:34,554
I was drinking my ass off standing on
a subway platform...
322
00:22:34,681 --> 00:22:35,848
ready to kill myself.
323
00:22:35,873 --> 00:22:37,373
And then I heard your song.
324
00:22:37,960 --> 00:22:39,085
Want to get a beer?
325
00:22:40,015 --> 00:22:40,835
Sure.
326
00:22:40,921 --> 00:22:41,921
Yeah, come on.
327
00:22:43,999 --> 00:22:46,170
“Dan Mulligan. Born 1966”
328
00:22:46,966 --> 00:22:49,779
“Headed A&R department at Island Records
for two years.”
329
00:22:49,943 --> 00:22:52,723
“Left to co-found
indie label Distressed Records...
330
00:22:52,778 --> 00:22:55,068
with Harvard classmate, Saul Byron.”
331
00:22:55,177 --> 00:22:56,770
So, you own Distressed Records?
332
00:22:56,841 --> 00:22:59,730
I sold all my interest
due to emotional difficulties.
333
00:22:59,772 --> 00:23:01,329
What emotional difficulties?
334
00:23:01,384 --> 00:23:03,408
I was too emotional. Read on.
335
00:23:04,033 --> 00:23:07,720
“Very active on the hip-hop scene
in New York in the early 90s...
336
00:23:07,845 --> 00:23:10,290
the pair were responsible for discovering...
337
00:23:10,315 --> 00:23:13,938
numerous break-through artists.
on two Grammys as producer.”
338
00:23:14,016 --> 00:23:16,055
“Lives in New York with wife...
339
00:23:16,117 --> 00:23:18,840
music journalist Miriam Hart,
and their daughter.”
340
00:23:20,554 --> 00:23:22,266
What happened to the Grammys?
341
00:23:22,305 --> 00:23:23,418
I pawned them.
342
00:23:23,460 --> 00:23:25,218
You pawned them?
How much did you get for them?
343
00:23:25,288 --> 00:23:27,397
A hundred and twenty five
for the both of them.
344
00:23:27,439 --> 00:23:29,852
Which got me wasted one weekend
a couple months ago.
345
00:23:29,891 --> 00:23:32,003
Were you drunk when you heard my song?
346
00:23:32,032 --> 00:23:34,644
Absolutely, babe.
That’s when the magic happens.
347
00:23:34,669 --> 00:23:35,491
What magic?
348
00:23:35,533 --> 00:23:36,735
I hear things.
349
00:23:36,852 --> 00:23:37,947
You hear things?
350
00:23:38,312 --> 00:23:40,750
Arrangements,
ou need to be drunk for that sort of thing.
351
00:23:40,812 --> 00:23:42,429
You must have been drunk tonight...
352
00:23:42,470 --> 00:23:44,415
because nobody else heard anything.
353
00:23:44,440 --> 00:23:46,268
No, your song’s good. It’s you.
354
00:23:46,866 --> 00:23:49,325
Standing up there like a tomboy.
355
00:23:49,366 --> 00:23:50,450
I don’t mean to be offensive...
356
00:23:50,491 --> 00:23:52,430
but don’t you think that looks a little passé?
357
00:23:52,502 --> 00:23:53,009
Really?
358
00:23:53,087 --> 00:23:55,491
Seriously. We get you a look.
359
00:23:55,821 --> 00:23:58,766
And a killer video.
And you’ll go straight to the top.
360
00:23:59,209 --> 00:24:02,512
I’m thinking Nora Jones.
Singersongwriter thing...
361
00:24:02,554 --> 00:24:05,387
at a piano. Or the Cardigans.
362
00:24:05,533 --> 00:24:09,408
Back in the day
when they first came to America.
363
00:24:09,450 --> 00:24:11,377
Maybe even Debra Harry.
364
00:24:11,864 --> 00:24:14,439
365
00:24:14,934 --> 00:24:16,157
You find that amusing?
366
00:24:16,219 --> 00:24:18,196
No, I’m sorry.
Something went down the wrong way.
367
00:24:18,250 --> 00:24:21,554
No, you were saying?
Me with a cardigan on? Nora Jones?
368
00:24:21,723 --> 00:24:23,457
Babe, who the fuck do you think you are?
369
00:24:23,754 --> 00:24:27,098
What? You gonna stand up on a stage
with a beat-up guitar...
370
00:24:27,183 --> 00:24:29,397
and you think you’re
the new Carole-fucking-King?
371
00:24:29,439 --> 00:24:32,377
No. I just think that an A&R man
telling an artist...
372
00:24:32,418 --> 00:24:34,911
how they should dress
or come across is total bullshit.
373
00:24:35,067 --> 00:24:37,623
People don’t want that.
They want authenticity.
374
00:24:37,648 --> 00:24:39,222
Okay, babe. Authenticity.
375
00:24:39,339 --> 00:24:41,460
Give me the name of one artist...
376
00:24:41,502 --> 00:24:44,345
that you think passes
your authenticity test.
377
00:24:46,325 --> 00:24:47,325
Dylan.
378
00:24:47,369 --> 00:24:51,377
Dylan. That is the most cultivated artist
you could have thought of.
379
00:24:51,418 --> 00:24:54,641
His hair. His sunglasses.
He changes his look every decade.
380
00:24:54,658 --> 00:24:55,986
Randy Newman.
381
00:24:57,041 --> 00:25:00,522
I fucking love Randy Newman.
Okay, you got me on that.
382
00:25:00,627 --> 00:25:01,845
Listen to me.
383
00:25:02,009 --> 00:25:04,377
I am not saying that you can’t be...
384
00:25:04,418 --> 00:25:06,974
a real bona fide motherfucker
in this business.
385
00:25:07,092 --> 00:25:08,748
But you got to do whatever it takes...
386
00:25:08,795 --> 00:25:10,907
and get people in to see your shows...
387
00:25:10,944 --> 00:25:13,543
where the music can start
to do its real work.
388
00:25:15,061 --> 00:25:17,670
Oh my God. What were we even talking about?
389
00:25:17,772 --> 00:25:21,512
You can’t sign me.
And I don’t want to be signed.
390
00:25:21,554 --> 00:25:23,533
That’s right. What’s not to like?
391
00:25:23,921 --> 00:25:25,644
Come on, let’s get out of here.
392
00:25:27,131 --> 00:25:30,959
Ah, shit. You’re gonna
have to get these beers, though.
393
00:25:36,512 --> 00:25:38,408
It was really nice to meet you.
394
00:25:39,018 --> 00:25:40,460
Where you going?
395
00:25:41,080 --> 00:25:43,533
To sleep. I have a plane to catch tomorrow.
396
00:25:44,112 --> 00:25:45,151
Where?
397
00:25:46,102 --> 00:25:47,141
398
00:25:47,720 --> 00:25:50,943
Because I’m sick of this city
and I want to go back to Uni.
399
00:25:50,968 --> 00:25:53,384
Oh, come on. No one comes to New York...
400
00:25:53,467 --> 00:25:56,356
and just leaves
without something terrible happening.
401
00:25:56,381 --> 00:25:57,864
What happened to you?
402
00:26:01,748 --> 00:26:05,066
Come on. You can share with me.
I’m no stranger to misery.
403
00:26:09,316 --> 00:26:14,387
Just come to my label
and let me play your demo to my partner.
404
00:26:14,481 --> 00:26:15,543
If it doesn’t work out...
405
00:26:15,592 --> 00:26:17,554
I will personally pay
to change your ticket.
406
00:26:17,795 --> 00:26:19,920
What’s one more day in New York,
for crying out loud?
407
00:26:20,077 --> 00:26:23,244
You’re just probably gonna go home
and mope around anyway.
408
00:26:23,269 --> 00:26:24,290
All right.
409
00:26:24,641 --> 00:26:26,697
I’m gonna go home and think about it.
410
00:26:27,369 --> 00:26:29,536
And, I’ll call you either way tomorrow.
411
00:26:29,561 --> 00:26:30,561
Okay?
412
00:26:31,554 --> 00:26:33,387
Good answer.
413
00:26:33,579 --> 00:26:36,191
414
00:26:37,535 --> 00:26:38,576
Pleasure’s mine.
415
00:26:39,028 --> 00:26:40,704
You’ve got my number, right?
416
00:26:40,778 --> 00:26:41,778
Yeah.
417
00:28:20,217 --> 00:28:21,826
418
00:28:21,912 --> 00:28:24,690
Hi, I’m Jill.
I work in hospitality with the label.
419
00:28:24,715 --> 00:28:26,553
Right this way. Thank you, Marco.
420
00:28:26,578 --> 00:28:27,784
Nice to meet you.
421
00:28:27,964 --> 00:28:29,964
Right this way. Thank you, Marco.
422
00:28:31,384 --> 00:28:33,940
I think you’re really gonna like
the apartment.
423
00:28:33,965 --> 00:28:36,381
It’s very high end.
424
00:28:37,225 --> 00:28:40,184
I’m sorry. You’re Dave Kohl.
425
00:28:40,277 --> 00:28:41,194
Yes.
426
00:28:41,250 --> 00:28:42,771
Yeah. I told you guys!
427
00:28:42,881 --> 00:28:46,248
We saw your film the other day.
I so love your songs in it.
428
00:28:47,335 --> 00:28:50,780
Thank you. This is Gretta, my girlfriend.
She writes songs too.
429
00:28:50,900 --> 00:28:53,178
Oh, would you mind taking our photograph?
430
00:28:53,404 --> 00:28:56,182
That’d be so awesome.
Just that button right there.
431
00:29:00,184 --> 00:29:01,419
Yeah, it’s a good one.
432
00:29:04,397 --> 00:29:06,181
You’re gonna have to get used to that,
I’m afraid.
433
00:29:06,220 --> 00:29:08,481
This movie is selling out all over town.
It’s pretty crazy.
434
00:29:08,522 --> 00:29:10,556
435
00:29:10,884 --> 00:29:12,884
All right, here we are.
436
00:29:13,491 --> 00:29:15,335
We hope you like.
437
00:29:15,438 --> 00:29:18,665
Your fridge in here is stocked with food.
438
00:29:18,853 --> 00:29:20,895
There are two sets of keys
on the table in there.
439
00:29:21,163 --> 00:29:24,111
This is your driver’s number
and my cell phone number.
440
00:29:24,481 --> 00:29:25,429
I’ll leave that here.
441
00:29:25,470 --> 00:29:28,977
You’re due at the label later
this afternoon to meet everyone.
442
00:29:29,032 --> 00:29:31,516
And then we’ll take a tour
around the studio.
443
00:29:31,636 --> 00:29:35,480
So, probably want to catch up
on your sleep before then.
444
00:29:35,481 --> 00:29:37,387
I’ll leave you to it. Okay?
445
00:29:37,418 --> 00:29:39,800
Pleased to meet you, Gretta.
446
00:29:44,409 --> 00:29:45,798
This place is a shithole.
447
00:29:56,234 --> 00:29:58,119
Biggest fridge I’ve ever seen.
448
00:29:58,887 --> 00:30:01,012
Oh my God. Come here.
449
00:30:01,554 --> 00:30:04,631
450
00:30:05,051 --> 00:30:07,746
Should I have come over in a week or two...
451
00:30:07,813 --> 00:30:09,925
and let you settle in first
and get used to everything?
452
00:30:09,971 --> 00:30:10,971
No.
453
00:30:11,038 --> 00:30:11,975
Are you sure?
454
00:30:12,001 --> 00:30:14,724
Yeah. I don’t know
if I could do this without you.
455
00:30:14,749 --> 00:30:15,805
It’s kind of scary.
456
00:30:16,137 --> 00:30:18,012
Am I a wimp for saying that?
457
00:30:25,367 --> 00:30:28,210
Hey, there he is.
458
00:30:28,252 --> 00:30:30,210
Big Dave. What’s up, kid?
459
00:30:31,231 --> 00:30:33,138
Good to see you. Gretta?
460
00:30:33,536 --> 00:30:34,619
Come on in, guys.
461
00:30:34,714 --> 00:30:35,853
Put Dave at the head of the table.
462
00:30:35,893 --> 00:30:36,994
All right. I like it.
463
00:30:37,020 --> 00:30:38,298
You guys meet everyone?
464
00:30:38,323 --> 00:30:39,240
Hi, everybody.
465
00:30:39,304 --> 00:30:41,360
My assistant, Mim. The beautiful Mim.
466
00:30:41,385 --> 00:30:44,179
This is Mildred from Marketing.
467
00:30:44,197 --> 00:30:45,861
Billy there is Social Media.
468
00:30:45,911 --> 00:30:48,165
The rest of the gang,
you’ll meet. Spend time with.
469
00:30:48,213 --> 00:30:51,751
So, Gretta you’re gonna play guitar
on a track or two, I hope.
470
00:30:51,873 --> 00:30:53,485
Oh yeah, sure. If Dave wants.
471
00:30:53,646 --> 00:30:54,562
Yeah.
472
00:30:54,635 --> 00:30:57,017
Gretta and I have been writing together
for a couple years now.
473
00:30:57,138 --> 00:30:58,304
Even before the film came along.
474
00:30:58,346 --> 00:31:01,263
So, I would love for us to try
a couple of her songs.
475
00:31:01,304 --> 00:31:04,190
Did you write on the film with him?
476
00:31:04,231 --> 00:31:05,335
No, no.
477
00:31:05,799 --> 00:31:08,573
That’s the sound we’re after is
from the movie, right? Dave?
478
00:31:08,619 --> 00:31:09,389
Of course.
479
00:31:09,504 --> 00:31:11,003
480
00:31:11,057 --> 00:31:12,057
481
00:31:12,242 --> 00:31:16,283
Gretta’s very much apart
of the inspiration behind everything.
482
00:31:16,350 --> 00:31:19,555
She’s not just my girlfriend.
We’re partners almost.
483
00:31:21,367 --> 00:31:23,053
I just wanted to include her.
484
00:31:23,138 --> 00:31:26,416
Just to be completely clear.
I’m just tagging along on this.
485
00:31:27,138 --> 00:31:28,923
I’m really happy to be here.
486
00:31:28,985 --> 00:31:31,708
And happy to accompany Dave
on a couple of tracks.
487
00:31:31,733 --> 00:31:34,619
How sweet is this girl? I love that.
488
00:31:37,931 --> 00:31:40,045
How great are these guys? I love them.
489
00:31:57,937 --> 00:32:00,854
Yeah, I’m going on tour with the band.
490
00:32:01,752 --> 00:32:02,856
“Rolling Stone.”
491
00:32:04,239 --> 00:32:07,573
Yeah. Thank you so much.
It was great talking to you. Thanks.
492
00:32:08,315 --> 00:32:09,335
What’s that?
493
00:32:09,749 --> 00:32:10,770
That’s matcha tea.
494
00:32:11,007 --> 00:32:12,007
Matcha tea?
495
00:32:12,660 --> 00:32:15,216
It’s got like four million antioxidants in it.
496
00:32:15,241 --> 00:32:16,964
Oh my God, it tastes like piss.
497
00:32:16,989 --> 00:32:17,832
I like it.
498
00:32:17,981 --> 00:32:20,001
The samurais used to drink it
before they went into battle.
499
00:32:20,083 --> 00:32:22,021
You’re not a samurai. You’re a songwriter.
500
00:32:22,304 --> 00:32:24,138
Well, I’m kind of like a samurai.
501
00:32:24,163 --> 00:32:25,184
Are you?
502
00:32:26,051 --> 00:32:27,936
I’m gonna give these to the guys.
503
00:32:28,008 --> 00:32:30,620
Oh, hey. We gotta go to LA
for a week on Monday.
504
00:32:30,840 --> 00:32:31,840
We’re going to LA?
505
00:32:32,263 --> 00:32:34,335
No. Sorry.
It’s just with some of the label guys.
506
00:32:34,377 --> 00:32:35,367
They have an office out there.
507
00:32:35,523 --> 00:32:37,224
They want me to meet
this video director guy.
508
00:32:37,377 --> 00:32:41,155
But, in the meantime, I’d really like you
to listen to this. So, yes?
509
00:32:41,180 --> 00:32:44,242
Yes, I’m sorry. I’ll deliver coffee.
510
00:32:47,267 --> 00:32:49,434
Hey guys, can we do this again, please?
511
00:32:49,459 --> 00:32:51,899
Take two. And rolling.
512
00:33:01,325 --> 00:33:04,273
♪ IS EVERYTHING JUST RIGHT? ♪
513
00:33:05,056 --> 00:33:08,973
♪ DON’T WANT YOU THINKING’ ♪
♪ THAT I’M IN A HURRY. ♪
514
00:33:09,606 --> 00:33:11,804
♪ I WANT TO STAY YOUR FRIEND ♪
515
00:33:13,325 --> 00:33:16,471
♪ BUT I HAD THIS VISION ♪
♪ AND IT’S GOT ME WORRIED. ♪
516
00:33:17,051 --> 00:33:20,853
♪ CAUSE EVERYONE WANTS SOMEONE. ♪
517
00:33:21,093 --> 00:33:24,947
♪ THAT’S ONE CLICHÉ THAT’S TRUE. ♪
518
00:33:25,676 --> 00:33:28,718
♪ THE SAD TRUTH’S I WANT NO ONE... ♪
519
00:33:29,624 --> 00:33:32,592
♪ UNLESS THAT SOMEONE’S YOU. ♪
520
00:33:32,767 --> 00:33:36,684
♪ AND LOOKS LIKE YOU. FEELS LIKE YOU. ♪
521
00:33:37,113 --> 00:33:43,207
♪ SMILES LIKE YOU. ♪
♪ I WANT SOMEONE JUST LIKE YOU. ♪
522
00:33:43,356 --> 00:33:47,367
♪ THROUGH AND THROUGH OR I’M FOREVER BLUE. ♪
523
00:33:48,200 --> 00:33:53,148
♪ CAUSE THERE’S NO ONE ELSE LIKE... ♪
524
00:34:12,503 --> 00:34:13,555
Thank you.
525
00:34:29,057 --> 00:34:30,140
Look at you!
526
00:34:33,561 --> 00:34:35,561
He has the studio for three months.
527
00:34:35,596 --> 00:34:38,708
And then we go on tour.
So I think we’re staying for six?
528
00:34:38,733 --> 00:34:41,233
This is unbelievable.
You’re total rock stars.
529
00:34:41,252 --> 00:34:43,221
Which studio is he working with?
530
00:34:43,263 --> 00:34:44,200
Electric Lady?
531
00:34:44,242 --> 00:34:45,242
Oh fuck off.
532
00:34:45,709 --> 00:34:46,709
It’s really cool, isn’t it?
533
00:34:46,744 --> 00:34:47,744
Are you serious?
534
00:34:47,777 --> 00:34:49,704
So this is me.
535
00:34:50,200 --> 00:34:51,315
Oh, this is lovely.
536
00:34:51,356 --> 00:34:53,023
Yeah, it’s like that old joke.
537
00:34:53,048 --> 00:34:54,824
You put the key in the door,
you break a window.
538
00:34:55,346 --> 00:34:57,069
My God, look at all this stuff.
539
00:34:57,083 --> 00:35:00,603
Yeah a lot of the studios are upgrading.
540
00:35:00,772 --> 00:35:04,384
So practically giving stuff away.
I can record an album here soon.
541
00:35:04,409 --> 00:35:05,576
Well, that’d be cool.
542
00:35:05,830 --> 00:35:07,788
Look at you, you’ve got CDs.
543
00:35:08,272 --> 00:35:11,050
Yeah. I just phased out all my cassettes.
Sit down.
544
00:35:11,845 --> 00:35:12,897
How retro of you.
545
00:35:13,002 --> 00:35:15,970
I have whiskey. Or water.
546
00:35:16,840 --> 00:35:17,924
Whiskey, please!
547
00:35:18,215 --> 00:35:20,007
Of course you will.
548
00:35:20,273 --> 00:35:21,440
Look what you’ve got.
549
00:35:22,346 --> 00:35:24,402
People are going crazy for that here.
550
00:35:25,228 --> 00:35:27,228
When I play a show and the people know...
551
00:35:27,382 --> 00:35:28,711
I went to college in Bristol...
552
00:35:28,754 --> 00:35:30,021
the first thing they ask is
if I know your boyfriend.
553
00:35:30,367 --> 00:35:31,283
Yeah, tell me about it.
554
00:35:31,325 --> 00:35:33,294
I’m becoming “Dave Kohl’s girlfriend”
back home.
555
00:35:33,335 --> 00:35:35,920
I’m like, “Hello, we used to be a team.
What happened?”.
556
00:35:35,986 --> 00:35:37,997
Oh, you know what they say.
Get your songs in a movie.
557
00:35:38,051 --> 00:35:41,308
So, this is me. This is where I’ve been
for God knows how long.
558
00:35:41,389 --> 00:35:42,056
I love it.
559
00:35:42,148 --> 00:35:42,926
Do you?
560
00:35:43,038 --> 00:35:44,926
Did you see the bed?
I made that bed. That bed is mine.
561
00:35:44,989 --> 00:35:46,669
That’s very impressive.
How’d you get up there?
562
00:35:47,007 --> 00:35:48,007
I vault.
563
00:35:48,205 --> 00:35:50,236
You vault? With a pole?
564
00:35:50,347 --> 00:35:54,513
No, no pole. I do it in one straight...
one straight luge.
565
00:35:55,377 --> 00:35:59,252
Unless I’m drunk. In which case.
It’s off on a dismount.
566
00:36:00,356 --> 00:36:03,304
It’s the back I like.
It’s like he’s holding a guitar.
567
00:36:04,148 --> 00:36:06,426
But he wants you to think it’s his penis.
568
00:36:06,536 --> 00:36:08,425
He’s saying, “Look, it’s a guitar.
569
00:36:08,543 --> 00:36:11,428
But it’s not.
This is the actual size of my penis.”
570
00:36:11,626 --> 00:36:13,200
Why, no?
571
00:36:13,242 --> 00:36:15,325
I am gonna shoot this
because you have to play that...
572
00:36:15,367 --> 00:36:16,294
exactly the way you just played it.
573
00:36:16,335 --> 00:36:17,780
Okay, you play the guitar.
574
00:36:17,805 --> 00:36:20,250
Because I can’t do that
when that thing’s on.
575
00:36:22,210 --> 00:36:23,210
It’s in G.
576
00:36:23,294 --> 00:36:25,017
577
00:36:25,072 --> 00:36:27,429
It doesn’t matter. And you know what?
You have to get over this.
578
00:36:27,458 --> 00:36:29,148
This is an exercise.
579
00:36:29,242 --> 00:36:30,283
Yes. Ready?
580
00:36:33,163 --> 00:36:34,163
Slower.
581
00:36:41,927 --> 00:36:45,864
♪ PLEASE, DON’T SEE. ♪
582
00:36:47,304 --> 00:36:52,294
♪ JUST A GIRL CAUGHT UP
IN DREAMS AND FANTASIES. ♪
583
00:36:53,606 --> 00:36:57,554
♪ PLEASE SEE ME. ♪
584
00:36:59,372 --> 00:37:03,465
♪ REACHING OUT FOR SOMEONE I CAN SEE. ♪
585
00:37:03,999 --> 00:37:05,999
♪ TAKE MY HAND. ♪
586
00:37:06,095 --> 00:37:09,907
♪ LET’S SEE WHERE WE WAKE UP TOMORROW. ♪
587
00:37:10,012 --> 00:37:12,012
♪ BEST LAID PLANS. ♪
588
00:37:12,077 --> 00:37:15,181
♪ SOMETIMES I’M JUST A ONE-NIGHT-STAND. ♪
589
00:37:15,538 --> 00:37:17,580
♪ I’LL BE DAMNED. ♪
590
00:37:17,771 --> 00:37:21,646
♪ CUPID’S DEMANDING BACK HIS ARROWS. ♪
591
00:37:21,968 --> 00:37:27,256
♪ SO LET’S GET DRUNK ON OUR TEARS. ♪
592
00:37:27,324 --> 00:37:32,189
♪ AND GOD, TELL US THE REASON... ♪
593
00:37:32,903 --> 00:37:36,039
♪ YOUTH IS WASTED ON THE YOUNG. ♪
594
00:37:36,439 --> 00:37:38,481
♪ IT’S HUNTING SEASON, ♪
595
00:37:38,578 --> 00:37:41,557
♪ AND THIS LAMB IS ON THE RUN. ♪
596
00:37:42,263 --> 00:37:45,263
♪ WE’RE SEARCHING FOR MEANING. ♪
597
00:37:45,442 --> 00:37:50,567
♪ BUT ALL WE ARE... LOST STARS. ♪
598
00:37:51,304 --> 00:37:57,263
♪ TRYING TO LIGHT UP THE DARK ♪
599
00:37:58,162 --> 00:37:59,197
Done.
600
00:38:00,440 --> 00:38:01,440
What’d you think?
601
00:38:01,550 --> 00:38:02,633
What do I think?
602
00:38:04,776 --> 00:38:08,332
I think I’m angry. I think I’m mad at you
because it’s so good...
603
00:38:08,427 --> 00:38:10,427
that I hate you a little bit.
604
00:38:10,469 --> 00:38:12,192
And is it… is it It’s about me.
605
00:38:12,336 --> 00:38:13,357
606
00:38:13,484 --> 00:38:14,484
Really?
607
00:38:14,498 --> 00:38:15,466
Yeah. What’s it called?
608
00:38:15,500 --> 00:38:16,552
I don’t know...
609
00:38:16,797 --> 00:38:17,797
Lost Stars?
610
00:38:17,935 --> 00:38:18,894
You like it?
611
00:38:18,935 --> 00:38:22,790
I don’t like it. I think it’s… I love it.
And I think it’s incredible.
612
00:38:22,831 --> 00:38:25,135
And is it… is it It’s about me.
613
00:38:25,222 --> 00:38:26,807
Or, it’s not about
your other boyfriend, right?
614
00:38:26,894 --> 00:38:28,863
I don’t know if it’s about you
but it’s definitely for you.
615
00:38:28,904 --> 00:38:29,821
I’ll take it.
616
00:38:29,863 --> 00:38:30,904
It is actually your Christmas present...
617
00:38:30,946 --> 00:38:32,779
cause I can’t afford
to buy you another one...
618
00:38:32,821 --> 00:38:33,738
so Happy Christmas.
619
00:38:33,779 --> 00:38:34,967
This is the only Christmas present I want.
620
00:38:35,058 --> 00:38:36,058
Happy Christmas.
621
00:38:36,104 --> 00:38:37,216
Thank you very much.
622
00:38:37,357 --> 00:38:38,357
I love you.
623
00:38:38,492 --> 00:38:39,492
I love you.
624
00:38:39,568 --> 00:38:41,124
Turn it off. Turn it off.
625
00:38:57,453 --> 00:38:58,453
I missed you.
626
00:38:58,852 --> 00:38:59,852
I missed you.
627
00:39:00,609 --> 00:39:01,609
What did you do?
628
00:39:01,816 --> 00:39:04,732
Nothing, really.
I just kind of hung around here.
629
00:39:05,337 --> 00:39:07,393
And I went to some botanical gardens.
630
00:39:08,168 --> 00:39:08,883
It was very lovely.
631
00:39:08,992 --> 00:39:10,317
It was good.
632
00:39:10,372 --> 00:39:11,637
I wrote a new song.
633
00:39:12,304 --> 00:39:13,304
634
00:39:13,788 --> 00:39:15,900
I was inspired in LA. Want to hear it?
635
00:39:15,925 --> 00:39:16,925
Wow. Yeah.
636
00:39:16,946 --> 00:39:18,946
637
00:39:19,214 --> 00:39:20,122
I’ve got it right here.
638
00:39:20,198 --> 00:39:21,281
How exciting.
639
00:39:31,508 --> 00:39:35,394
♪ I DON’T KNOW IF I’M THE FOOL ♪
640
00:39:35,779 --> 00:39:38,810
♪ WHO’S GETTING THIS ALL WRONG. ♪
641
00:39:39,154 --> 00:39:43,258
♪ AND THAT’S THE DREAM ♪
♪ TO SING THE PERFECT GIRL ♪
642
00:39:43,581 --> 00:39:45,602
♪ THE PERFECT SONG. ♪
643
00:39:46,904 --> 00:39:50,583
♪ ALL I KNOW IS I CAN’T KEEP ON ♪
644
00:39:50,677 --> 00:39:54,044
♪ WEARING THIS DISGUISE ♪
645
00:39:54,873 --> 00:39:58,419
♪ WHEN YOU’RE THE ONLY ONE THAT SEES ♪
646
00:39:58,505 --> 00:40:00,956
♪ WORTH REAL IN MY EYES. ♪
647
00:40:01,052 --> 00:40:04,135
♪ YOU TAKE ME TO ANOTHER SPACE AND TIME. ♪
648
00:40:04,873 --> 00:40:07,769
♪ YOU TAKE ME TO A HIGHER PLACE. ♪
649
00:40:07,810 --> 00:40:11,738
♪ SO I’M ABOUT TO GET OUT OF THE RACE. ♪
650
00:40:11,810 --> 00:40:12,894
♪ I DON’T MIND. ♪
651
00:40:12,935 --> 00:40:14,915
♪ YOU OUGHT TO KNOW THAT EVERY... ♪
652
00:40:14,956 --> 00:40:18,904
♪ THERE’S NOTHING IF I DON’T HAVE YOU. ♪
653
00:40:29,197 --> 00:40:30,975
What the fuck is wrong with you?
654
00:40:59,779 --> 00:41:01,790
You’re like a fucking mind reader.
655
00:41:01,872 --> 00:41:03,758
Who is it for?
656
00:41:07,565 --> 00:41:08,565
Mim.
657
00:41:08,829 --> 00:41:10,839
Mim from the label, Mim?
658
00:41:12,599 --> 00:41:16,558
Mim who we met one month ago. Mim?
659
00:41:18,511 --> 00:41:19,511
Yeah.
660
00:41:25,455 --> 00:41:27,403
Was she in LA with you?
661
00:41:30,333 --> 00:41:31,333
Yeah.
662
00:41:33,776 --> 00:41:35,682
I don’t know what to say.
663
00:41:37,967 --> 00:41:39,946
It just happened.
664
00:41:42,234 --> 00:41:44,214
Maybe it’ll go away.
665
00:41:44,956 --> 00:41:46,254
Maybe it’ll fade. I
666
00:41:46,372 --> 00:41:48,372
I have to see it through.
667
00:42:30,113 --> 00:42:33,002
Do you want to put your head
on this end or this end?
668
00:42:37,818 --> 00:42:38,933
Do you want a tea?
669
00:42:50,871 --> 00:42:53,094
I don’t remember if you take sugar or...
670
00:42:55,621 --> 00:42:57,641
I’m gonna wing it. I’ll wing it.
671
00:43:00,063 --> 00:43:02,250
Please won’t you come out with me tonight?
672
00:43:02,306 --> 00:43:04,535
I’m gonna play some songs down
at this open mic night.
673
00:43:04,590 --> 00:43:06,090
Why don’t you come with me?
674
00:43:06,115 --> 00:43:08,043
Cause I hate your fucking songs.
675
00:43:08,509 --> 00:43:11,270
I think we both know that isn’t true.
676
00:43:11,631 --> 00:43:14,725
Sorry, I didn’t... No, I love your songs.
677
00:43:17,371 --> 00:43:19,319
I’m paying fucking horrendous right now...
678
00:43:19,447 --> 00:43:21,660
which is exactly why I need to go home.
679
00:43:21,741 --> 00:43:24,130
That’s exactly
why you need to come with me.
680
00:43:24,155 --> 00:43:25,857
Come on. I insist.
681
00:43:26,082 --> 00:43:27,988
Pick that up & come with me.
682
00:43:28,062 --> 00:43:30,285
You’re coming. I’m not leaving you here.
683
00:43:30,310 --> 00:43:33,088
Come back,
I’ll find your fucking head in the oven.
684
00:43:34,842 --> 00:43:38,009
Hello, ladies and gentlemen.
I have a friend here tonight.
685
00:43:38,085 --> 00:43:40,530
And if it’s okay with you,
I was wondering...
686
00:43:40,555 --> 00:43:44,738
if you’d like her to come up here
and play one of her songs.
687
00:43:45,079 --> 00:43:46,580
Is that okay? Yeah?
688
00:43:46,749 --> 00:43:48,805
Gretta would you come up here please.
689
00:44:07,622 --> 00:44:08,278
Hello.
690
00:44:08,570 --> 00:44:09,570
Hey.
691
00:44:09,863 --> 00:44:12,308
Were you serious last night
about signing me?
692
00:44:12,478 --> 00:44:13,478
Who is this?
693
00:44:14,332 --> 00:44:15,332
Really?
694
00:44:16,313 --> 00:44:18,261
I’m joking. Yeah, I was serious.
695
00:44:21,226 --> 00:44:22,689
I have all my suits here.
696
00:44:22,814 --> 00:44:25,546
Would you get me a nice suit
and make me look nice, princess.
697
00:44:25,658 --> 00:44:28,280
I heard a song last night
and I’m telling you...
698
00:44:28,334 --> 00:44:31,668
it’s exactly what that shit ass
record label needs right now.
699
00:44:31,737 --> 00:44:33,291
You can’t just barge in here.
You can’t come in here like this.
700
00:44:33,446 --> 00:44:34,163
Why?
701
00:44:34,253 --> 00:44:35,432
Because that’s our arrangement.
702
00:44:35,488 --> 00:44:36,405
What you got somebody here?
703
00:44:36,447 --> 00:44:38,447
That’s not the point.
We have an arrangement.
704
00:44:38,488 --> 00:44:39,159
Hello!
705
00:44:39,227 --> 00:44:39,870
Stop that.
706
00:44:39,920 --> 00:44:42,837
Stray man! Any stray man!
Don’t worry about me.
707
00:44:42,941 --> 00:44:44,997
It’s just her husband taking a shower.
708
00:44:45,001 --> 00:44:46,835
You can continue fucking my wife.
709
00:44:46,930 --> 00:44:47,941
That’s not funny.
710
00:44:48,436 --> 00:44:49,478
Hey, I’m sorry.
711
00:44:49,535 --> 00:44:51,647
If I did, you’d be the first I’d tell.
712
00:44:51,672 --> 00:44:52,682
So you’re not.
713
00:44:53,499 --> 00:44:55,332
Get you a shirt and a...
714
00:44:55,374 --> 00:44:56,548
No razor.
715
00:45:02,772 --> 00:45:03,884
You want to come in?
716
00:45:04,933 --> 00:45:06,850
You want to sexy time?
717
00:45:07,384 --> 00:45:08,404
No.
718
00:45:17,550 --> 00:45:18,550
Ready?
719
00:45:19,126 --> 00:45:20,565
So where are we going mister A and R man?
720
00:45:20,646 --> 00:45:22,331
We’re going to my partner
to play him your music.
721
00:45:22,509 --> 00:45:23,426
You got your demo?
722
00:45:23,467 --> 00:45:24,467
No.
723
00:45:25,160 --> 00:45:26,383
You don’t have a demo?
724
00:45:26,405 --> 00:45:27,172
No.
725
00:45:27,242 --> 00:45:29,214
Do you have My Space or Facebook?
726
00:45:29,257 --> 00:45:31,284
My Space? No, I don’t.
727
00:45:31,724 --> 00:45:34,113
I told you.
I write songs from time to time.
728
00:45:35,415 --> 00:45:37,374
Well, what do you write them for?
729
00:45:37,457 --> 00:45:39,846
What do you mean what for? For my pleasure.
730
00:45:39,871 --> 00:45:40,488
For my cat.
731
00:45:40,524 --> 00:45:42,191
Oh, really? Does he like them?
732
00:45:42,216 --> 00:45:43,604
She. Yes, she seems to.
733
00:45:43,990 --> 00:45:44,990
How do you know?
734
00:45:46,129 --> 00:45:47,149
Because she purrs.
735
00:45:47,285 --> 00:45:48,348
Maybe she’s booing.
736
00:45:48,467 --> 00:45:51,322
No, she purrs at Leonard Cohen too.
She has very good taste.
737
00:45:51,363 --> 00:45:52,395
Maybe she’s fucking with you.
738
00:45:52,436 --> 00:45:53,834
Can we stop talking about cats now?
739
00:45:53,941 --> 00:45:54,498
Okay.
740
00:45:54,592 --> 00:45:55,592
Okay.
741
00:45:58,245 --> 00:46:00,690
Fuck it. Let’s do this
the old-fashioned way.
742
00:46:04,488 --> 00:46:09,374
♪ SO FIND YOURSELF AT THE SUBWAY. ♪
743
00:46:10,098 --> 00:46:14,139
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
744
00:46:23,006 --> 00:46:25,229
Thank you, Gretta. Thanks for coming in.
745
00:46:25,254 --> 00:46:28,643
I’m just going to take a moment
to talk with Dan for a minute.
746
00:46:29,293 --> 00:46:30,345
Thank you.
747
00:46:34,149 --> 00:46:36,633
I’m not into it.
It’s a little undercooked for me.
748
00:46:36,795 --> 00:46:38,889
She seems to have kind of
an attitude problem and...
749
00:46:38,946 --> 00:46:40,810
What are you looking for man?
750
00:46:41,308 --> 00:46:44,235
You want some little teenaged pop star....
751
00:46:44,323 --> 00:46:47,435
whose mom’s been raising
since two years old for stardom.
752
00:46:47,457 --> 00:46:50,932
No, that’s not what I’m looking for,
but if you know someone...
753
00:46:50,991 --> 00:46:52,713
Just give me the money to make the demo.
754
00:46:52,847 --> 00:46:55,847
I’ll take her into the studio.
Get a hot shit producer.
755
00:46:55,933 --> 00:46:57,852
Get a couple of session musicians,
dial the thing out...
756
00:46:57,913 --> 00:47:00,080
and then you can hear what I’m hearing.
757
00:47:00,400 --> 00:47:01,575
And then you can tell me to fuck myself.
758
00:47:01,831 --> 00:47:03,371
People send us their demos.
759
00:47:03,796 --> 00:47:06,574
It’s not the other way around.
We don’t make demos.
760
00:47:06,599 --> 00:47:09,524
We’re prospectors man. We’re investors.
761
00:47:10,266 --> 00:47:11,544
We’re digging for gold.
762
00:47:11,674 --> 00:47:15,674
Make a tape and we’ll get back to you.
763
00:47:16,926 --> 00:47:19,149
That’s the best I can do right now, bro.
764
00:47:26,344 --> 00:47:27,622
So, I’ve been thinking.
765
00:47:28,662 --> 00:47:31,485
Why do we even need
to rent a fucking studio?
766
00:47:34,139 --> 00:47:38,222
Because you need a desk,
a live room and sound proofing.
767
00:47:38,304 --> 00:47:41,387
Laptop. Pro Tools.
A couple of dynamic mics.
768
00:47:42,148 --> 00:47:44,573
And the city is our fucking live room.
769
00:47:44,780 --> 00:47:46,114
You mean record outside?
770
00:47:46,139 --> 00:47:47,707
771
00:47:47,749 --> 00:47:48,749
Everywhere.
772
00:47:48,801 --> 00:47:49,812
Fuck him.
773
00:47:49,853 --> 00:47:52,566
We don’t need a demo.
Let’s record an album.
774
00:47:52,605 --> 00:47:54,605
Every song we do in a different location.
775
00:47:54,655 --> 00:47:56,138
All over New York City.
776
00:47:56,178 --> 00:47:57,956
And we do it through the summer.
777
00:47:58,001 --> 00:48:01,501
And it becomes this tribute to
this beautiful, God damn crazy...
778
00:48:01,526 --> 00:48:03,770
fractured mess of a city. New York.
779
00:48:03,791 --> 00:48:04,791
Okay.
780
00:48:05,749 --> 00:48:07,707
Under the bridge on the lower east side.
781
00:48:07,749 --> 00:48:08,874
Top of the Empire State building.
782
00:48:08,916 --> 00:48:11,305
On rowing boats in the lake
in Central Park.
783
00:48:11,330 --> 00:48:14,330
Chinatown.
Cathedral of Saint John the Divine.
784
00:48:14,442 --> 00:48:16,776
In the subway. Fucking Harlem. Everywhere.
785
00:48:16,916 --> 00:48:19,749
So what happens if it starts raining.
786
00:48:19,791 --> 00:48:21,514
Whatever happens, we record it.
787
00:48:21,539 --> 00:48:22,626
If we get arrested?
788
00:48:22,718 --> 00:48:24,552
Keep rolling! It’ll be beautiful.
789
00:48:24,577 --> 00:48:25,619
You like it?
790
00:48:26,470 --> 00:48:28,397
What do you think? It’s good.
791
00:48:28,894 --> 00:48:30,089
Will you produce it?
792
00:48:30,631 --> 00:48:31,631
Me?
793
00:48:31,728 --> 00:48:32,728
Yeah.
794
00:48:32,729 --> 00:48:33,750
I haven’t produced in a long time.
795
00:48:33,853 --> 00:48:36,020
We’ll get somebody young to produce it.
796
00:48:36,082 --> 00:48:37,638
No, but I want you to do it.
797
00:48:37,663 --> 00:48:38,434
Why?
798
00:48:38,601 --> 00:48:39,684
Because I do.
799
00:48:40,686 --> 00:48:43,468
I give you strings,
but we definitely need piano.
800
00:48:43,728 --> 00:48:44,780
Then with the guitars underneath.
801
00:48:44,822 --> 00:48:45,822
Got it. I love it.
802
00:48:45,832 --> 00:48:46,749
803
00:48:46,791 --> 00:48:49,853
The world’s first Jag mobile recording studio.
804
00:48:49,907 --> 00:48:50,907
It’s done.
805
00:48:53,577 --> 00:48:55,027
It’s bloody genius it is.
806
00:48:55,144 --> 00:48:56,478
Where do you want to go?
807
00:48:56,579 --> 00:48:58,392
We need musicians.
808
00:48:58,433 --> 00:49:01,454
Terminally, miserably bored musicians.
809
00:49:02,288 --> 00:49:03,455
After that I think...
810
00:49:03,480 --> 00:49:06,747
then you bring in the violin and cello.
First cello then violin.
811
00:49:06,931 --> 00:49:09,265
When we get into that lead guitar thing...
812
00:49:09,290 --> 00:49:12,124
I want it to become
a whole different kind of sound.
813
00:49:19,644 --> 00:49:22,467
This is Malcolm.
Malcolm is a child prodigy.
814
00:49:22,832 --> 00:49:25,780
He’s been playing violin
since he was five years old.
815
00:49:25,822 --> 00:49:27,934
I technically started when I was four.
816
00:49:28,077 --> 00:49:29,077
Four.
817
00:49:29,754 --> 00:49:31,810
And this is his older sister, Rachel.
818
00:49:31,832 --> 00:49:34,780
She’s at the Manhattan School of Music
on a full scholarship.
819
00:49:34,822 --> 00:49:36,211
Top of her class cellist.
820
00:49:36,236 --> 00:49:36,903
That’s amazing.
821
00:49:37,202 --> 00:49:38,258
So here’s the deal.
822
00:49:38,526 --> 00:49:40,471
I can’t afford to pay you up front.
823
00:49:40,496 --> 00:49:44,360
So I want to offer you
a legitimate back end deal.
824
00:49:44,884 --> 00:49:45,895
Sound good?
825
00:49:46,160 --> 00:49:48,494
Yeah, as long as it’s not fucking Vivaldi.
826
00:49:48,621 --> 00:49:50,010
It’s not fucking Vivaldi.
827
00:49:50,035 --> 00:49:52,555
It’s great. No, no, no. It’s great.
828
00:49:52,864 --> 00:49:56,832
Definitely need piano.
Like fill in the guitar underneath.
829
00:49:56,874 --> 00:49:58,600
You got it. I love it.
830
00:49:59,265 --> 00:50:01,265
Steve, beautiful.
831
00:50:18,035 --> 00:50:19,258
Zach. What’s going on?
832
00:50:19,700 --> 00:50:20,700
I quit.
833
00:50:20,741 --> 00:50:21,741
Good luck girls.
834
00:50:22,826 --> 00:50:23,826
Keep in touch.
835
00:50:23,880 --> 00:50:25,205
When we get into that lead guitar thing.
836
00:50:25,309 --> 00:50:28,421
I want it to become just
a whole different kind of sound.
837
00:50:28,446 --> 00:50:30,965
I want it to be punk meets pop.
838
00:50:31,405 --> 00:50:33,238
And have some fun.
839
00:50:56,632 --> 00:50:57,632
Ah, he’s home.
840
00:51:02,241 --> 00:51:03,408
Dano, what’s up, man?
841
00:51:03,437 --> 00:51:06,489
Troublegum, my brother.
My troubles are over.
842
00:51:06,694 --> 00:51:08,726
What say you give me some love, man.
843
00:51:08,832 --> 00:51:10,251
This is it! Gangsta paradise.
844
00:51:10,311 --> 00:51:11,423
I’m glad to see you.
845
00:51:11,448 --> 00:51:12,358
Thanks to you.
846
00:51:12,392 --> 00:51:14,170
Give me a hug. I don’t know you.
847
00:51:14,195 --> 00:51:15,206
That’s Gretta.
848
00:51:15,376 --> 00:51:16,459
Great singer and songwriter.
849
00:51:16,728 --> 00:51:18,157
Let’s get another one.
850
00:51:18,520 --> 00:51:20,501
Where have you been?
It’s been two or years.
851
00:51:20,612 --> 00:51:22,273
I don’t appreciate this shit.
852
00:51:22,719 --> 00:51:24,843
Been on the down low a little bit.
Doing this. Doing that.
853
00:51:24,884 --> 00:51:27,259
Waiting for the next move.
854
00:51:27,359 --> 00:51:29,281
Anticipating the next groove.
855
00:51:29,980 --> 00:51:32,425
I know you got
a lot of shit to prove. Right?
856
00:51:32,462 --> 00:51:35,472
Been on the underground,
looking for that new sound.
857
00:51:36,080 --> 00:51:38,153
We aint fucking around.
858
00:51:38,926 --> 00:51:41,149
Cause if it ain’t right then it’s wrong.
859
00:51:41,174 --> 00:51:42,943
And the road is long,
860
00:51:42,964 --> 00:51:44,938
and you’re only as strong
861
00:51:44,964 --> 00:51:46,963
as your next move.
862
00:51:48,733 --> 00:51:50,432
You feel that?
863
00:51:50,777 --> 00:51:51,714
That’s pretty much it.
864
00:51:51,749 --> 00:51:54,728
Damn. That was like
some paranormal activity.
865
00:51:55,278 --> 00:51:56,299
You know me.
866
00:51:56,379 --> 00:51:58,275
I’m just so happy to see you, man.
867
00:51:59,262 --> 00:52:00,345
Yo! Fat Jimmy did you get that down.
868
00:52:00,762 --> 00:52:01,762
Yeah, I got it.
869
00:52:01,822 --> 00:52:03,196
Cause that was exceptionally good.
870
00:52:03,516 --> 00:52:04,600
Hold my hand, baby. Come on.
871
00:52:05,017 --> 00:52:06,573
How can I help you, brother?
872
00:52:06,600 --> 00:52:09,705
An outdoor album! That’s fucking crazy.
873
00:52:10,135 --> 00:52:11,533
I wish I could have thought of that.
874
00:52:11,603 --> 00:52:12,572
What do you want me to do?
875
00:52:12,606 --> 00:52:15,512
I need musicians.
I need a base player and a drummer.
876
00:52:15,579 --> 00:52:17,024
I got plenty of musicians.
877
00:52:17,049 --> 00:52:19,073
The problem is we can’t pay them.
878
00:52:21,924 --> 00:52:23,202
Fuck it. I’ll pay them.
879
00:52:23,227 --> 00:52:23,830
Why?
880
00:52:23,881 --> 00:52:25,944
What do you mean “why?” For him.
881
00:52:26,421 --> 00:52:27,442
Of course.
882
00:52:30,333 --> 00:52:33,281
Come on. Get your sexy self in the pool.
883
00:52:33,317 --> 00:52:34,317
I will kill you.
884
00:52:36,104 --> 00:52:38,272
She’s English. She’s a little uptight.
885
00:52:39,119 --> 00:52:40,842
Good luck on the album, Gretta.
886
00:52:40,867 --> 00:52:41,867
Thank you.
887
00:52:42,205 --> 00:52:45,220
Everything you see around here.
This crib. These cars.
888
00:52:45,863 --> 00:52:47,334
They’re because of him.
889
00:52:47,595 --> 00:52:49,087
I don’t ever forget that.
890
00:52:49,611 --> 00:52:50,278
I get it.
891
00:52:50,333 --> 00:52:51,260
No, no, no.
892
00:52:51,312 --> 00:52:53,229
You can’t know.
893
00:52:53,281 --> 00:52:56,337
A guy like that falls on his luck
for a couple of years.
894
00:52:56,362 --> 00:52:58,208
People lose sight of who he is.
895
00:52:58,249 --> 00:53:01,249
And they don’t treat him with the respect.
He deserves.
896
00:53:01,274 --> 00:53:03,402
Anything he’s saying is bullshit.
897
00:53:09,149 --> 00:53:10,483
Anything you need, okay?
898
00:53:10,508 --> 00:53:12,008
I love you, man. Thank you.
899
00:53:12,012 --> 00:53:13,012
I like her.
900
00:53:16,739 --> 00:53:19,530
Are you serious? Are you listening to this?
901
00:53:19,620 --> 00:53:22,682
We’re gonna use it. It’s gonna be genius.
902
00:53:24,166 --> 00:53:26,333
You’re a genius. I don’t have any fear.
903
00:53:26,358 --> 00:53:28,014
You don’t hear what I hear.
904
00:53:28,135 --> 00:53:30,191
You’re gonna make it real. I love it.
905
00:53:30,216 --> 00:53:31,240
Got it?
906
00:53:34,708 --> 00:53:38,320
907
00:53:43,453 --> 00:53:44,947
Take this.
908
00:53:48,135 --> 00:53:50,176
Little children. Yo! Yo! Yo!
909
00:53:50,533 --> 00:53:51,533
Let me see this for a second.
910
00:53:51,808 --> 00:53:53,750
I’m shooting a song down here...
911
00:53:53,794 --> 00:53:55,598
and I need you guys to be quiet
for five minutes.
912
00:53:55,681 --> 00:53:56,309
No way, man.
913
00:53:56,368 --> 00:53:57,385
I’ll pay you.
914
00:53:57,458 --> 00:53:58,653
915
00:53:58,770 --> 00:54:00,548
Hey, you’re funny. Five dollars.
916
00:54:00,573 --> 00:54:02,510
Five bucks for all of you guys.
917
00:54:02,647 --> 00:54:04,481
Okay. Two bucks! Two bucks each.
918
00:54:04,627 --> 00:54:05,658
No!
919
00:54:06,333 --> 00:54:09,145
All right. Five bucks each.
920
00:54:09,176 --> 00:54:12,454
Bring us five bucks and five lollipops.
One for each of us.
921
00:54:12,674 --> 00:54:14,952
Throw in a box of cigarettes and lighter.
922
00:54:15,652 --> 00:54:18,123
I’ll give you one cigarette for each of you
to smoke and you share it.
923
00:54:18,263 --> 00:54:20,819
And I’ll give you a pack of matches.
All right?
924
00:54:20,844 --> 00:54:21,229
Yes.
925
00:54:21,270 --> 00:54:22,322
Can you sing?
926
00:54:34,322 --> 00:54:40,704
♪ WHEN YOU WERE ASLEEP
AND I WAS OUT WALKING. ♪
927
00:54:40,851 --> 00:54:42,903
♪ THE VOICES STARTED TO SPEAK. ♪
928
00:54:44,374 --> 00:54:47,426
♪ AND THEY WOULDN’T STOP TALKING. ♪
929
00:54:47,679 --> 00:54:49,731
♪ THERE WERE SIGNS ALL AROUND. ♪
930
00:54:50,882 --> 00:54:54,788
♪ IT REALLY GOT MY MIND RACING. ♪
931
00:54:54,845 --> 00:54:56,845
♪ YOU WERE RIGHT ALL ALONG. ♪
932
00:54:57,944 --> 00:55:00,861
♪ SOMETHING’S GOTTA CHANGE ♪
933
00:55:03,777 --> 00:55:04,861
♪ HOLD ON. ♪
934
00:55:06,925 --> 00:55:09,904
♪ HOLD ON. THEY’RE NOT FOR ME. ♪
935
00:55:10,333 --> 00:55:12,229
♪ HOLD ON. ♪
936
00:55:12,819 --> 00:55:18,850
♪ CAUSE EVERYTHING’S COMING UP ROSES. ♪
937
00:55:22,976 --> 00:55:25,841
♪ ROSES. ♪
938
00:55:29,522 --> 00:55:31,543
♪ NOW WE’RE BACK ON THE STREET. ♪
939
00:55:32,812 --> 00:55:35,823
♪ FOR A SONG THAT’S WORTH SINGING... ♪
940
00:55:35,933 --> 00:55:38,850
♪ THE BLOODY NOSE OF DEFEAT. ♪
941
00:55:39,343 --> 00:55:43,176
♪ WHY ARE YOUR VICTORY BELLS RINGING? ♪
942
00:55:43,218 --> 00:55:46,229
♪ OH LIFE’S TURNED AROUND. ♪
943
00:55:46,865 --> 00:55:50,053
♪ FOR THIS THING YOU KEEP CHASING. ♪
944
00:55:50,611 --> 00:55:52,223
♪ YOU WERE RIGHT ALL ALONG. ♪
945
00:55:53,087 --> 00:55:56,108
♪ BUT IT’S ME WHO’S GOT TO CHANGE. ♪
946
00:55:58,902 --> 00:56:00,902
♪ HOLD ON. ♪
947
00:56:02,009 --> 00:56:05,092
♪ HOLD ON. THEY’RE NOT FOR ME. ♪
948
00:56:05,488 --> 00:56:07,488
♪ HOLD ON. ♪
949
00:56:07,857 --> 00:56:14,919
♪ CAUSE EVERYTHING’S COMING UP ROSES. ♪
950
00:56:15,988 --> 00:56:18,123
♪ HOLD ON, HOLD ON. ♪
951
00:56:20,208 --> 00:56:23,124
♪ HOLD ON, HOLD ON. ♪
952
00:56:23,436 --> 00:56:25,561
♪ HOLD ON, HOLD ON. ♪
953
00:56:26,301 --> 00:56:28,468
♪ HOLD ON, HOLD ON. ♪
954
00:56:29,866 --> 00:56:32,710
♪ HOLD ON, HOLD ON. ♪
955
00:56:34,148 --> 00:56:36,252
♪ HOLD ON, HOLD ON. ♪
956
00:56:37,074 --> 00:56:40,918
♪ HOLD ON, HOLD ON. ♪
957
00:56:42,301 --> 00:56:44,208
Yes! Yes! That was it.
958
00:56:45,057 --> 00:56:46,932
Yes! It’s gonna work!
959
00:56:54,145 --> 00:56:56,958
Oh my God! Is that the Empire State?
960
00:56:57,151 --> 00:56:58,151
Yeah, right here.
961
00:56:58,851 --> 00:57:01,747
Get up here. Get that.
962
00:57:02,179 --> 00:57:03,221
It’s really good.
963
00:57:03,270 --> 00:57:03,918
It’s great.
964
00:57:03,985 --> 00:57:05,355
The wind’s good, right?
965
00:57:05,442 --> 00:57:07,546
It’s not too loud. It’s good.
966
00:57:08,754 --> 00:57:11,921
And we can look into people’s windows
which is always fun.
967
00:57:11,963 --> 00:57:13,472
You want to come with me to get Violet.
968
00:57:13,514 --> 00:57:14,291
Is that okay?
969
00:57:14,333 --> 00:57:15,249
Yeah. Come on.
970
00:57:15,291 --> 00:57:17,322
My brother. There you go.
971
00:57:17,562 --> 00:57:18,697
Thank you very much.
972
00:57:32,270 --> 00:57:33,270
That’s her.
973
00:57:37,949 --> 00:57:40,074
This is Gretta. She’s the song writer
I was telling you about.
974
00:57:40,991 --> 00:57:42,103
My daughter, Violet.
975
00:57:42,128 --> 00:57:43,128
How are you doing?
976
00:57:53,301 --> 00:57:56,249
So who was the cute guy?
The one in the blue shirt.
977
00:57:56,330 --> 00:57:57,553
Greg. You noticed him?
978
00:57:58,204 --> 00:58:01,121
Sure. Who wouldn’t? He’s gorgeous.
979
00:58:01,769 --> 00:58:03,645
He’s totally out of our league.
980
00:58:03,705 --> 00:58:05,039
He’s out of your league?
981
00:58:06,281 --> 00:58:08,291
He didn’t look out of your league.
982
00:58:12,575 --> 00:58:14,408
Ignore him.
983
00:58:15,442 --> 00:58:17,695
How can you get someone to notice
you’re ignoring them...
984
00:58:17,749 --> 00:58:18,887
if they’re ignoring you?
985
00:58:18,947 --> 00:58:21,170
He’s not ignoring you. You’re beautiful.
986
00:58:21,195 --> 00:58:23,918
He knows you’re there.
He’s just hedging his bets.
987
00:58:26,354 --> 00:58:28,385
You have to be sure
that you actually like him.
988
00:58:28,833 --> 00:58:31,488
That he’s not just the guy in school
to be seen with.
989
00:58:31,530 --> 00:58:33,011
No, I do really like him.
990
00:58:33,064 --> 00:58:36,398
Well, then, you have to find a way
to get him to ask you out.
991
00:58:36,812 --> 00:58:38,324
Yes, but how?
992
00:58:38,429 --> 00:58:41,796
Well, for starters, stop dressing
like you’re totally easy!
993
00:58:45,054 --> 00:58:47,265
I thought this was sort of sexy.
It’s American Apparel.
994
00:58:47,459 --> 00:58:50,066
It is sort of sexy. It’s very, very sexy.
995
00:58:50,168 --> 00:58:54,002
But it doesn’t leave much
to the imagination. You know?
996
00:58:55,406 --> 00:58:56,406
I guess.
997
00:58:58,259 --> 00:58:59,593
You want to go shopping.
998
00:59:00,948 --> 00:59:01,948
I do.
999
00:59:02,049 --> 00:59:03,049
1000
00:59:03,103 --> 00:59:04,103
Okay, good.
1001
00:59:05,128 --> 00:59:06,295
We’re going shopping.
1002
00:59:16,962 --> 00:59:18,296
1003
00:59:18,881 --> 00:59:20,716
Good luck with the rest of your album.
It sounds cool.
1004
00:59:20,928 --> 00:59:21,610
Thank you.
1005
00:59:21,914 --> 00:59:23,012
You have your key?
1006
00:59:23,081 --> 00:59:24,081
Yep.
1007
00:59:24,472 --> 00:59:26,472
Hey you should come sing on a track?
1008
00:59:26,791 --> 00:59:28,604
I can’t sing.
1009
00:59:29,204 --> 00:59:30,444
I can play like a bit of guitar.
1010
00:59:30,509 --> 00:59:32,257
Can you? We’re doing one on Thursday.
1011
00:59:32,334 --> 00:59:34,189
It will be really simple.
You should come and play.
1012
00:59:34,381 --> 00:59:35,381
Can I dad?
1013
00:59:35,518 --> 00:59:38,434
I need to contemplate that.
1014
00:59:42,078 --> 00:59:44,098
What are you doing? That ain’t cool.
1015
00:59:49,085 --> 00:59:52,064
I don’t know if she can play guitar
well enough to play on a track.
1016
00:59:52,286 --> 00:59:55,286
I don’t won’t to embarrass her.
What if she can’t play?
1017
00:59:55,635 --> 00:59:58,024
Look, it’s going to be easy. Let her do it.
1018
01:00:06,475 --> 01:00:07,475
Yeah?
1019
01:00:08,187 --> 01:00:09,302
Hey, babe.
1020
01:00:11,697 --> 01:00:12,749
Where’s Violet?
1021
01:00:14,436 --> 01:00:15,468
Violet?
1022
01:00:16,595 --> 01:00:20,616
I was wondering...
You think it would be cool if she came...
1023
01:00:20,735 --> 01:00:24,807
and played guitar on a song
I’m recording on Thursday?
1024
01:00:26,666 --> 01:00:27,749
She’s terrible on guitar.
1025
01:00:27,791 --> 01:00:28,739
She’s not bad.
1026
01:00:28,781 --> 01:00:30,666
I think she’ll be okay.
1027
01:00:31,447 --> 01:00:32,364
When will she...?
1028
01:00:32,421 --> 01:00:34,296
Five o’clock. Will you bring her?
1029
01:00:35,314 --> 01:00:36,610
It’s up to you.
1030
01:00:36,773 --> 01:00:39,985
I’ll text you the address.
Why don’t you come to?
1031
01:00:44,348 --> 01:00:45,348
No way.
1032
01:00:46,604 --> 01:00:48,438
Come on. Just come. It’ll be fun.
1033
01:00:48,573 --> 01:00:49,900
I want you to come.
1034
01:00:50,663 --> 01:00:51,775
I’ll think about it.
1035
01:00:53,115 --> 01:00:54,838
1036
01:01:13,168 --> 01:01:15,835
You know it was nice to see you
and Violet today.
1037
01:01:17,871 --> 01:01:19,871
It must be hard not seeing her more.
1038
01:01:19,938 --> 01:01:20,969
Yeah it’s...
1039
01:01:23,488 --> 01:01:25,307
So why don’t you?
1040
01:01:26,209 --> 01:01:28,654
She obviously really needs
her father around.
1041
01:01:29,168 --> 01:01:31,668
What are you
the fucking Social Services now?
1042
01:01:31,693 --> 01:01:33,746
No. I mean I’m just saying...
1043
01:01:34,825 --> 01:01:37,437
It must have been fairly tense
for you to leave.
1044
01:01:37,462 --> 01:01:40,796
Especially seeing as how much
she obviously wants you around.
1045
01:01:44,630 --> 01:01:47,186
I’m gonna split.
I’ll see you tomorrow morning.
1046
01:01:58,432 --> 01:01:59,516
Fuck, man.
1047
01:02:03,901 --> 01:02:04,901
Dan?
1048
01:02:06,040 --> 01:02:07,988
Hey, look. I’m sorry.
1049
01:02:08,753 --> 01:02:09,361
I’m sorry.
1050
01:02:09,464 --> 01:02:13,050
What do you want from me?
What game are you playing?
1051
01:02:13,240 --> 01:02:14,352
What does that mean?
1052
01:02:15,529 --> 01:02:16,529
I just...
1053
01:02:16,771 --> 01:02:17,308
What?
1054
01:02:17,334 --> 01:02:19,168
I saw how sweet she was today...
1055
01:02:19,209 --> 01:02:21,209
and I just felt sorry
for you being away from that.
1056
01:02:21,242 --> 01:02:23,223
That is such a crock of shit.
You were back there judging me.
1057
01:02:23,297 --> 01:02:25,245
You think that I left that relationship...
1058
01:02:25,365 --> 01:02:27,976
because I’m some sort of selfish,
depressed prick.
1059
01:02:28,013 --> 01:02:29,336
Which I am, by the way.
1060
01:02:29,386 --> 01:02:31,272
No. I don’t think you’re a selfish,
depressed prick.
1061
01:02:31,313 --> 01:02:34,178
I think you’ve let your troubles get in
the way of your entire life.
1062
01:02:34,220 --> 01:02:37,334
Oh, babe. You’re really showing
your age right now.
1063
01:02:37,376 --> 01:02:40,293
You have no idea what happens
between two people...
1064
01:02:40,334 --> 01:02:42,251
after 18 years of marriage.
1065
01:02:42,293 --> 01:02:45,293
And because you’re willing
to hang around for some asshole...
1066
01:02:45,334 --> 01:02:47,850
after he totally betrayed you,
that’s your business.
1067
01:02:47,930 --> 01:02:49,722
Oh no. I’m sorry. You’re right.
1068
01:02:49,747 --> 01:02:52,250
I put a lot of time and effort
into that relationship. And no!
1069
01:02:52,334 --> 01:02:55,109
I’m not walking away just because of
a bump in the road!
1070
01:02:55,178 --> 01:02:56,261
Bump in the road?
1071
01:02:56,334 --> 01:03:00,188
I left that relationship cause
I was having a nervous breakdown.
1072
01:03:00,230 --> 01:03:02,261
And she was out there
fucking some other guy...
1073
01:03:02,303 --> 01:03:04,261
planning how she was gonna start
a whole new life with him...
1074
01:03:04,303 --> 01:03:06,415
when I was here taking care of my kid!
1075
01:03:07,209 --> 01:03:09,987
You have no fucking clue
what you’re talking about!
1076
01:03:10,168 --> 01:03:11,324
You know nothing!
1077
01:03:24,649 --> 01:03:27,230
She goes a year up to work on a junket.
1078
01:03:27,272 --> 01:03:32,240
And she ends up meeting
and falling in love with this singer.
1079
01:03:32,282 --> 01:03:37,178
Bang. Boom. Thunder, lightning. Fireworks.
The whole bit.
1080
01:03:38,129 --> 01:03:42,450
And the arrangement was that
they were gonna come back...
1081
01:03:42,496 --> 01:03:44,980
and tell their partners that
they had fallen in love...
1082
01:03:45,016 --> 01:03:47,137
and they’re gonna spend
the rest of their lives together.
1083
01:03:47,220 --> 01:03:50,251
And so I go to the airport
to pick her up...
1084
01:03:50,293 --> 01:03:54,178
and she just comes out with it first off.
Whole story.
1085
01:03:54,261 --> 01:03:57,188
Then next day her bags are all packed...
1086
01:03:57,230 --> 01:03:59,842
and we’re telling Violet
what’s going to happen.
1087
01:04:00,220 --> 01:04:01,214
So what did happen?
1088
01:04:01,272 --> 01:04:04,384
He choked. He got on the airplane.
Went back to his life.
1089
01:04:04,426 --> 01:04:07,041
Turned his phone off
and she never heard from him again.
1090
01:04:07,102 --> 01:04:08,797
I move into another bedroom.
1091
01:04:09,199 --> 01:04:12,199
She’s waiting around for a phone call
that never comes.
1092
01:04:12,224 --> 01:04:13,359
And I turn into a...
1093
01:04:17,829 --> 01:04:19,797
I lose my shit a little bit.
1094
01:04:21,397 --> 01:04:23,178
So sorry.
1095
01:04:23,220 --> 01:04:24,220
No.
1096
01:04:24,939 --> 01:04:26,991
Maybe people in the music industry don’t...
1097
01:04:27,076 --> 01:04:29,866
just don’t make good life partners.
Or fathers.
1098
01:04:29,970 --> 01:04:31,970
Yeah. It certainly looks that way.
1099
01:04:34,568 --> 01:04:37,364
I didn’t mean about the father’s bit.
You make a very good father.
1100
01:04:37,410 --> 01:04:38,310
Yeah, right.
1101
01:04:38,375 --> 01:04:40,250
Maybe just not a good partner.
1102
01:04:46,578 --> 01:04:47,599
What is that?
1103
01:04:47,734 --> 01:04:49,693
This? That’s a splitter.
1104
01:04:50,507 --> 01:04:53,121
For two headphones go into one input.
1105
01:04:53,776 --> 01:04:57,401
It’s actually from my first date
with Miriam.
1106
01:04:57,651 --> 01:04:58,651
It is?
1107
01:04:59,578 --> 01:05:00,666
Where’d you meet?
1108
01:05:00,721 --> 01:05:04,651
We walked all over the city,
listening to her CD player.
1109
01:05:05,734 --> 01:05:08,213
I don’t think we said
more than two words...
1110
01:05:08,296 --> 01:05:09,963
to each other the whole night.
1111
01:05:09,988 --> 01:05:13,322
That was New Year’s Eve
and we were married two months later.
1112
01:05:14,630 --> 01:05:15,693
That’s lovely.
1113
01:05:16,588 --> 01:05:17,877
What kind of music you got on your phone?
1114
01:05:18,693 --> 01:05:21,651
I’m not giving you access
to my music library. I’m really not.
1115
01:05:21,693 --> 01:05:25,082
There’s a lot of embarrassing,
very guilty pleasures in there.
1116
01:05:25,107 --> 01:05:25,755
Mine too.
1117
01:05:25,797 --> 01:05:29,186
You can tell a lot about a person
by what’s on their playlist.
1118
01:05:29,211 --> 01:05:31,545
I know you can. That’s what’s worrying me.
1119
01:05:32,609 --> 01:05:33,992
So are we gonna do this?
1120
01:05:34,281 --> 01:05:36,765
Okay. Let’s do it.
1121
01:06:22,182 --> 01:06:24,296
This is a really good choice!
1122
01:06:27,752 --> 01:06:28,619
Oh yeah.
1123
01:06:28,689 --> 01:06:30,682
Genius. Perfect. Right?
1124
01:06:30,724 --> 01:06:31,724
Yeah. Yeah.
1125
01:06:37,117 --> 01:06:38,562
Oh no! I forgot the words!
1126
01:06:40,238 --> 01:06:41,961
Okay! Okay, we’ve got to dance.
1127
01:06:41,986 --> 01:06:42,693
What?
1128
01:06:42,968 --> 01:06:44,059
We’ve got to dance!
1129
01:06:44,693 --> 01:06:47,305
1130
01:06:47,949 --> 01:06:49,630
This way.
1131
01:07:52,432 --> 01:07:55,488
I’m quite frightened cause
you might find this cheesy...
1132
01:07:55,513 --> 01:07:59,069
but it is one of my favorite songs
from one of my favorite films.
1133
01:07:59,094 --> 01:08:00,177
Are you ready?
1134
01:08:07,440 --> 01:08:08,491
It’s good, right?
1135
01:08:36,630 --> 01:08:38,630
That’s what I love about music.
1136
01:08:38,672 --> 01:08:39,588
What?
1137
01:08:39,630 --> 01:08:42,464
One of the most banal scenes
is suddenly invested...
1138
01:08:42,523 --> 01:08:43,690
with so much meaning.
1139
01:08:43,715 --> 01:08:45,588
All these banalities.
1140
01:08:45,630 --> 01:08:47,686
They’re suddenly turned into these...
1141
01:08:47,711 --> 01:08:50,701
these beautiful, effervescent pearls.
1142
01:08:50,776 --> 01:08:52,693
From music.
1143
01:09:03,919 --> 01:09:07,640
I’ve gotta say,
as I’ve gotten older these pearls...
1144
01:09:07,682 --> 01:09:11,776
are just becoming
increasingly more and more rare to me.
1145
01:09:13,356 --> 01:09:14,792
More string than pearls?
1146
01:09:16,661 --> 01:09:20,672
You’ve got to travel over a lot
more string to get to the pearls.
1147
01:09:22,161 --> 01:09:23,884
This moment is a pearl, Gretta.
1148
01:09:24,568 --> 01:09:25,902
It sort of is, isn’t it?
1149
01:09:26,651 --> 01:09:28,630
All of this has been a pearl.
1150
01:09:56,568 --> 01:09:57,599
Hey guys!
1151
01:09:59,309 --> 01:10:00,226
Hi.
1152
01:10:00,260 --> 01:10:01,271
Hello Steve.
1153
01:10:01,724 --> 01:10:05,169
Come on and check it out.
Your boyfriend just won a Music Gong.
1154
01:10:05,278 --> 01:10:06,278
No way.
1155
01:10:06,482 --> 01:10:07,649
You won’t believe it.
1156
01:10:07,693 --> 01:10:09,672
He’s done something to his face.
1157
01:10:09,713 --> 01:10:11,786
Wow. Thank you so much.
1158
01:10:11,919 --> 01:10:14,642
I’m a bit taken aback by this.
This is incredible.
1159
01:10:14,776 --> 01:10:17,609
It just proves that a guy from nowhere...
1160
01:10:17,651 --> 01:10:21,599
can actually make it
if he follows his dreams.
1161
01:10:21,786 --> 01:10:23,731
I’ve been practicing this speech...
1162
01:10:23,756 --> 01:10:26,704
into a shampoo bottle
in the shower my entire life.
1163
01:10:30,585 --> 01:10:31,658
Gosh. Thank you.
1164
01:10:32,599 --> 01:10:33,682
Nice beard, you fucking loser.
1165
01:10:33,724 --> 01:10:34,724
What dreams?
1166
01:10:34,765 --> 01:10:37,877
We never had those dreams.
I don’t remember those dreams.
1167
01:10:37,939 --> 01:10:38,939
How do you know?
1168
01:10:38,970 --> 01:10:40,672
Because, I know him.
1169
01:10:41,903 --> 01:10:43,626
Maybe they were private dreams.
1170
01:10:44,108 --> 01:10:46,331
Maybe he just never told you about them.
1171
01:10:47,191 --> 01:10:49,170
Who was I living
with for the last five years?
1172
01:10:49,212 --> 01:10:52,824
Baby, you’ve been living with a rock star.
Only he didn’t know it.
1173
01:10:52,849 --> 01:10:53,891
It didn’t matter.
1174
01:10:54,318 --> 01:10:55,690
But now that he does,
I’ve gotta tell you...
1175
01:10:55,740 --> 01:10:57,463
these people get married to it.
1176
01:10:57,488 --> 01:10:59,613
They fall in love with the music.
They fall in love with the lights.
1177
01:11:00,108 --> 01:11:02,180
They fall in love with the road.
The chicks. All that shit.
1178
01:11:02,949 --> 01:11:04,838
And no matter how hard he tries...
1179
01:11:04,903 --> 01:11:07,820
he’s never gonna be able
to make a woman happy.
1180
01:11:10,191 --> 01:11:11,469
See you in the morning.
1181
01:11:13,191 --> 01:11:14,108
See you.
1182
01:11:14,176 --> 01:11:15,343
He just looks a dick.
1183
01:11:15,373 --> 01:11:16,714
Why would he do that?
1184
01:11:16,763 --> 01:11:18,222
I don’t know. Well why would anyone?
1185
01:11:18,285 --> 01:11:19,274
I’ll tell you why he did it.
1186
01:11:19,316 --> 01:11:21,274
Cause he wants to look like
the guy who doesn’t realize it.
1187
01:11:21,316 --> 01:11:22,726
“Oh! I’ve grown a beard!”
1188
01:11:23,118 --> 01:11:25,149
“I was so busy,
lost inside myself writing music...
1189
01:11:25,191 --> 01:11:28,274
I didn’t realize
I’d grown a beard the size of my neck.”
1190
01:11:28,316 --> 01:11:31,180
I’m gonna sound quite cheesy over it.
1191
01:11:32,638 --> 01:11:34,554
I loved him like a fool.
1192
01:11:34,850 --> 01:11:36,115
I don’t think that’s cheesy.
1193
01:11:36,136 --> 01:11:38,525
I think that sounds like a phenomenal song.
1194
01:11:38,550 --> 01:11:39,038
Does it?
1195
01:11:39,118 --> 01:11:41,047
It sounds like a song
and I think it sounds like a song...
1196
01:11:41,139 --> 01:11:43,108
that you should write right now.
You should write it down.
1197
01:11:43,149 --> 01:11:44,149
Write it down.
1198
01:11:45,123 --> 01:11:47,164
Write it down, cause you’re in the zone.
Say, “I’m in the zone.”
1199
01:11:47,316 --> 01:11:48,253
I’m in the zone.
1200
01:11:48,295 --> 01:11:50,222
Don’t say it like
you’re those posh English girls.
1201
01:11:50,264 --> 01:11:53,118
Say it like someone in New York.
Say, “I’m in the fucking zone.”
1202
01:11:53,160 --> 01:11:55,108
1203
01:11:55,149 --> 01:11:57,118
I’ve gotta write a song.
And I don’t give a shit.”
1204
01:11:57,160 --> 01:11:59,605
I’m gonna write a song.
No, actually shut up.
1205
01:11:59,630 --> 01:12:01,742
All right. I’m shushing. I’m shushing.
1206
01:12:02,149 --> 01:12:02,812
Dialing.
1207
01:12:03,149 --> 01:12:04,372
All right, here we go.
1208
01:12:04,571 --> 01:12:05,592
Speaker.
1209
01:12:06,108 --> 01:12:07,170
Hey, this is Dave Kohl.
1210
01:12:07,212 --> 01:12:09,865
I am probably busy doing something awesome...
1211
01:12:09,930 --> 01:12:11,344
so leave me a message...
1212
01:12:11,370 --> 01:12:14,759
and I probably won’t be able
to get back to you. At all. Ever.
1213
01:12:25,139 --> 01:12:29,108
♪ WE TAKE A CHANCE FROM TIME TO TIME... ♪
1214
01:12:33,222 --> 01:12:37,191
♪ AND PUT OUR NECKS OUT ON THE LINE. ♪
1215
01:12:41,326 --> 01:12:46,108
♪ AND YOU HAVE BROKEN EVERY PROMISE... ♪
1216
01:12:46,149 --> 01:12:48,316
♪ THAT WE MADE ♪
1217
01:12:50,170 --> 01:12:53,222
♪ AND I HAVE LOVED YOU ANYWAY. ♪
1218
01:13:01,139 --> 01:13:08,347
♪ TOOK A FINE TIME TO LEAVE ME ♪
♪ HANGING OUT TO DRY. ♪
1219
01:13:09,212 --> 01:13:13,253
♪ UNDERSTAND NOW I’M GRIEVING... ♪
1220
01:13:13,991 --> 01:13:17,160
♪ SO DON’T YOU WASTE MY TIME. ♪
1221
01:13:19,180 --> 01:13:21,274
♪ CAUSE YOU HAVE TAKEN... ♪
1222
01:13:21,316 --> 01:13:25,347
♪ ALL THE WIND OUT FROM MY SAILS ♪
1223
01:13:27,497 --> 01:13:30,918
♪ AND I HAVE LOVED YOU JUST THE SAME. ♪
1224
01:13:31,884 --> 01:13:36,108
♪ WE FINALLY FIND THIS, THEN YOU’RE GONE ♪
1225
01:13:40,118 --> 01:13:44,222
♪ BEEN CHASING RAINBOWS ALL ALONG. ♪
1226
01:13:48,552 --> 01:13:50,667
♪ AND YOU HAVE CURSED ME ♪
1227
01:13:51,108 --> 01:13:54,316
♪ WHEN THERE’S NO ONE LEFT TO BLAME ♪
1228
01:13:57,216 --> 01:14:00,455
♪ AND I HAVE LOVED YOU JUST THE SAME. ♪
1229
01:14:26,108 --> 01:14:28,160
♪ AND YOU HAVE BROKEN ♪
1230
01:14:28,201 --> 01:14:32,139
♪ EVERY SINGLE FUCKING RULE ♪
1231
01:14:34,149 --> 01:14:38,201
♪ AND I HAVE LOVED YOU LIKE A FOOL. ♪
1232
01:14:43,318 --> 01:14:44,318
One more?
1233
01:15:59,203 --> 01:16:00,203
Hey!
1234
01:16:00,337 --> 01:16:04,108
Everybody! This is Miriam.
1235
01:16:04,149 --> 01:16:05,149
This is Gretta.
1236
01:16:05,454 --> 01:16:07,329
This is my daughter Violet.
1237
01:16:09,191 --> 01:16:10,285
Miriam. Thank you.
1238
01:16:12,139 --> 01:16:13,473
It’s not too high is it?
1239
01:16:13,764 --> 01:16:15,876
It’s not too high for a bass. Exactly.
1240
01:16:16,717 --> 01:16:19,217
No one should play bass
unless it’s this high.
1241
01:16:19,242 --> 01:16:21,631
You want me to set
your amp or are you good?
1242
01:16:22,191 --> 01:16:24,212
Hold up. Hold up. Hold up.
1243
01:16:25,191 --> 01:16:29,316
Rachel. At the top,
come in a little more gradually.
1244
01:16:29,679 --> 01:16:30,436
Bad Jimmy!
1245
01:16:30,515 --> 01:16:31,253
Yo, what’s up?
1246
01:16:31,295 --> 01:16:32,212
Come on, man.
1247
01:16:32,253 --> 01:16:33,191
All right. I got you.
1248
01:16:33,233 --> 01:16:35,897
The police ain’t gonna get you up here.
Let’s hear that bass.
1249
01:16:36,078 --> 01:16:37,217
I got you, baby. I got you.
1250
01:16:37,274 --> 01:16:39,233
Wait a minute. Do you play bass?
1251
01:16:39,274 --> 01:16:41,219
You were out of tune. You are flat.
1252
01:16:41,261 --> 01:16:44,428
Because I read on the internet
that you used to play bass.
1253
01:16:44,453 --> 01:16:47,264
If we can get Violet
doing some guitar on this?
1254
01:16:47,305 --> 01:16:49,375
This should be a family affair.
1255
01:16:49,516 --> 01:16:51,961
I’m a producer
cause I don’t play bass, baby.
1256
01:16:51,986 --> 01:16:55,233
Yes you are! You gotta do it.
You gotta do it!
1257
01:16:55,295 --> 01:16:57,149
All right! All right!
1258
01:16:57,295 --> 01:16:59,649
Come in whenever you want. You can wait.
1259
01:17:00,149 --> 01:17:02,118
Just keep it simple.
1260
01:17:02,875 --> 01:17:04,781
I don’t know if I’m gonna play.
1261
01:17:05,787 --> 01:17:07,437
Whatever.
If you feel like it you do it. Okay?
1262
01:17:08,227 --> 01:17:10,524
It’s totally cool.
But don’t feel like you have to overdo it…
1263
01:17:10,602 --> 01:17:13,148
or prove anything to anybody.
These guys are all, serious...
1264
01:17:13,187 --> 01:17:15,132
"Dave Kohl
Voicemail & Missed Call."
1265
01:17:15,157 --> 01:17:17,784
Guys? Sorry. Can we take five?
1266
01:17:17,860 --> 01:17:19,360
All right. Let’s take five.
1267
01:17:19,850 --> 01:17:21,338
Five, not ten.
1268
01:17:24,923 --> 01:17:27,501
Hey. I’m back in New York for a gig.
1269
01:17:27,579 --> 01:17:30,141
I got your singing message.
I have to see you.
1270
01:17:30,996 --> 01:17:32,944
Call me. Please call me.
1271
01:17:45,819 --> 01:17:50,975
♪ OH MAYBE YOU DON’T HAVE TO KILL SO KIND, ♪
1272
01:17:51,829 --> 01:17:56,912
♪ PRETEND TO EASE MY MIND, ♪
♪ WHEN BABY YOU WON’T. ♪
1273
01:17:58,902 --> 01:18:03,996
♪ OH SUGAR, YOU DON’T HAVE TO BE SO SWEET ♪
1274
01:18:04,860 --> 01:18:07,850
♪ I KNOW WHO YOU’RE GOING TO MEET ♪
1275
01:18:08,027 --> 01:18:10,048
♪ DON’T SAY THAT I DON’T. ♪
1276
01:18:11,985 --> 01:18:17,975
♪ SO MAYBE I WON’T LET YOUR MEMORY HAUNT ME ♪
1277
01:18:18,412 --> 01:18:23,933
♪ I’LL BE SLEEPWALKING WITH THE LONELY ♪
1278
01:18:24,860 --> 01:18:27,027
♪ IF YOU’RE TAKING ME HOME. ♪
1279
01:18:27,850 --> 01:18:30,048
♪ TELL ME IF I’M BACK ON MY OWN ♪
1280
01:18:30,933 --> 01:18:33,902
♪ GIVING BACK A HEART THAT’S ON LOAN ♪
1281
01:18:33,964 --> 01:18:36,964
♪ JUST TELL ME IF YOU WANNA GO HOME. ♪
1282
01:18:37,839 --> 01:18:40,058
♪ TELL ME IF YOU WANNA GO HOME. ♪
1283
01:18:40,954 --> 01:18:43,985
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1284
01:18:44,058 --> 01:18:47,027
♪ GIVING BACK A HEART THAT’S ALONE. ♪
1285
01:18:47,891 --> 01:18:50,860
♪ TELL ME IF YOU WANNA GO HOME. ♪
1286
01:19:01,839 --> 01:19:03,944
♪ IF YOU’RE TAKING ME HOME. ♪
1287
01:19:04,819 --> 01:19:07,048
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1288
01:19:07,871 --> 01:19:10,860
♪ GIVING BACK A HEART THAT’S ON LOAN. ♪
1289
01:19:11,412 --> 01:19:14,860
♪ TELL ME IF YOU WANNA GO, ♪
♪ WANNA GO, WANNA GO, ♪
1290
01:19:15,944 --> 01:19:21,902
♪ CAUSE I’M JUST NOT SURE ♪
♪ HOW TO GET BACK THERE. ♪
1291
01:19:22,860 --> 01:19:28,058
♪ "AND I JUST CAN’T BEAR ♪
♪ IF YOU’RE NOT THERE." ♪
1292
01:19:28,059 --> 01:19:30,975
♪ IF YOU’RE TAKING ME HOME. ♪
1293
01:19:31,058 --> 01:19:33,944
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1294
01:19:34,860 --> 01:19:37,058
♪ GIVING BACK A HEART THAT’S ON LOAN. ♪
1295
01:19:37,912 --> 01:19:40,933
♪ JUST TELL ME IF YOU WANNA GO HOME. ♪
1296
01:20:03,912 --> 01:20:05,860
Turn down that fucking music!
1297
01:20:05,902 --> 01:20:07,402
Give us three more minutes!
1298
01:20:52,549 --> 01:20:55,933
Oh my God! Oh, Violet!
1299
01:21:03,488 --> 01:21:06,902
And now the police! Come on, let’s go.
1300
01:21:21,860 --> 01:21:22,819
Hello.
1301
01:21:22,860 --> 01:21:23,860
Congratulations.
1302
01:21:23,902 --> 01:21:26,347
Thank you. We should have a toast.
Right now.
1303
01:21:26,600 --> 01:21:27,605
To your album?
1304
01:21:27,677 --> 01:21:28,948
To our album.
1305
01:21:34,198 --> 01:21:35,209
Really?
1306
01:21:35,881 --> 01:21:38,850
Don’t get too excited.
I’m just trying it out.
1307
01:21:41,068 --> 01:21:42,802
Should we toast to that?
1308
01:21:47,985 --> 01:21:50,227
Goddamn. How do people drink that?
1309
01:21:57,902 --> 01:21:59,850
We’re going to play a game.
1310
01:21:59,891 --> 01:22:03,839
I’m going to play a song
that is impossible to not dance to.
1311
01:22:03,881 --> 01:22:06,944
I defy you not to dance to this song.
1312
01:22:16,027 --> 01:22:17,975
This is good.
1313
01:22:21,027 --> 01:22:23,944
You know you want to. You know you want to!
1314
01:22:28,912 --> 01:22:31,006
Oh, you know you want to. You do.
1315
01:22:31,944 --> 01:22:35,027
Oh! There it is! There it is!
1316
01:23:19,891 --> 01:23:21,669
I’m gonna give them a ride home.
1317
01:23:22,385 --> 01:23:23,830
1318
01:23:26,881 --> 01:23:28,270
Thank you for everything.
1319
01:23:28,295 --> 01:23:29,907
No, thank you for everything.
1320
01:24:07,850 --> 01:24:10,058
OK asshole, let’s meet.
1321
01:24:18,271 --> 01:24:19,774
So how was touring?
1322
01:24:20,489 --> 01:24:23,541
Touring was amazing. Grueling. Punishing.
1323
01:24:24,107 --> 01:24:25,169
Inspiring.
1324
01:24:25,590 --> 01:24:27,025
Did you find yourself?
1325
01:24:27,138 --> 01:24:28,138
I don’t know.
1326
01:24:28,940 --> 01:24:31,218
Well, you certainly found a beard anyway.
1327
01:24:31,243 --> 01:24:32,299
Look at that thing.
1328
01:24:33,086 --> 01:24:34,950
1329
01:24:39,117 --> 01:24:41,469
Did Mim go with you? On tour?
1330
01:24:41,652 --> 01:24:43,344
You just wanna go straight into this then?
1331
01:24:43,481 --> 01:24:44,418
1332
01:24:44,479 --> 01:24:47,035
Are you the happiest couple ever?
Or did you...
1333
01:24:47,148 --> 01:24:50,537
break up after a month
and she came back to New York on a bus.
1334
01:24:50,562 --> 01:24:53,448
It was a train actually.
1335
01:24:55,723 --> 01:24:57,335
I’m sorry. I’m being a bitch.
1336
01:24:57,360 --> 01:24:58,370
No.
1337
01:24:59,393 --> 01:25:00,476
You’re entitled.
1338
01:25:02,972 --> 01:25:05,931
So, what’ve you been up to?
1339
01:25:07,510 --> 01:25:08,656
HOLD ON.
1340
01:25:10,573 --> 01:25:13,552
HOLD ON. THEY’RE NOT FALLING…
1341
01:25:13,573 --> 01:25:17,127
God... It’s amazing, Gretta.
1342
01:25:17,335 --> 01:25:18,335
Really?
1343
01:25:18,336 --> 01:25:22,315
Totally. Ambient sound. The city.
1344
01:25:23,794 --> 01:25:25,850
And that’s it? No over-dubs? Nothing?
1345
01:25:25,875 --> 01:25:28,209
No, no, no. It’s just the way you hear it.
1346
01:25:28,234 --> 01:25:29,290
God, it’s so great.
1347
01:25:29,656 --> 01:25:31,287
And they’re really offering you a deal.
1348
01:25:31,341 --> 01:25:34,570
Well, I don’t know.
He has to play it to his partner first.
1349
01:25:35,073 --> 01:25:36,073
So, we’ll see.
1350
01:25:38,834 --> 01:25:41,446
I cannot believe
what he’s done with your songs.
1351
01:25:41,471 --> 01:25:42,638
I know. He’s amazing.
1352
01:25:42,737 --> 01:25:44,793
You should get him to do your record.
1353
01:25:44,818 --> 01:25:45,870
Ah, it’s too late.
1354
01:25:47,025 --> 01:25:49,414
I just finished mastering the record in LA.
1355
01:25:49,684 --> 01:25:52,296
Yeah, I recorded in various studios
on the road.
1356
01:25:52,321 --> 01:25:54,046
Wow. So what’s it called?
1357
01:25:54,379 --> 01:25:55,420
“On the Road.”
1358
01:25:59,066 --> 01:26:00,983
So it’s kind of like Kerouac.
1359
01:26:01,985 --> 01:26:02,996
Yeah.
1360
01:26:03,317 --> 01:26:06,040
Yeah it is.
That’s actually a terrible album name.
1361
01:26:06,824 --> 01:26:07,824
No.
1362
01:26:08,699 --> 01:26:09,761
It worked for him.
1363
01:26:10,202 --> 01:26:12,077
No. It’s bad.
1364
01:26:12,186 --> 01:26:14,019
I know that you now it’s bad.
1365
01:26:14,319 --> 01:26:15,371
No. I’m... I’m…
1366
01:26:18,379 --> 01:26:19,991
Would you like to go hear it?
1367
01:26:20,481 --> 01:26:21,815
I would love to hear it.
1368
01:26:22,687 --> 01:26:27,615
♪ BUT ARE WE ALL LOST STARS ♪
1369
01:26:27,656 --> 01:26:32,510
♪ TRYING TO LIGHT UP THE DARK. ♪
1370
01:26:33,531 --> 01:26:36,542
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1371
01:26:37,708 --> 01:26:40,698
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1372
01:26:42,677 --> 01:26:45,656
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1373
01:26:45,698 --> 01:26:47,677
♪ OH, JUST THE SAME. ♪
1374
01:26:50,559 --> 01:26:51,559
All right.
1375
01:26:52,526 --> 01:26:53,609
What do you think?
1376
01:26:55,602 --> 01:26:57,658
I think I need to listen to it again.
1377
01:26:57,683 --> 01:26:58,683
No.
1378
01:26:58,904 --> 01:27:00,904
No, I want your immediate reaction.
1379
01:27:01,097 --> 01:27:02,993
My immediate reaction?
1380
01:27:03,954 --> 01:27:04,975
Okay.
1381
01:27:05,435 --> 01:27:09,298
I think that you’ve lost the songs
in the production.
1382
01:27:10,971 --> 01:27:12,919
Okay, take ”Lost Stars.”
1383
01:27:12,951 --> 01:27:14,899
I wrote it as a ballad.
1384
01:27:15,539 --> 01:27:17,873
And it sounds like a piece of stadium pop.
1385
01:27:18,396 --> 01:27:20,693
Yeah but, I wanted to turn it into a hit.
1386
01:27:20,899 --> 01:27:21,899
Why?
1387
01:27:21,953 --> 01:27:23,328
Why? What kind of question is that?
1388
01:27:23,384 --> 01:27:25,413
You’re the writer.
You get sole writing credit on it, Gretta.
1389
01:27:25,496 --> 01:27:26,663
This is huge for you.
1390
01:27:26,688 --> 01:27:30,740
Yeah, but you weren’t supposed
to lose the song in it. It’s…
1391
01:27:32,552 --> 01:27:33,552
It’s delicate.
1392
01:27:33,583 --> 01:27:36,490
I really…
I think you should get it remixed.
1393
01:27:36,531 --> 01:27:38,948
Yeah but, everyone loves it
when we do it. It’s amazing.
1394
01:27:38,997 --> 01:27:41,495
You have to come see it live.
The reaction to it.
1395
01:27:41,573 --> 01:27:42,615
The energy in the room just changes.
1396
01:27:42,656 --> 01:27:44,635
Why are you so worried
about what other people think?
1397
01:27:44,677 --> 01:27:46,035
It’s our song.
1398
01:27:46,103 --> 01:27:49,770
It is, but… Isn’t that what music is about?
Sharing it with people.
1399
01:27:49,795 --> 01:27:51,380
No, not that song, Dave.
1400
01:27:52,462 --> 01:27:54,846
Okay. Then… Who do we get to remix this?
1401
01:27:55,084 --> 01:27:56,596
Mim. Maybe you should get Mim to remix it.
1402
01:27:56,957 --> 01:28:00,124
Really? So this is obviously not anything
about the album.
1403
01:28:00,149 --> 01:28:01,149
You think?
1404
01:28:06,930 --> 01:28:09,375
Don’t become this music biz couple,
you know?
1405
01:28:09,400 --> 01:28:12,379
Arguing about our… our albums.
1406
01:28:14,531 --> 01:28:15,573
The funny thing about all this...
1407
01:28:15,623 --> 01:28:18,498
is that I would throw that fucking record
into the ocean...
1408
01:28:18,563 --> 01:28:20,563
if we could just continue
this conversation right now.
1409
01:28:20,628 --> 01:28:22,851
This is what I want to talk about. Okay?
1410
01:28:22,938 --> 01:28:26,719
And if I could somehow say something
or do anything...
1411
01:28:26,761 --> 01:28:28,803
that would undo what I did to us…
1412
01:28:28,905 --> 01:28:31,821
Just tell me what it is. Help me.
1413
01:28:32,118 --> 01:28:33,910
Would you?
1414
01:28:34,833 --> 01:28:36,833
Would you throw it in the ocean?
1415
01:28:39,433 --> 01:28:40,641
Would you want me to?
1416
01:28:46,139 --> 01:28:47,139
No.
1417
01:28:48,309 --> 01:28:50,497
No, I think...
1418
01:28:54,497 --> 01:28:56,528
I think everything’s changed.
1419
01:28:56,938 --> 01:29:00,569
And I’m…
I’m just finding it a big hard to adjust.
1420
01:29:00,617 --> 01:29:01,617
I know.
1421
01:29:02,139 --> 01:29:05,473
It makes sense. But we’re just gonna
have to find a way to...
1422
01:29:05,498 --> 01:29:08,467
get through this.
Get through this together.
1423
01:29:09,430 --> 01:29:11,461
When did you realize that?
1424
01:29:11,761 --> 01:29:13,761
When you sang to me on my voicemail.
1425
01:29:14,217 --> 01:29:17,384
And I realized that nobody on Earth
in their right mind...
1426
01:29:17,409 --> 01:29:19,941
would ever do anything remotely like that.
1427
01:29:20,003 --> 01:29:22,920
And that killed me. That crushed me.
1428
01:29:23,024 --> 01:29:25,641
You completely won me over.
1429
01:29:25,760 --> 01:29:28,024
You know I wasn’t actually trying
to win you over.
1430
01:29:28,117 --> 01:29:30,284
I was trying to tell you to “fuck off.”
1431
01:29:30,309 --> 01:29:31,392
And I had.
1432
01:29:32,643 --> 01:29:35,633
And now, you’ve come back and…
1433
01:29:36,849 --> 01:29:38,745
And you’ve opened the whole thing up again.
1434
01:29:38,904 --> 01:29:41,841
And I think actually,
I think I’m gonna have to go.
1435
01:29:41,899 --> 01:29:42,941
Take that.
1436
01:29:43,036 --> 01:29:45,203
I’m gonna go cause it’s all a bit much.
1437
01:29:45,328 --> 01:29:46,422
I hear you.
1438
01:29:48,638 --> 01:29:50,805
Take your time. I’m not going anywhere.
1439
01:29:51,401 --> 01:29:53,513
What? Are you gonna stay on the bench?
1440
01:29:53,538 --> 01:29:56,427
Yes. I’m gonna stay...
I’m gonna live on this bench.
1441
01:29:57,880 --> 01:30:00,953
Come to The Gramercy. On Saturday. Please.
1442
01:30:02,122 --> 01:30:03,430
Just hear the song.
1443
01:30:03,631 --> 01:30:06,735
I want you to see
how everyone’s just falling in love...
1444
01:30:06,816 --> 01:30:08,150
with what you created...
1445
01:30:13,118 --> 01:30:15,139
Please don’t play it like that.
1446
01:30:16,833 --> 01:30:17,874
Okay.
1447
01:30:29,058 --> 01:30:32,933
Well, look at you. A vision of pure class.
There’s my daughter.
1448
01:30:34,620 --> 01:30:35,620
No way.
1449
01:30:36,139 --> 01:30:37,139
Is this it?
1450
01:30:38,880 --> 01:30:39,880
There you are.
1451
01:30:39,984 --> 01:30:40,984
Yeah.
1452
01:30:41,164 --> 01:30:42,102
You look great.
1453
01:30:42,128 --> 01:30:43,351
Look how cool you are.
1454
01:30:43,378 --> 01:30:45,434
Can I keep this? Show all my friends?
1455
01:30:45,465 --> 01:30:46,971
That’s what it’s for, babe.
1456
01:30:47,035 --> 01:30:48,035
Look at you.
1457
01:30:48,110 --> 01:30:49,118
Hilarious.
1458
01:30:49,168 --> 01:30:50,391
Why is that hilarious?
1459
01:30:50,457 --> 01:30:53,846
I just had no idea you were that talented.
I just didn’t know.
1460
01:30:54,459 --> 01:30:58,480
You’re a real guitar player.
You got some talent. Seriously.
1461
01:30:58,904 --> 01:31:01,182
What? Do you want me to start a band now?
1462
01:31:01,196 --> 01:31:02,585
Yeah! Let’s start a band.
1463
01:31:03,097 --> 01:31:04,153
Let’s start a band.
1464
01:31:04,211 --> 01:31:06,711
Why not? I’ll record you. I’ll produce you.
1465
01:31:07,230 --> 01:31:08,282
I like this idea.
1466
01:31:09,014 --> 01:31:09,630
Do you?
1467
01:31:09,672 --> 01:31:10,339
Yeah.
1468
01:31:10,488 --> 01:31:12,623
You all motivated now?
1469
01:31:13,149 --> 01:31:16,045
It’s a family business.
It’s like the Jackson Five.
1470
01:31:16,107 --> 01:31:17,107
There you go.
1471
01:31:17,149 --> 01:31:18,982
The Mulligan Three.
1472
01:31:19,657 --> 01:31:20,657
You coming in?
1473
01:31:20,669 --> 01:31:24,392
No. I’m going to go play that for Saul
and see if we can get a deal.
1474
01:31:24,417 --> 01:31:26,589
Good luck. Let me know how it goes.
1475
01:31:28,433 --> 01:31:29,485
I love you.
1476
01:31:31,139 --> 01:31:32,910
I know you do.
1477
01:31:40,404 --> 01:31:43,404
Come on. Yeah… So pretty.
1478
01:31:46,498 --> 01:31:47,498
Bye!
1479
01:31:57,628 --> 01:31:59,073
Thanks for coming in guys.
1480
01:32:00,118 --> 01:32:02,563
This is fantastic.
You’ve got a great record.
1481
01:32:03,128 --> 01:32:06,795
I missed it on the first listen.
But I don’t want to miss it again.
1482
01:32:06,820 --> 01:32:08,779
We’re very glad that you like it.
1483
01:32:08,878 --> 01:32:12,174
Well, I reached out
to some of my studio connects in LA
1484
01:32:12,239 --> 01:32:16,198
and I was thinking we could get
the first track placed in a film.
1485
01:32:16,278 --> 01:32:19,001
Write a film.
There’s also pilot season right now.
1486
01:32:19,072 --> 01:32:21,906
Yeah man, we’re not interested in
any of that stuff.
1487
01:32:21,931 --> 01:32:23,500
Okay, so then…
1488
01:32:23,682 --> 01:32:26,460
What are you interested in?
What are we doing here?
1489
01:32:26,485 --> 01:32:28,541
Well, I think Dan needs his job back.
1490
01:32:28,646 --> 01:32:31,739
Yeah, sure. What? Take my office.
I don’t care.
1491
01:32:33,021 --> 01:32:36,980
Okay. I guess I want to know,
how does this work?
1492
01:32:37,107 --> 01:32:39,966
We put the album out. We sell it for…?
1493
01:32:39,998 --> 01:32:42,998
Let’s say an album
costs ten dollars a unit.
1494
01:32:43,281 --> 01:32:45,661
The artist gets a dollar.
1495
01:32:46,496 --> 01:32:49,330
It’s the same in publishing.
It’s a buck for a book.
1496
01:32:49,355 --> 01:32:51,744
Oh, I’m just thinking
for this specifically.
1497
01:32:51,979 --> 01:32:53,757
I have to get my head around it.
1498
01:32:53,782 --> 01:32:56,927
The album doesn’t have
any overhead because we did it.
1499
01:32:57,071 --> 01:32:59,040
And then, distribution…
1500
01:32:59,112 --> 01:33:01,835
It’s not gonna go in stores.
It’s gonna go online.
1501
01:33:01,854 --> 01:33:04,243
And publicity would be…
What? Word of mouth?
1502
01:33:04,268 --> 01:33:06,435
So, I think what I’m wondering is...
1503
01:33:06,728 --> 01:33:09,173
why do you get nine out of ten
of my dollars?
1504
01:33:09,891 --> 01:33:12,114
Gretta, you’re a very smart young woman.
1505
01:33:12,212 --> 01:33:14,201
And you’re a determined artist.
1506
01:33:14,329 --> 01:33:17,339
You have a wonderful project here.
1507
01:33:17,467 --> 01:33:21,300
And with the right team behind you
to push you and guide you...
1508
01:33:21,465 --> 01:33:24,521
Maybe hire a hot-shot producer
to remix a couple tracks.
1509
01:33:24,538 --> 01:33:28,371
You could have a hit record
and a very long career.
1510
01:33:28,413 --> 01:33:31,548
But you know, ultimately that’s up to you.
1511
01:33:32,236 --> 01:33:34,545
Ah, you had them. You wound him up.
1512
01:33:34,621 --> 01:33:35,621
I know.
1513
01:33:35,647 --> 01:33:37,850
It’s amazing
when you’re not actually that interested...
1514
01:33:37,883 --> 01:33:39,217
you always win the hand.
1515
01:33:39,242 --> 01:33:42,232
Yeah. That’s never really worked out
that well for me.
1516
01:33:42,975 --> 01:33:45,017
I found it worked very well.
1517
01:33:45,434 --> 01:33:48,879
You’re gonna get a deal.
That asshole is gonna give you a deal.
1518
01:33:48,889 --> 01:33:51,223
You might have to compromise a little bit.
1519
01:33:51,248 --> 01:33:51,970
Never.
1520
01:33:52,011 --> 01:33:53,011
Of course.
1521
01:33:53,396 --> 01:33:55,467
Hey, we should do a bunch of these.
1522
01:33:55,507 --> 01:33:56,423
What do you mean?
1523
01:33:56,486 --> 01:33:59,382
Do you like the European Series?
1524
01:33:59,503 --> 01:34:00,311
I like that.
1525
01:34:00,376 --> 01:34:02,432
The Paris Tapes. The Prague Sessions.
1526
01:34:02,707 --> 01:34:03,930
The Berlin Recordings.
1527
01:34:04,095 --> 01:34:06,095
We could go all over Europe by rail.
1528
01:34:06,409 --> 01:34:08,337
We could take the whole gang?
1529
01:34:08,496 --> 01:34:10,128
Rachel, Malcolm, Steve.
1530
01:34:13,465 --> 01:34:14,382
So…
1531
01:34:14,423 --> 01:34:15,423
So…
1532
01:34:17,882 --> 01:34:20,830
Oh look. I guess I’ll see you in awhile.
1533
01:34:22,150 --> 01:34:23,150
Thank you.
1534
01:35:24,507 --> 01:35:29,517
Come to the show. Your name is on the list.
Please. Dave.
1535
01:35:34,496 --> 01:35:37,392
An Evening with Dave Kohl.
1536
01:36:03,923 --> 01:36:05,027
Thank you so much.
1537
01:36:09,092 --> 01:36:10,123
Thank you.
1538
01:36:11,077 --> 01:36:12,119
Guitar change.
1539
01:36:12,874 --> 01:36:18,728
This next song was actually given to me
by an amazing songwriter...
1540
01:36:18,808 --> 01:36:20,531
and an even more amazing woman.
1541
01:36:22,015 --> 01:36:23,577
So it’s a very special song.
1542
01:36:23,609 --> 01:36:25,665
We’re gonna do her arrangement of it.
1543
01:36:25,759 --> 01:36:28,148
So If she’s here… I’m not sure that she is.
1544
01:36:28,173 --> 01:36:31,007
I’d love for her to come up
and join us on this one.
1545
01:36:31,243 --> 01:36:33,191
There’s a guitar right there, so…
1546
01:36:33,358 --> 01:36:35,400
If you’re here, please join us.
1547
01:36:35,450 --> 01:36:37,537
It’s a really special song to me.
1548
01:36:37,833 --> 01:36:39,968
See your vision of this song through.
1549
01:36:51,853 --> 01:36:56,822
♪ PLEASE DON’T SEE ♪
1550
01:36:56,989 --> 01:37:02,864
♪ JUST A BOY CAUGHT UP
IN DREAMS AND FANTASY. ♪
1551
01:37:03,676 --> 01:37:08,708
♪ PLEASE SEE ME ♪
1552
01:37:09,843 --> 01:37:13,916
♪ REACHING OUT FOR SOMEONE I CAN SEE. ♪
1553
01:37:13,958 --> 01:37:15,906
♪ TAKE MY HAND.. ♪
1554
01:37:15,947 --> 01:37:19,634
♪ LET’S SEE WHERE WE WAKE UP TOMORROW. ♪
1555
01:37:19,664 --> 01:37:21,695
♪ BEST LAID PLANS, ♪
1556
01:37:21,979 --> 01:37:25,833
♪ SOMETIMES I’M JUST A ONE NIGHT STAND. ♪
1557
01:37:25,875 --> 01:37:27,854
♪ I’LL BE DAMNED. ♪
1558
01:37:27,895 --> 01:37:31,895
♪ CUPID’S DEMANDING BACK HIS ARROWS. ♪
1559
01:37:32,196 --> 01:37:37,238
♪ SO LET’S GET DRUNK ON OUR TEARS ♪
1560
01:37:38,538 --> 01:37:42,663
♪ AND GOD, TELL US THE REASON ♪
1561
01:37:42,947 --> 01:37:46,781
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1562
01:37:46,822 --> 01:37:48,864
♪ IT’S HUNTING SEASON ♪
1563
01:37:48,906 --> 01:37:52,760
♪ AND THE LAMBS ARE ON THE RUN ♪
1564
01:37:52,802 --> 01:37:54,916
♪ SEARCHING FOR MEANING. ♪
1565
01:37:55,783 --> 01:38:01,679
♪ BUT ARE WE ALL LOST STARS ♪
1566
01:38:01,822 --> 01:38:07,791
♪ TRYING TO LIGHT UP THE DARK. ♪
1567
01:38:07,979 --> 01:38:12,833
♪ WHO ARE WE? ♪
1568
01:38:13,750 --> 01:38:18,833
♪ JUST A SPECK OF DUST WITHIN THE GALAXY. ♪
1569
01:38:19,593 --> 01:38:24,520
♪ WHO IS ME? ♪
1570
01:38:24,827 --> 01:38:29,858
♪ WHEN OUR CAREFUL TURNS INTO REALITY. ♪
1571
01:38:29,979 --> 01:38:33,854
♪ DON’T YOU DARE LET OUR BEST MEMORIES ♪
1572
01:38:33,895 --> 01:38:35,895
♪ BRING YOU SORROW. ♪
1573
01:38:35,937 --> 01:38:41,875
♪ YESTERDAY I SAW A LION KISS A DEER. ♪
1574
01:38:41,916 --> 01:38:43,916
♪ TURN THE PAGE ♪
1575
01:38:43,958 --> 01:38:47,864
♪ MAYBE WE’LL FIND A BRAND NEW ENDING. ♪
1576
01:38:48,610 --> 01:38:54,590
♪ WHERE WE’RE DANCING IN OUR TEARS ♪
1577
01:38:54,791 --> 01:38:58,885
♪ AND GOD TELL US THE REASON ♪
1578
01:38:58,927 --> 01:39:02,802
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1579
01:39:02,843 --> 01:39:04,875
♪ IT’S HUNTING SEASON ♪
1580
01:39:04,916 --> 01:39:08,770
♪ AND THE LAMBS ARE ON THE RUN ♪
1581
01:39:08,812 --> 01:39:11,781
♪ SEARCHING FOR MEANING. ♪
1582
01:39:11,822 --> 01:39:16,906
♪ BUT ARE WE ALL LOST STARS ♪
1583
01:39:17,833 --> 01:39:22,979
♪ TRYING TO LIGHT UP THE DARK. ♪
1584
01:39:24,802 --> 01:39:28,802
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1585
01:39:29,979 --> 01:39:33,958
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1586
01:39:35,958 --> 01:39:39,875
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1587
01:39:39,916 --> 01:39:43,833
♪ OH, JUST THE SAME. ♪
1588
01:39:47,833 --> 01:39:51,791
♪ GOD AND GIVE US THE REASON ♪
1589
01:39:51,833 --> 01:39:54,958
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1590
01:39:55,750 --> 01:39:57,791
♪ IT’S HUNTING SEASON ♪
1591
01:39:57,833 --> 01:40:00,916
♪ AND THIS LAMB IS ON THE RUN ♪
1592
01:40:00,958 --> 01:40:03,833
♪ SEARCHING FOR MEANING. ♪
1593
01:40:03,958 --> 01:40:09,875
♪ BUT ARE WE ALL LOST STARS ♪
1594
01:40:09,916 --> 01:40:15,770
♪ JUST TRYING TO LIGHT... LIGHT UP THIS DARK ♪
1595
01:40:16,958 --> 01:40:20,885
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1596
01:40:22,895 --> 01:40:26,822
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1597
01:40:28,854 --> 01:40:32,791
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1598
01:40:32,833 --> 01:40:38,895
♪ OH, BUT ARE WE ALL LOST STARS ♪
1599
01:40:39,781 --> 01:40:44,927
♪ TRYING TO LIGHT UP THE DARK. ♪
1600
01:40:44,968 --> 01:40:50,937
♪ OH, BUT ARE WE ALL LOST STARS ♪
1601
01:40:50,979 --> 01:40:58,525
♪ TRYING TO LIGHT UP THE DARK. ♪
1602
01:41:23,968 --> 01:41:24,968
Hey.
1603
01:41:25,091 --> 01:41:26,091
Hey.
1604
01:41:26,720 --> 01:41:27,832
Where are you going?
1605
01:41:29,267 --> 01:41:30,298
Home.
1606
01:41:32,251 --> 01:41:33,363
What’s on your mind?
1607
01:41:35,673 --> 01:41:38,062
I don’t want your label
to release my album.
1608
01:41:39,577 --> 01:41:40,577
Fine.
1609
01:41:40,674 --> 01:41:41,674
Fine? Really?
1610
01:41:42,319 --> 01:41:44,986
No, because I thought that
you’d be really upset.
1611
01:41:45,011 --> 01:41:46,275
No, it’s your album.
1612
01:41:46,533 --> 01:41:48,756
So, what do you want to do with it then?
1613
01:41:49,060 --> 01:41:50,060
There it is.
1614
01:41:50,125 --> 01:41:53,135
That’s the whole album for a dollar.
A buck for a book.
1615
01:41:53,207 --> 01:41:56,819
The whole thing. Now, once
this goes out, that’s it. They’re gone.
1616
01:41:57,906 --> 01:41:58,656
Yeah.
1617
01:41:58,770 --> 01:41:59,773
Are you sure you want to do this?
1618
01:41:59,864 --> 01:42:00,395
Yeah.
1619
01:42:00,457 --> 01:42:01,569
How about two bucks?
1620
01:42:01,802 --> 01:42:03,833
Such a capitalist. No, a buck is fair.
1621
01:42:03,875 --> 01:42:06,487
And then we’ll split it evenly
between everyone…
1622
01:42:06,512 --> 01:42:08,679
Malcolm and Rachel – everyone! Come on!
1623
01:42:09,906 --> 01:42:11,518
Once I press this, that’s it.
1624
01:42:11,543 --> 01:42:14,460
I’m going to war with my whole business.
1625
01:42:23,802 --> 01:42:25,636
Gretta James – The Great Outdoors.
1626
01:42:25,661 --> 01:42:26,770
That’s so exciting.
1627
01:42:26,822 --> 01:42:27,878
What are you doing?
1628
01:42:27,903 --> 01:42:29,181
Calling reinforcements.
1629
01:42:32,885 --> 01:42:33,885
Check it out.
1630
01:42:33,927 --> 01:42:35,916
I got Troublegum to tweet out the album.
1631
01:42:35,958 --> 01:42:37,736
How many followers does he have?
1632
01:42:37,750 --> 01:42:39,750
Apparently the entire world.
1633
01:42:40,260 --> 01:42:42,354
Just about every living human being.
1634
01:42:44,906 --> 01:42:45,947
Mr. Mulligan.
1635
01:42:46,885 --> 01:42:47,843
Good morning.
1636
01:42:47,885 --> 01:42:48,802
Good morning.
1637
01:42:48,833 --> 01:42:51,750
News for you on the inter webs.
1638
01:42:52,750 --> 01:42:53,816
Shit!
1639
01:42:53,832 --> 01:42:54,869
You didn’t know nothing about this?
1640
01:42:54,968 --> 01:42:55,832
1641
01:42:55,854 --> 01:42:57,077
How many did she sell?
1642
01:42:57,102 --> 01:42:59,019
Ten thousand. Today.
1643
01:42:59,179 --> 01:43:00,735
Troublegum tweeted about it.
1644
01:43:01,070 --> 01:43:04,126
If Troublegum helped her out,
it’s because he liked her.
1645
01:43:04,151 --> 01:43:05,812
They’re artists.
1646
01:43:06,234 --> 01:43:08,179
You didn’t know nothing about this?
1647
01:43:08,204 --> 01:43:08,709
Nothing.
1648
01:43:08,750 --> 01:43:09,917
Kind of funny though.
1649
01:43:09,942 --> 01:43:10,833
Is it really?
1650
01:43:10,902 --> 01:43:12,756
It’s pretty funny, man.
1651
01:43:12,854 --> 01:43:14,410
Boo-boo, you know how to pick them.
1652
01:43:14,467 --> 01:43:15,738
It’s kind of good.
1653
01:43:15,833 --> 01:43:17,199
Sure is. Kind of uppity.
1654
01:43:17,236 --> 01:43:19,007
Clean out your locker.
1655
01:43:19,263 --> 01:43:20,263
See you later.
00:00:35,427 --> 00:00:39,908
HAVE FUN!
2
00:00:40,886 --> 00:00:41,886
Thank you.
3
00:00:42,969 --> 00:00:44,928
Thanks very much and…
4
00:00:44,990 --> 00:00:47,969
Ladies and gentlemen,
I have a friend here tonight…
5
00:00:48,011 --> 00:00:51,232
…who like me, she’s a long way from home.
6
00:00:51,302 --> 00:00:52,747
And if it’s okay with you…
7
00:00:53,000 --> 00:00:56,917
I was wondering if you’d like her
to play one of her songs.
8
00:00:57,865 --> 00:00:58,980
Is that okay? Yeah?
9
00:00:59,949 --> 00:01:02,005
Gretta, will you come up here please.
10
00:01:04,413 --> 00:01:06,408
Just give me a moment.
11
00:01:07,886 --> 00:01:09,602
I think it’d be a really good idea
if you’d come up here…
12
00:01:09,654 --> 00:01:10,954
and sing one of your songs.
13
00:01:10,990 --> 00:01:12,306
I think it’d be a really fucking bad idea.
14
00:01:12,323 --> 00:01:14,212
Gretta, come on. This is New York.
15
00:01:14,237 --> 00:01:14,896
No.
16
00:01:14,938 --> 00:01:16,438
You want to hear it, right?
17
00:01:22,537 --> 00:01:23,871
You’re gonna be amazing.
18
00:01:23,969 --> 00:01:24,969
Hi.
19
00:01:27,394 --> 00:01:30,488
This is a new song
so it might be kind of rough.
20
00:01:31,803 --> 00:01:34,886
It’s for anyone
who’s ever been alone in the city.
21
00:01:46,417 --> 00:01:50,745
♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
22
00:01:52,331 --> 00:01:56,803
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
23
00:01:58,127 --> 00:02:02,834
♪ AND ALL AT ONCE, IT
SEEMED LIKE A GOOD WAY. ♪
24
00:02:03,797 --> 00:02:07,828
♪ YOU REALIZE, IT’S THE END OF THE LIFE… ♪
25
00:02:08,821 --> 00:02:12,884
♪ FOR WHAT IT’S WORTH. ♪
26
00:02:13,990 --> 00:02:19,635
♪ HERE COMES THE TRAIN UPON THE TRACK. ♪
27
00:02:19,719 --> 00:02:24,781
♪ THERE GOES THE PAIN. IT CUTS TO BLACK. ♪
28
00:02:25,042 --> 00:02:31,875
♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
29
00:02:34,687 --> 00:02:37,541
♪ YOU CAN’T TAKE BACK. ♪
30
00:02:43,138 --> 00:02:45,200
♪ DID SHE LOVE YOU? ♪
31
00:02:45,969 --> 00:02:48,886
♪ DID SHE TAKE YOU DOWN? ♪
32
00:02:48,928 --> 00:02:51,823
♪ WAS SHE ON HER KNEES, ♪
33
00:02:51,928 --> 00:02:54,886
♪ WHEN SHE KISSED YOUR CROWN? ♪
34
00:02:54,928 --> 00:02:59,813
♪ TELL ME WHAT YOU FOUND. ♪
35
00:03:02,865 --> 00:03:06,875
♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
36
00:03:08,341 --> 00:03:13,803
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
37
00:03:22,683 --> 00:03:23,693
See?
38
00:03:38,813 --> 00:03:40,990
Earlier that day…
39
00:03:58,803 --> 00:04:00,915
It’s seven AM. Good Morning, New York…
40
00:04:00,940 --> 00:04:04,928
and welcome to the second hour of Potsy
and Andy in the morning!
41
00:04:04,969 --> 00:04:07,081
Hey Potsy, did you read about the dog?
42
00:04:07,113 --> 00:04:08,711
The Korean restaurant thing?
43
00:04:08,823 --> 00:04:11,657
Oh, I certainly did.
Did you hear about that, Katie?
44
00:05:03,886 --> 00:05:06,886
Fresh prospects, let’s hear it.
What do you got for me?
45
00:05:19,685 --> 00:05:20,770
No, no.
46
00:05:20,903 --> 00:05:23,015
Who’s next on this delightful journey?
47
00:05:25,823 --> 00:05:31,875
No, no, no. No, man.
You can’t! No! You can’t!
48
00:05:42,969 --> 00:05:44,803
It’s shit. It’s shit!
49
00:05:45,011 --> 00:05:46,907
Get fucking out of my car.
50
00:05:46,948 --> 00:05:49,211
Give me anything. A song. A hook.
51
00:05:49,235 --> 00:05:52,069
Anything I can work with..
I’m not asking for much.
52
00:05:52,094 --> 00:05:54,126
That’s something. That’s good.
53
00:05:56,634 --> 00:05:59,359
Until you started to sing!
54
00:06:32,803 --> 00:06:33,803
Where’s mom?
55
00:06:33,969 --> 00:06:35,823
Where’s my daughter?
56
00:06:36,865 --> 00:06:37,875
What do you mean?
57
00:06:40,959 --> 00:06:44,071
Your mom has a deadline.
She asked me to watch you today.
58
00:06:45,355 --> 00:06:46,659
Let’s go.
59
00:06:50,270 --> 00:06:52,928
So where do you want to go?
The Museum of Natural History?
60
00:06:52,969 --> 00:06:54,948
You want to go to the park
and get some ice cream, or what?
61
00:06:55,032 --> 00:06:57,823
Why would I want to do that? I’m not a kid.
62
00:06:59,021 --> 00:07:00,855
What’s that smell?
63
00:07:02,223 --> 00:07:05,765
Oh, that’s gasoline.
I was filling up the car with gasoline…
64
00:07:05,907 --> 00:07:08,019
and I spilled a little on my pant leg.
65
00:07:08,110 --> 00:07:09,399
That isn’t alcohol.
66
00:07:17,606 --> 00:07:18,921
I think I’ve got a meeting here.
67
00:07:19,066 --> 00:07:21,789
You want to wait here
or you want to come with me.
68
00:07:21,814 --> 00:07:24,203
You think you have a meeting?
Do you or not?
69
00:07:24,378 --> 00:07:25,378
Let’s see.
70
00:07:29,674 --> 00:07:30,948
This is fun, right?
71
00:07:30,990 --> 00:07:32,917
When we came into this neighborhood in ’92…
72
00:07:32,959 --> 00:07:35,459
there was nobody here.
It was like a war-zone.
73
00:07:35,484 --> 00:07:38,222
Hookers. Crack.
Now it’s totally gentrified.
74
00:07:38,803 --> 00:07:39,803
I know, Dad.
75
00:07:40,678 --> 00:07:41,938
I’ve had the tour.
76
00:07:42,042 --> 00:07:44,598
Okay, we’re going to go up here.
Just be quiet.
77
00:07:46,907 --> 00:07:50,241
I think it’s a great way
to generate revenue for the company.
78
00:07:53,328 --> 00:07:54,551
Was there bad traffic?
79
00:07:54,640 --> 00:07:58,032
No, traffic was actually pretty good.
I was just passing by.
80
00:07:59,202 --> 00:08:04,990
We were just closing up
about the audio commentary piece.
81
00:08:05,032 --> 00:08:06,886
Yeah, shit idea.
82
00:08:06,887 --> 00:08:10,975
It was a shit idea then.
Still a shit idea. It didn’t age well.
83
00:08:12,672 --> 00:08:14,562
We appreciate your candor.
84
00:08:14,617 --> 00:08:16,423
We had a different view of it here though.
85
00:08:16,452 --> 00:08:18,669
Musicians for the most part
are pretty much…
86
00:08:18,837 --> 00:08:21,949
monosyllabic teenagers
who really don’t have much to say…
87
00:08:21,974 --> 00:08:23,892
and that’s the good ones, right?
88
00:08:24,076 --> 00:08:25,775
So what are we doing here?
89
00:08:25,865 --> 00:08:28,977
The music industry is fine.
It’s always going to be fine.
90
00:08:29,002 --> 00:08:30,766
We always have been fine.
91
00:08:30,948 --> 00:08:33,865
Maybe the kids are right.
Maybe music should be free anyway.
92
00:08:33,866 --> 00:08:34,969
That’s an alarming thing to hear…
93
00:08:35,011 --> 00:08:36,845
the head of a record company say.
94
00:08:36,870 --> 00:08:37,870
What? The truth?
95
00:08:40,682 --> 00:08:44,928
Thanks so much Karen. Let’s talk more.
96
00:08:44,969 --> 00:08:46,000
Yeah, of course.
97
00:08:46,721 --> 00:08:47,990
Great meeting you.
98
00:08:48,541 --> 00:08:50,834
I’m glad we got it all figured out.
99
00:08:51,886 --> 00:08:56,803
The band doing audio commentary
on their own music...
100
00:08:56,875 --> 00:08:59,938
Is so fucking lame, Saul, and you know it.
101
00:08:59,980 --> 00:09:03,032
Ten years ago, man,
you would have shit on that idea.
102
00:09:03,213 --> 00:09:05,064
It’s something. It’s an idea.
103
00:09:05,157 --> 00:09:07,276
It’s something that helps keep the lights on.
It’s something.
104
00:09:07,353 --> 00:09:09,798
We need vision, not gimmicks.
105
00:09:09,975 --> 00:09:10,842
That’s us.
106
00:09:10,934 --> 00:09:13,348
I’ve been following you, Mr. Mulligan.
107
00:09:13,927 --> 00:09:15,927
Down a track on every long shot…
108
00:09:16,032 --> 00:09:18,921
you’ve been bringing in here
for the last five years.
109
00:09:18,946 --> 00:09:20,852
And which one of them has come in.
110
00:09:21,076 --> 00:09:22,148
Which one?
111
00:09:27,980 --> 00:09:28,980
Dan.
112
00:09:29,665 --> 00:09:30,575
Dan.
113
00:09:30,617 --> 00:09:33,534
See you later, brother Saul.
114
00:09:35,076 --> 00:09:36,159
Dan.
115
00:09:40,410 --> 00:09:41,577
We need to talk, man.
116
00:09:42,725 --> 00:09:45,114
Come back here.
Don’t you walk away from me.
117
00:09:45,704 --> 00:09:46,881
You can’t do this shit, man.
118
00:09:46,923 --> 00:09:48,735
You can’t pull this shit, dude.
119
00:09:48,756 --> 00:09:50,798
You can’t pull this shit.
120
00:09:51,591 --> 00:09:52,902
Don’t do this here.
121
00:09:53,138 --> 00:09:54,608
I’m going to do it right fucking here.
122
00:09:54,685 --> 00:09:56,519
All right, then let’s do it then!
123
00:09:56,839 --> 00:09:59,819
Let’s go! Cause they know.
These people know...
124
00:09:59,860 --> 00:10:02,249
that they are sitting behind those desks...
125
00:10:02,274 --> 00:10:04,798
because I started
an independent record label.
126
00:10:04,923 --> 00:10:06,860
Above that bar, Saul.
127
00:10:07,169 --> 00:10:10,225
And we changed the way
things are going to be done, man.
128
00:10:10,456 --> 00:10:12,498
Nurture and foster.
129
00:10:12,653 --> 00:10:14,566
Things change. Times change.
130
00:10:14,784 --> 00:10:16,735
People gotta change with them, Dan.
131
00:10:18,026 --> 00:10:19,777
It’s not working.
132
00:10:19,933 --> 00:10:21,050
You gotta go.
133
00:10:21,151 --> 00:10:23,151
I don’t have time for this.
134
00:10:23,385 --> 00:10:25,819
I’ve got my own shit going on, all right?
135
00:10:25,860 --> 00:10:27,694
I’m taking my client list.
136
00:10:27,735 --> 00:10:30,291
I’m out of here, man.
I am fucking out of here.
137
00:10:30,359 --> 00:10:32,859
What are you talking about?
They signed to us.
138
00:10:32,884 --> 00:10:34,819
Don’t bother her.
139
00:10:34,860 --> 00:10:36,694
Jerry McGuire.
140
00:10:39,277 --> 00:10:40,319
Dad, let’s go.
141
00:10:43,377 --> 00:10:46,322
I’m taking my art then. That’s it.
I’m taking the art.
142
00:10:46,839 --> 00:10:50,819
It’s my art. I paid for it.
I bought it. I picked it out.
143
00:10:54,691 --> 00:10:55,857
I got it.
144
00:10:55,902 --> 00:10:56,902
No you don’t.
145
00:11:02,871 --> 00:11:04,746
Okay. Leave it there.
146
00:11:04,902 --> 00:11:06,714
I’m coming back for that.
147
00:11:06,891 --> 00:11:07,891
It’s mine.
148
00:11:08,495 --> 00:11:09,819
All of that’s mine.
149
00:11:10,336 --> 00:11:11,586
Come on, baby.
150
00:11:11,781 --> 00:11:12,948
You want another one?
151
00:11:13,086 --> 00:11:16,798
Ah, I do but I won’t. I mustn’t. I can’t.
152
00:11:18,881 --> 00:11:22,104
How could he fire me
when I set the whole fucking thing up?
153
00:11:22,129 --> 00:11:23,129
Did you?
154
00:11:24,294 --> 00:11:26,628
Don’t you know anything about your father?
155
00:11:26,653 --> 00:11:27,920
Yeah.
156
00:11:28,114 --> 00:11:29,114
I do.
157
00:11:29,687 --> 00:11:30,854
I know what mom says.
158
00:11:30,871 --> 00:11:32,714
What does mom say?
159
00:11:32,994 --> 00:11:35,046
She says you’re a pathetic loser.
160
00:11:38,194 --> 00:11:40,194
She says that affectionately.
161
00:11:40,994 --> 00:11:42,077
What about you?
162
00:11:44,135 --> 00:11:45,189
What do you think?
163
00:11:45,398 --> 00:11:47,346
I don’t really know you.
164
00:11:51,377 --> 00:11:54,851
Two years is a long time
in the life of a teenager.
165
00:11:55,194 --> 00:11:57,194
Where’d you learn to talk like that?
166
00:11:57,387 --> 00:11:58,533
My psychiatrist.
167
00:12:00,735 --> 00:12:03,069
Psychiatrist. You have a psychiatrist now.
168
00:12:03,214 --> 00:12:05,326
I do. Mom thought it’d be a good idea.
169
00:12:05,829 --> 00:12:06,996
I was acting strange.
170
00:12:08,577 --> 00:12:11,577
There’s nothing strange about you.
You’re 15-years-old.
171
00:12:11,602 --> 00:12:13,714
You don’t need a fucking psychiatrist.
172
00:12:13,860 --> 00:12:16,777
Believe me, I know.
I know you better than anybody.
173
00:12:17,746 --> 00:12:19,024
Yeah, you sure do, dad.
174
00:12:20,477 --> 00:12:21,922
How old did you say I was?
175
00:12:23,441 --> 00:12:24,664
Did I say you were 15?
176
00:12:25,464 --> 00:12:27,307
I meant you were 14.
177
00:12:27,401 --> 00:12:28,912
Did I say 15?
178
00:12:33,447 --> 00:12:35,002
You got money to pay for these beers?
179
00:12:35,073 --> 00:12:37,103
I’m a kid. I don’t have any money on me!
180
00:12:37,196 --> 00:12:39,141
What happened to your pocket money?
181
00:12:39,166 --> 00:12:40,833
Well, I spent that on condoms.
182
00:12:41,694 --> 00:12:43,798
What? No, no, no, no, no.
183
00:12:43,839 --> 00:12:45,006
Too much information.
184
00:12:50,808 --> 00:12:51,808
You ready?
185
00:12:51,819 --> 00:12:52,839
For what?
186
00:13:04,881 --> 00:13:07,714
That was fun, right? Don’t smile.
187
00:13:07,756 --> 00:13:08,756
It was fun, dad.
188
00:13:08,777 --> 00:13:10,222
Yeah. You had a good time.
189
00:13:10,247 --> 00:13:13,581
We haven’t run like that
since we were little. That was good.
190
00:13:13,902 --> 00:13:14,912
This your daddy.
191
00:13:15,175 --> 00:13:18,287
I’m glad you’re here cause
I was just going to the car...
192
00:13:21,535 --> 00:13:22,535
Are you okay?
193
00:13:22,594 --> 00:13:23,760
I’m fine.
194
00:13:24,881 --> 00:13:27,777
I’m sorry, my bad. Have a great day.
195
00:13:29,240 --> 00:13:32,407
I could have taken that guy.
He still had to make a scene.
196
00:13:32,923 --> 00:13:36,808
Do me a favor, all right?
Don’t tell your mom I lost my job today.
197
00:13:36,912 --> 00:13:37,912
Listen to me.
198
00:13:38,881 --> 00:13:40,881
Thanks for a really normal day, dad.
199
00:13:41,582 --> 00:13:42,766
What?
200
00:13:52,163 --> 00:13:53,621
Hello, everyone.
201
00:13:53,661 --> 00:13:54,713
Hi.
202
00:13:57,617 --> 00:13:59,694
How’s work?
203
00:13:59,773 --> 00:14:00,829
Fine.
204
00:14:02,320 --> 00:14:03,808
You look hungry.
205
00:14:08,819 --> 00:14:11,153
Her teachers are really worried about her.
206
00:14:11,345 --> 00:14:14,704
No girls like her at school.
She is distant.
207
00:14:14,746 --> 00:14:16,933
And the only people
who want to hang out with her...
208
00:14:17,089 --> 00:14:19,111
are older boys who want to fuck her.
209
00:14:19,230 --> 00:14:21,214
Oh really?
And you find that a big surprise...
210
00:14:21,402 --> 00:14:24,819
seeing how you let her
walk out of the house looking like...
211
00:14:24,923 --> 00:14:27,026
like Jodie Foster from “Taxi Driver”?
212
00:14:27,237 --> 00:14:29,071
She dresses the way she wants to.
213
00:14:29,094 --> 00:14:31,602
And any daughter who dresses like that
only wants one thing.
214
00:14:31,891 --> 00:14:32,781
A pimp?
215
00:14:32,791 --> 00:14:34,125
No, Dan. Think about it.
216
00:14:34,871 --> 00:14:36,787
A daddy.
217
00:14:36,891 --> 00:14:38,871
That is fucking bullshit.
218
00:14:38,912 --> 00:14:41,190
She needs some guidance for fucking sake.
219
00:14:41,215 --> 00:14:43,122
Well, guide her. Guide her.
220
00:14:43,263 --> 00:14:45,829
You waltz in here like a fucking clown.
221
00:14:45,871 --> 00:14:48,819
You tell me how to raise my kid.
222
00:14:48,860 --> 00:14:51,083
The kid that you pick up once a month...
223
00:14:51,175 --> 00:14:53,787
and decide you have a
fucking conscience about.
224
00:14:53,812 --> 00:14:56,818
You know what?
Thirty seconds after you’re gone...
225
00:14:57,194 --> 00:14:59,806
we’ll have totally forgotten
you were ever here.
226
00:15:03,094 --> 00:15:04,094
Thank you.
227
00:15:50,334 --> 00:15:51,890
I thought there was no hope.
228
00:15:53,029 --> 00:15:55,022
I thought there were no answers.
229
00:15:55,135 --> 00:15:56,333
And then I found God.
230
00:15:57,287 --> 00:16:00,194
God may not always be on our time.
231
00:16:00,819 --> 00:16:02,273
But he’s on time.
232
00:16:02,839 --> 00:16:04,381
We’re never alone.
233
00:16:04,777 --> 00:16:05,777
Sir?
234
00:16:06,902 --> 00:16:10,704
Go, have a talk with God.
235
00:16:14,831 --> 00:16:17,167
Right, Man. Okay.
236
00:16:18,871 --> 00:16:21,735
I’m gonna have a little talk with God,
all right?
237
00:16:21,798 --> 00:16:23,798
Thank you.
238
00:16:23,881 --> 00:16:25,756
What if he doesn’t answer?
239
00:16:32,359 --> 00:16:35,902
Attention. Due to a signal malfunction
at Jay Street...
240
00:16:36,694 --> 00:16:39,902
the next uptown train
will arrive in 20 minutes.
241
00:16:56,588 --> 00:16:58,144
Give me a bourbon. Hurry up.
242
00:16:58,260 --> 00:16:59,927
What kind of bourbon you want?
243
00:16:59,952 --> 00:17:01,015
I don’t care,
244
00:17:03,902 --> 00:17:08,694
and I was wondering
if it’d be okay if she sang a song.
245
00:17:08,777 --> 00:17:11,944
Is that okay? Yeah? Gretta,
would you come up here please?
246
00:17:15,923 --> 00:17:16,923
Hi.
247
00:17:17,714 --> 00:17:20,798
So, this is a new song
so it might be kind of rough.
248
00:17:22,704 --> 00:17:25,746
It’s for anyone
who’s ever been alone in the city.
249
00:17:37,694 --> 00:17:41,694
♪ SO YOU FIND YOURSELF AT THE SUBWAY ♪
250
00:17:42,902 --> 00:17:46,902
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
251
00:17:48,881 --> 00:17:53,704
♪ AND ALL AT ONCE, IT
SEEMED LIKE A GOOD WAY. ♪
252
00:17:54,860 --> 00:17:58,860
♪ YOU REALIZE, IT’S THE END OF THE LINE. ♪
253
00:17:59,746 --> 00:18:03,819
♪ FOR WHAT IT’S WORTH. ♪
254
00:18:04,777 --> 00:18:10,746
♪ HERE COMES THE TRAIN ON THE TRACK ♪
255
00:18:10,787 --> 00:18:13,725
♪ THERE GOES THE PAIN. ♪
256
00:18:13,912 --> 00:18:15,860
♪ IT CUTS TO BLACK. ♪
257
00:18:15,912 --> 00:18:22,704
♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
258
00:18:25,798 --> 00:18:28,819
♪ YOU CAN’T TAKE BACK. ♪
259
00:18:38,819 --> 00:18:42,933
♪ TAKING ALL THE PUNCHES YOU COULD TAKE. ♪
260
00:18:44,766 --> 00:18:48,694
♪ TOOK ‘EM ALL, RIGHT ON THE CHIN. ♪
261
00:18:49,450 --> 00:18:53,933
♪ AND NOW THE CAMEL’S BACK IS BREAKING. ♪
262
00:18:56,063 --> 00:18:57,839
♪ AGAIN. ♪
263
00:18:59,337 --> 00:19:04,912
♪ AGAIN, FOR WHAT IT’S WORTH. ♪
264
00:19:05,902 --> 00:19:11,766
♪ HERE COMES THE TRAIN UPON THE TRACK. ♪
265
00:19:11,819 --> 00:19:14,933
♪ AND THERE GOES THE PAIN. ♪
266
00:19:15,746 --> 00:19:17,746
♪ IT CUTS TO BLACK. ♪
267
00:19:17,787 --> 00:19:20,871
♪ ARE YOU READY FOR THE LAST ACT ♪
268
00:19:20,912 --> 00:19:23,933
♪ TO TAKE A STEP ♪
269
00:19:26,860 --> 00:19:29,839
♪ YOU CAN’T TAKE BACK. ♪
270
00:19:35,694 --> 00:19:36,902
♪ DID SHE LOVE YOU? ♪
271
00:19:37,923 --> 00:19:40,839
♪ DID SHE TAKE YOU DOWN? ♪
272
00:19:40,881 --> 00:19:43,777
♪ WAS SHE ON HER KNEES ♪
273
00:19:43,902 --> 00:19:46,871
♪ WHEN SHE KISSED YOUR CROWN? ♪
274
00:19:46,912 --> 00:19:51,694
♪ TELL ME WHAT YOU FOUND. ♪
275
00:19:55,586 --> 00:20:01,694
♪ HERE COMES THE RAIN, SO HOLD YOUR HAT. ♪
276
00:20:01,787 --> 00:20:06,871
♪ AND DON’T PRAY TO GOD ♪
♪ CAUSE HE WON’T TALK BACK. ♪
277
00:20:06,912 --> 00:20:13,902
♪ ARE YOU READY FOR THE LAST ACT ♪
♪ TO TAKE A STEP? ♪
278
00:20:16,756 --> 00:20:18,923
♪ YOU CAN’T TAKE BACK. ♪
279
00:20:19,619 --> 00:20:21,871
♪ BACK. BACK. ♪
280
00:20:22,650 --> 00:20:25,729
♪ YOU CAN’T TAKE BACK. ♪
281
00:20:25,735 --> 00:20:27,850
♪ BACK. BACK. ♪
282
00:20:29,850 --> 00:20:33,881
♪ SO YOU FIND YOURSELF AT THE SUBWAY. ♪
283
00:20:35,766 --> 00:20:39,933
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
284
00:20:47,235 --> 00:20:49,204
Bravo!
285
00:20:55,106 --> 00:20:56,481
I’m in.
286
00:20:56,762 --> 00:20:57,762
What?
287
00:20:58,754 --> 00:21:01,754
I want to make records with you.
I want to produce you.
288
00:21:01,779 --> 00:21:04,714
I want to sign you.
We’re meant to work together.
289
00:21:04,839 --> 00:21:07,562
Sorry, didn’t you just see
what happened up there?
290
00:21:07,587 --> 00:21:09,799
Yeah, what?
Are you feeling sorry for yourself?
291
00:21:10,019 --> 00:21:12,900
No, I like my music. I mean who cares
if they don’t get it, right?
292
00:21:12,962 --> 00:21:15,120
You just need to work
on your performance a little bit.
293
00:21:15,222 --> 00:21:17,439
I’m not a performer.
I just write songs from time to time.
294
00:21:17,564 --> 00:21:19,352
And are those songs as good as that one?
295
00:21:19,477 --> 00:21:21,450
Are you really an A and R man?
296
00:21:21,491 --> 00:21:23,408
You just look more like a homeless man.
297
00:21:23,460 --> 00:21:24,554
I’ve been out celebrating all week.
298
00:21:24,642 --> 00:21:26,780
And I just signed a band
and we got carried away.
299
00:21:27,124 --> 00:21:29,013
That’s some song you’ve got there.
300
00:21:29,038 --> 00:21:32,261
I promise you it could be a big hit.
Plus you’re beautiful.
301
00:21:32,408 --> 00:21:34,142
Sorry, what does beauty
got to do with anything?
302
00:21:34,228 --> 00:21:36,006
Jesus, you’re tricky aren’t you?
303
00:21:36,031 --> 00:21:39,843
No, I actually just think that
music is about ears not eyes.
304
00:21:40,267 --> 00:21:43,450
And I’m not Judy Garland just off
a Greyhound bus...
305
00:21:43,491 --> 00:21:46,387
looking for stardom, but really, thank you.
306
00:21:51,533 --> 00:21:52,880
Okay, bye.
307
00:21:53,935 --> 00:21:54,935
Bye.
308
00:21:58,590 --> 00:22:01,629
SO BEFORE YOU GO...
309
00:22:03,988 --> 00:22:06,491
ENJOY MY SHOW.
310
00:22:09,584 --> 00:22:13,232
Okay here’s the truth.
I couldn’t have signed you if I wanted to.
311
00:22:13,459 --> 00:22:14,459
Okay.
312
00:22:14,490 --> 00:22:16,418
I didn’t come from a signing tonight.
313
00:22:16,460 --> 00:22:18,366
I haven’t signed anybody in seven years.
314
00:22:18,408 --> 00:22:20,470
My label has completely lost all faith in me.
315
00:22:20,543 --> 00:22:22,377
So why did you give me your card?
316
00:22:22,402 --> 00:22:23,450
Force of habit.
317
00:22:23,491 --> 00:22:25,491
If I look homeless
it’s because I practically am.
318
00:22:25,533 --> 00:22:27,460
I left my home about a year or so ago.
319
00:22:27,502 --> 00:22:29,738
I’m sleeping on a shitty mattress
in some shitty apartment.
320
00:22:29,894 --> 00:22:31,822
And I wasn’t celebrating tonight.
321
00:22:31,915 --> 00:22:34,554
I was drinking my ass off standing on
a subway platform...
322
00:22:34,681 --> 00:22:35,848
ready to kill myself.
323
00:22:35,873 --> 00:22:37,373
And then I heard your song.
324
00:22:37,960 --> 00:22:39,085
Want to get a beer?
325
00:22:40,015 --> 00:22:40,835
Sure.
326
00:22:40,921 --> 00:22:41,921
Yeah, come on.
327
00:22:43,999 --> 00:22:46,170
“Dan Mulligan. Born 1966”
328
00:22:46,966 --> 00:22:49,779
“Headed A&R department at Island Records
for two years.”
329
00:22:49,943 --> 00:22:52,723
“Left to co-found
indie label Distressed Records...
330
00:22:52,778 --> 00:22:55,068
with Harvard classmate, Saul Byron.”
331
00:22:55,177 --> 00:22:56,770
So, you own Distressed Records?
332
00:22:56,841 --> 00:22:59,730
I sold all my interest
due to emotional difficulties.
333
00:22:59,772 --> 00:23:01,329
What emotional difficulties?
334
00:23:01,384 --> 00:23:03,408
I was too emotional. Read on.
335
00:23:04,033 --> 00:23:07,720
“Very active on the hip-hop scene
in New York in the early 90s...
336
00:23:07,845 --> 00:23:10,290
the pair were responsible for discovering...
337
00:23:10,315 --> 00:23:13,938
numerous break-through artists.
on two Grammys as producer.”
338
00:23:14,016 --> 00:23:16,055
“Lives in New York with wife...
339
00:23:16,117 --> 00:23:18,840
music journalist Miriam Hart,
and their daughter.”
340
00:23:20,554 --> 00:23:22,266
What happened to the Grammys?
341
00:23:22,305 --> 00:23:23,418
I pawned them.
342
00:23:23,460 --> 00:23:25,218
You pawned them?
How much did you get for them?
343
00:23:25,288 --> 00:23:27,397
A hundred and twenty five
for the both of them.
344
00:23:27,439 --> 00:23:29,852
Which got me wasted one weekend
a couple months ago.
345
00:23:29,891 --> 00:23:32,003
Were you drunk when you heard my song?
346
00:23:32,032 --> 00:23:34,644
Absolutely, babe.
That’s when the magic happens.
347
00:23:34,669 --> 00:23:35,491
What magic?
348
00:23:35,533 --> 00:23:36,735
I hear things.
349
00:23:36,852 --> 00:23:37,947
You hear things?
350
00:23:38,312 --> 00:23:40,750
Arrangements,
ou need to be drunk for that sort of thing.
351
00:23:40,812 --> 00:23:42,429
You must have been drunk tonight...
352
00:23:42,470 --> 00:23:44,415
because nobody else heard anything.
353
00:23:44,440 --> 00:23:46,268
No, your song’s good. It’s you.
354
00:23:46,866 --> 00:23:49,325
Standing up there like a tomboy.
355
00:23:49,366 --> 00:23:50,450
I don’t mean to be offensive...
356
00:23:50,491 --> 00:23:52,430
but don’t you think that looks a little passé?
357
00:23:52,502 --> 00:23:53,009
Really?
358
00:23:53,087 --> 00:23:55,491
Seriously. We get you a look.
359
00:23:55,821 --> 00:23:58,766
And a killer video.
And you’ll go straight to the top.
360
00:23:59,209 --> 00:24:02,512
I’m thinking Nora Jones.
Singersongwriter thing...
361
00:24:02,554 --> 00:24:05,387
at a piano. Or the Cardigans.
362
00:24:05,533 --> 00:24:09,408
Back in the day
when they first came to America.
363
00:24:09,450 --> 00:24:11,377
Maybe even Debra Harry.
364
00:24:11,864 --> 00:24:14,439
- A male band behind you.
- What?
365
00:24:14,934 --> 00:24:16,157
You find that amusing?
366
00:24:16,219 --> 00:24:18,196
No, I’m sorry.
Something went down the wrong way.
367
00:24:18,250 --> 00:24:21,554
No, you were saying?
Me with a cardigan on? Nora Jones?
368
00:24:21,723 --> 00:24:23,457
Babe, who the fuck do you think you are?
369
00:24:23,754 --> 00:24:27,098
What? You gonna stand up on a stage
with a beat-up guitar...
370
00:24:27,183 --> 00:24:29,397
and you think you’re
the new Carole-fucking-King?
371
00:24:29,439 --> 00:24:32,377
No. I just think that an A&R man
telling an artist...
372
00:24:32,418 --> 00:24:34,911
how they should dress
or come across is total bullshit.
373
00:24:35,067 --> 00:24:37,623
People don’t want that.
They want authenticity.
374
00:24:37,648 --> 00:24:39,222
Okay, babe. Authenticity.
375
00:24:39,339 --> 00:24:41,460
Give me the name of one artist...
376
00:24:41,502 --> 00:24:44,345
that you think passes
your authenticity test.
377
00:24:46,325 --> 00:24:47,325
Dylan.
378
00:24:47,369 --> 00:24:51,377
Dylan. That is the most cultivated artist
you could have thought of.
379
00:24:51,418 --> 00:24:54,641
His hair. His sunglasses.
He changes his look every decade.
380
00:24:54,658 --> 00:24:55,986
Randy Newman.
381
00:24:57,041 --> 00:25:00,522
I fucking love Randy Newman.
Okay, you got me on that.
382
00:25:00,627 --> 00:25:01,845
Listen to me.
383
00:25:02,009 --> 00:25:04,377
I am not saying that you can’t be...
384
00:25:04,418 --> 00:25:06,974
a real bona fide motherfucker
in this business.
385
00:25:07,092 --> 00:25:08,748
But you got to do whatever it takes...
386
00:25:08,795 --> 00:25:10,907
and get people in to see your shows...
387
00:25:10,944 --> 00:25:13,543
where the music can start
to do its real work.
388
00:25:15,061 --> 00:25:17,670
Oh my God. What were we even talking about?
389
00:25:17,772 --> 00:25:21,512
You can’t sign me.
And I don’t want to be signed.
390
00:25:21,554 --> 00:25:23,533
That’s right. What’s not to like?
391
00:25:23,921 --> 00:25:25,644
Come on, let’s get out of here.
392
00:25:27,131 --> 00:25:30,959
Ah, shit. You’re gonna
have to get these beers, though.
393
00:25:36,512 --> 00:25:38,408
It was really nice to meet you.
394
00:25:39,018 --> 00:25:40,460
Where you going?
395
00:25:41,080 --> 00:25:43,533
To sleep. I have a plane to catch tomorrow.
396
00:25:44,112 --> 00:25:45,151
Where?
397
00:25:46,102 --> 00:25:47,141
- Home.
- Why?
398
00:25:47,720 --> 00:25:50,943
Because I’m sick of this city
and I want to go back to Uni.
399
00:25:50,968 --> 00:25:53,384
Oh, come on. No one comes to New York...
400
00:25:53,467 --> 00:25:56,356
and just leaves
without something terrible happening.
401
00:25:56,381 --> 00:25:57,864
What happened to you?
402
00:26:01,748 --> 00:26:05,066
Come on. You can share with me.
I’m no stranger to misery.
403
00:26:09,316 --> 00:26:14,387
Just come to my label
and let me play your demo to my partner.
404
00:26:14,481 --> 00:26:15,543
If it doesn’t work out...
405
00:26:15,592 --> 00:26:17,554
I will personally pay
to change your ticket.
406
00:26:17,795 --> 00:26:19,920
What’s one more day in New York,
for crying out loud?
407
00:26:20,077 --> 00:26:23,244
You’re just probably gonna go home
and mope around anyway.
408
00:26:23,269 --> 00:26:24,290
All right.
409
00:26:24,641 --> 00:26:26,697
I’m gonna go home and think about it.
410
00:26:27,369 --> 00:26:29,536
And, I’ll call you either way tomorrow.
411
00:26:29,561 --> 00:26:30,561
Okay?
412
00:26:31,554 --> 00:26:33,387
Good answer.
413
00:26:33,579 --> 00:26:36,191
- It was very nice to meet you.
- Yes, pleasure.
414
00:26:37,535 --> 00:26:38,576
Pleasure’s mine.
415
00:26:39,028 --> 00:26:40,704
You’ve got my number, right?
416
00:26:40,778 --> 00:26:41,778
Yeah.
417
00:28:20,217 --> 00:28:21,826
- Hi, Dave?
- Yes.
418
00:28:21,912 --> 00:28:24,690
Hi, I’m Jill.
I work in hospitality with the label.
419
00:28:24,715 --> 00:28:26,553
Right this way. Thank you, Marco.
420
00:28:26,578 --> 00:28:27,784
Nice to meet you.
421
00:28:27,964 --> 00:28:29,964
Right this way. Thank you, Marco.
422
00:28:31,384 --> 00:28:33,940
I think you’re really gonna like
the apartment.
423
00:28:33,965 --> 00:28:36,381
It’s very high end.
424
00:28:37,225 --> 00:28:40,184
I’m sorry. You’re Dave Kohl.
425
00:28:40,277 --> 00:28:41,194
Yes.
426
00:28:41,250 --> 00:28:42,771
Yeah. I told you guys!
427
00:28:42,881 --> 00:28:46,248
We saw your film the other day.
I so love your songs in it.
428
00:28:47,335 --> 00:28:50,780
Thank you. This is Gretta, my girlfriend.
She writes songs too.
429
00:28:50,900 --> 00:28:53,178
Oh, would you mind taking our photograph?
430
00:28:53,404 --> 00:28:56,182
That’d be so awesome.
Just that button right there.
431
00:29:00,184 --> 00:29:01,419
Yeah, it’s a good one.
432
00:29:04,397 --> 00:29:06,181
You’re gonna have to get used to that,
I’m afraid.
433
00:29:06,220 --> 00:29:08,481
This movie is selling out all over town.
It’s pretty crazy.
434
00:29:08,522 --> 00:29:10,556
- Unbelievable.
- Oh no, it’s real.
435
00:29:10,884 --> 00:29:12,884
All right, here we are.
436
00:29:13,491 --> 00:29:15,335
We hope you like.
437
00:29:15,438 --> 00:29:18,665
Your fridge in here is stocked with food.
438
00:29:18,853 --> 00:29:20,895
There are two sets of keys
on the table in there.
439
00:29:21,163 --> 00:29:24,111
This is your driver’s number
and my cell phone number.
440
00:29:24,481 --> 00:29:25,429
I’ll leave that here.
441
00:29:25,470 --> 00:29:28,977
You’re due at the label later
this afternoon to meet everyone.
442
00:29:29,032 --> 00:29:31,516
And then we’ll take a tour
around the studio.
443
00:29:31,636 --> 00:29:35,480
So, probably want to catch up
on your sleep before then.
444
00:29:35,481 --> 00:29:37,387
I’ll leave you to it. Okay?
445
00:29:37,418 --> 00:29:39,800
Pleased to meet you, Gretta.
446
00:29:44,409 --> 00:29:45,798
This place is a shithole.
447
00:29:56,234 --> 00:29:58,119
Biggest fridge I’ve ever seen.
448
00:29:58,887 --> 00:30:01,012
Oh my God. Come here.
449
00:30:01,554 --> 00:30:04,631
- Hey. Can I ask you something?
- Sure.
450
00:30:05,051 --> 00:30:07,746
Should I have come over in a week or two...
451
00:30:07,813 --> 00:30:09,925
and let you settle in first
and get used to everything?
452
00:30:09,971 --> 00:30:10,971
No.
453
00:30:11,038 --> 00:30:11,975
Are you sure?
454
00:30:12,001 --> 00:30:14,724
Yeah. I don’t know
if I could do this without you.
455
00:30:14,749 --> 00:30:15,805
It’s kind of scary.
456
00:30:16,137 --> 00:30:18,012
Am I a wimp for saying that?
457
00:30:25,367 --> 00:30:28,210
Hey, there he is.
458
00:30:28,252 --> 00:30:30,210
Big Dave. What’s up, kid?
459
00:30:31,231 --> 00:30:33,138
Good to see you. Gretta?
460
00:30:33,536 --> 00:30:34,619
Come on in, guys.
461
00:30:34,714 --> 00:30:35,853
Put Dave at the head of the table.
462
00:30:35,893 --> 00:30:36,994
All right. I like it.
463
00:30:37,020 --> 00:30:38,298
You guys meet everyone?
464
00:30:38,323 --> 00:30:39,240
Hi, everybody.
465
00:30:39,304 --> 00:30:41,360
My assistant, Mim. The beautiful Mim.
466
00:30:41,385 --> 00:30:44,179
This is Mildred from Marketing.
467
00:30:44,197 --> 00:30:45,861
Billy there is Social Media.
468
00:30:45,911 --> 00:30:48,165
The rest of the gang,
you’ll meet. Spend time with.
469
00:30:48,213 --> 00:30:51,751
So, Gretta you’re gonna play guitar
on a track or two, I hope.
470
00:30:51,873 --> 00:30:53,485
Oh yeah, sure. If Dave wants.
471
00:30:53,646 --> 00:30:54,562
Yeah.
472
00:30:54,635 --> 00:30:57,017
Gretta and I have been writing together
for a couple years now.
473
00:30:57,138 --> 00:30:58,304
Even before the film came along.
474
00:30:58,346 --> 00:31:01,263
So, I would love for us to try
a couple of her songs.
475
00:31:01,304 --> 00:31:04,190
Did you write on the film with him?
476
00:31:04,231 --> 00:31:05,335
No, no.
477
00:31:05,799 --> 00:31:08,573
That’s the sound we’re after is
from the movie, right? Dave?
478
00:31:08,619 --> 00:31:09,389
Of course.
479
00:31:09,504 --> 00:31:11,003
- Oui? Si?
- Yes. Yes!
480
00:31:11,057 --> 00:31:12,057
- Capice?
- Yes.
481
00:31:12,242 --> 00:31:16,283
Gretta’s very much apart
of the inspiration behind everything.
482
00:31:16,350 --> 00:31:19,555
She’s not just my girlfriend.
We’re partners almost.
483
00:31:21,367 --> 00:31:23,053
I just wanted to include her.
484
00:31:23,138 --> 00:31:26,416
Just to be completely clear.
I’m just tagging along on this.
485
00:31:27,138 --> 00:31:28,923
I’m really happy to be here.
486
00:31:28,985 --> 00:31:31,708
And happy to accompany Dave
on a couple of tracks.
487
00:31:31,733 --> 00:31:34,619
How sweet is this girl? I love that.
488
00:31:37,931 --> 00:31:40,045
How great are these guys? I love them.
489
00:31:57,937 --> 00:32:00,854
Yeah, I’m going on tour with the band.
490
00:32:01,752 --> 00:32:02,856
“Rolling Stone.”
491
00:32:04,239 --> 00:32:07,573
Yeah. Thank you so much.
It was great talking to you. Thanks.
492
00:32:08,315 --> 00:32:09,335
What’s that?
493
00:32:09,749 --> 00:32:10,770
That’s matcha tea.
494
00:32:11,007 --> 00:32:12,007
Matcha tea?
495
00:32:12,660 --> 00:32:15,216
It’s got like four million antioxidants in it.
496
00:32:15,241 --> 00:32:16,964
Oh my God, it tastes like piss.
497
00:32:16,989 --> 00:32:17,832
I like it.
498
00:32:17,981 --> 00:32:20,001
The samurais used to drink it
before they went into battle.
499
00:32:20,083 --> 00:32:22,021
You’re not a samurai. You’re a songwriter.
500
00:32:22,304 --> 00:32:24,138
Well, I’m kind of like a samurai.
501
00:32:24,163 --> 00:32:25,184
Are you?
502
00:32:26,051 --> 00:32:27,936
I’m gonna give these to the guys.
503
00:32:28,008 --> 00:32:30,620
Oh, hey. We gotta go to LA
for a week on Monday.
504
00:32:30,840 --> 00:32:31,840
We’re going to LA?
505
00:32:32,263 --> 00:32:34,335
No. Sorry.
It’s just with some of the label guys.
506
00:32:34,377 --> 00:32:35,367
They have an office out there.
507
00:32:35,523 --> 00:32:37,224
They want me to meet
this video director guy.
508
00:32:37,377 --> 00:32:41,155
But, in the meantime, I’d really like you
to listen to this. So, yes?
509
00:32:41,180 --> 00:32:44,242
Yes, I’m sorry. I’ll deliver coffee.
510
00:32:47,267 --> 00:32:49,434
Hey guys, can we do this again, please?
511
00:32:49,459 --> 00:32:51,899
Take two. And rolling.
512
00:33:01,325 --> 00:33:04,273
♪ IS EVERYTHING JUST RIGHT? ♪
513
00:33:05,056 --> 00:33:08,973
♪ DON’T WANT YOU THINKING’ ♪
♪ THAT I’M IN A HURRY. ♪
514
00:33:09,606 --> 00:33:11,804
♪ I WANT TO STAY YOUR FRIEND ♪
515
00:33:13,325 --> 00:33:16,471
♪ BUT I HAD THIS VISION ♪
♪ AND IT’S GOT ME WORRIED. ♪
516
00:33:17,051 --> 00:33:20,853
♪ CAUSE EVERYONE WANTS SOMEONE. ♪
517
00:33:21,093 --> 00:33:24,947
♪ THAT’S ONE CLICHÉ THAT’S TRUE. ♪
518
00:33:25,676 --> 00:33:28,718
♪ THE SAD TRUTH’S I WANT NO ONE... ♪
519
00:33:29,624 --> 00:33:32,592
♪ UNLESS THAT SOMEONE’S YOU. ♪
520
00:33:32,767 --> 00:33:36,684
♪ AND LOOKS LIKE YOU. FEELS LIKE YOU. ♪
521
00:33:37,113 --> 00:33:43,207
♪ SMILES LIKE YOU. ♪
♪ I WANT SOMEONE JUST LIKE YOU. ♪
522
00:33:43,356 --> 00:33:47,367
♪ THROUGH AND THROUGH OR I’M FOREVER BLUE. ♪
523
00:33:48,200 --> 00:33:53,148
♪ CAUSE THERE’S NO ONE ELSE LIKE... ♪
524
00:34:12,503 --> 00:34:13,555
Thank you.
525
00:34:29,057 --> 00:34:30,140
Look at you!
526
00:34:33,561 --> 00:34:35,561
He has the studio for three months.
527
00:34:35,596 --> 00:34:38,708
And then we go on tour.
So I think we’re staying for six?
528
00:34:38,733 --> 00:34:41,233
This is unbelievable.
You’re total rock stars.
529
00:34:41,252 --> 00:34:43,221
Which studio is he working with?
530
00:34:43,263 --> 00:34:44,200
Electric Lady?
531
00:34:44,242 --> 00:34:45,242
Oh fuck off.
532
00:34:45,709 --> 00:34:46,709
It’s really cool, isn’t it?
533
00:34:46,744 --> 00:34:47,744
Are you serious?
534
00:34:47,777 --> 00:34:49,704
So this is me.
535
00:34:50,200 --> 00:34:51,315
Oh, this is lovely.
536
00:34:51,356 --> 00:34:53,023
Yeah, it’s like that old joke.
537
00:34:53,048 --> 00:34:54,824
You put the key in the door,
you break a window.
538
00:34:55,346 --> 00:34:57,069
My God, look at all this stuff.
539
00:34:57,083 --> 00:35:00,603
Yeah a lot of the studios are upgrading.
540
00:35:00,772 --> 00:35:04,384
So practically giving stuff away.
I can record an album here soon.
541
00:35:04,409 --> 00:35:05,576
Well, that’d be cool.
542
00:35:05,830 --> 00:35:07,788
Look at you, you’ve got CDs.
543
00:35:08,272 --> 00:35:11,050
Yeah. I just phased out all my cassettes.
Sit down.
544
00:35:11,845 --> 00:35:12,897
How retro of you.
545
00:35:13,002 --> 00:35:15,970
I have whiskey. Or water.
546
00:35:16,840 --> 00:35:17,924
Whiskey, please!
547
00:35:18,215 --> 00:35:20,007
Of course you will.
548
00:35:20,273 --> 00:35:21,440
Look what you’ve got.
549
00:35:22,346 --> 00:35:24,402
People are going crazy for that here.
550
00:35:25,228 --> 00:35:27,228
When I play a show and the people know...
551
00:35:27,382 --> 00:35:28,711
I went to college in Bristol...
552
00:35:28,754 --> 00:35:30,021
the first thing they ask is
if I know your boyfriend.
553
00:35:30,367 --> 00:35:31,283
Yeah, tell me about it.
554
00:35:31,325 --> 00:35:33,294
I’m becoming “Dave Kohl’s girlfriend”
back home.
555
00:35:33,335 --> 00:35:35,920
I’m like, “Hello, we used to be a team.
What happened?”.
556
00:35:35,986 --> 00:35:37,997
Oh, you know what they say.
Get your songs in a movie.
557
00:35:38,051 --> 00:35:41,308
So, this is me. This is where I’ve been
for God knows how long.
558
00:35:41,389 --> 00:35:42,056
I love it.
559
00:35:42,148 --> 00:35:42,926
Do you?
560
00:35:43,038 --> 00:35:44,926
Did you see the bed?
I made that bed. That bed is mine.
561
00:35:44,989 --> 00:35:46,669
That’s very impressive.
How’d you get up there?
562
00:35:47,007 --> 00:35:48,007
I vault.
563
00:35:48,205 --> 00:35:50,236
You vault? With a pole?
564
00:35:50,347 --> 00:35:54,513
No, no pole. I do it in one straight...
one straight luge.
565
00:35:55,377 --> 00:35:59,252
Unless I’m drunk. In which case.
It’s off on a dismount.
566
00:36:00,356 --> 00:36:03,304
It’s the back I like.
It’s like he’s holding a guitar.
567
00:36:04,148 --> 00:36:06,426
But he wants you to think it’s his penis.
568
00:36:06,536 --> 00:36:08,425
He’s saying, “Look, it’s a guitar.
569
00:36:08,543 --> 00:36:11,428
But it’s not.
This is the actual size of my penis.”
570
00:36:11,626 --> 00:36:13,200
Why, no?
571
00:36:13,242 --> 00:36:15,325
I am gonna shoot this
because you have to play that...
572
00:36:15,367 --> 00:36:16,294
exactly the way you just played it.
573
00:36:16,335 --> 00:36:17,780
Okay, you play the guitar.
574
00:36:17,805 --> 00:36:20,250
Because I can’t do that
when that thing’s on.
575
00:36:22,210 --> 00:36:23,210
It’s in G.
576
00:36:23,294 --> 00:36:25,017
- I know G.
- I don’t like that.
577
00:36:25,072 --> 00:36:27,429
It doesn’t matter. And you know what?
You have to get over this.
578
00:36:27,458 --> 00:36:29,148
This is an exercise.
579
00:36:29,242 --> 00:36:30,283
Yes. Ready?
580
00:36:33,163 --> 00:36:34,163
Slower.
581
00:36:41,927 --> 00:36:45,864
♪ PLEASE, DON’T SEE. ♪
582
00:36:47,304 --> 00:36:52,294
♪ JUST A GIRL CAUGHT UP
IN DREAMS AND FANTASIES. ♪
583
00:36:53,606 --> 00:36:57,554
♪ PLEASE SEE ME. ♪
584
00:36:59,372 --> 00:37:03,465
♪ REACHING OUT FOR SOMEONE I CAN SEE. ♪
585
00:37:03,999 --> 00:37:05,999
♪ TAKE MY HAND. ♪
586
00:37:06,095 --> 00:37:09,907
♪ LET’S SEE WHERE WE WAKE UP TOMORROW. ♪
587
00:37:10,012 --> 00:37:12,012
♪ BEST LAID PLANS. ♪
588
00:37:12,077 --> 00:37:15,181
♪ SOMETIMES I’M JUST A ONE-NIGHT-STAND. ♪
589
00:37:15,538 --> 00:37:17,580
♪ I’LL BE DAMNED. ♪
590
00:37:17,771 --> 00:37:21,646
♪ CUPID’S DEMANDING BACK HIS ARROWS. ♪
591
00:37:21,968 --> 00:37:27,256
♪ SO LET’S GET DRUNK ON OUR TEARS. ♪
592
00:37:27,324 --> 00:37:32,189
♪ AND GOD, TELL US THE REASON... ♪
593
00:37:32,903 --> 00:37:36,039
♪ YOUTH IS WASTED ON THE YOUNG. ♪
594
00:37:36,439 --> 00:37:38,481
♪ IT’S HUNTING SEASON, ♪
595
00:37:38,578 --> 00:37:41,557
♪ AND THIS LAMB IS ON THE RUN. ♪
596
00:37:42,263 --> 00:37:45,263
♪ WE’RE SEARCHING FOR MEANING. ♪
597
00:37:45,442 --> 00:37:50,567
♪ BUT ALL WE ARE... LOST STARS. ♪
598
00:37:51,304 --> 00:37:57,263
♪ TRYING TO LIGHT UP THE DARK ♪
599
00:37:58,162 --> 00:37:59,197
Done.
600
00:38:00,440 --> 00:38:01,440
What’d you think?
601
00:38:01,550 --> 00:38:02,633
What do I think?
602
00:38:04,776 --> 00:38:08,332
I think I’m angry. I think I’m mad at you
because it’s so good...
603
00:38:08,427 --> 00:38:10,427
that I hate you a little bit.
604
00:38:10,469 --> 00:38:12,192
And is it… is it It’s about me.
605
00:38:12,336 --> 00:38:13,357
- Yeah?
- Yeah.
606
00:38:13,484 --> 00:38:14,484
Really?
607
00:38:14,498 --> 00:38:15,466
Yeah. What’s it called?
608
00:38:15,500 --> 00:38:16,552
I don’t know...
609
00:38:16,797 --> 00:38:17,797
Lost Stars?
610
00:38:17,935 --> 00:38:18,894
You like it?
611
00:38:18,935 --> 00:38:22,790
I don’t like it. I think it’s… I love it.
And I think it’s incredible.
612
00:38:22,831 --> 00:38:25,135
And is it… is it It’s about me.
613
00:38:25,222 --> 00:38:26,807
Or, it’s not about
your other boyfriend, right?
614
00:38:26,894 --> 00:38:28,863
I don’t know if it’s about you
but it’s definitely for you.
615
00:38:28,904 --> 00:38:29,821
I’ll take it.
616
00:38:29,863 --> 00:38:30,904
It is actually your Christmas present...
617
00:38:30,946 --> 00:38:32,779
cause I can’t afford
to buy you another one...
618
00:38:32,821 --> 00:38:33,738
so Happy Christmas.
619
00:38:33,779 --> 00:38:34,967
This is the only Christmas present I want.
620
00:38:35,058 --> 00:38:36,058
Happy Christmas.
621
00:38:36,104 --> 00:38:37,216
Thank you very much.
622
00:38:37,357 --> 00:38:38,357
I love you.
623
00:38:38,492 --> 00:38:39,492
I love you.
624
00:38:39,568 --> 00:38:41,124
Turn it off. Turn it off.
625
00:38:57,453 --> 00:38:58,453
I missed you.
626
00:38:58,852 --> 00:38:59,852
I missed you.
627
00:39:00,609 --> 00:39:01,609
What did you do?
628
00:39:01,816 --> 00:39:04,732
Nothing, really.
I just kind of hung around here.
629
00:39:05,337 --> 00:39:07,393
And I went to some botanical gardens.
630
00:39:08,168 --> 00:39:08,883
It was very lovely.
631
00:39:08,992 --> 00:39:10,317
It was good.
632
00:39:10,372 --> 00:39:11,637
I wrote a new song.
633
00:39:12,304 --> 00:39:13,304
- Did you?
- Yeah.
634
00:39:13,788 --> 00:39:15,900
I was inspired in LA. Want to hear it?
635
00:39:15,925 --> 00:39:16,925
Wow. Yeah.
636
00:39:16,946 --> 00:39:18,946
- Would you be interested in that?
- I would be very interested.
637
00:39:19,214 --> 00:39:20,122
I’ve got it right here.
638
00:39:20,198 --> 00:39:21,281
How exciting.
639
00:39:31,508 --> 00:39:35,394
♪ I DON’T KNOW IF I’M THE FOOL ♪
640
00:39:35,779 --> 00:39:38,810
♪ WHO’S GETTING THIS ALL WRONG. ♪
641
00:39:39,154 --> 00:39:43,258
♪ AND THAT’S THE DREAM ♪
♪ TO SING THE PERFECT GIRL ♪
642
00:39:43,581 --> 00:39:45,602
♪ THE PERFECT SONG. ♪
643
00:39:46,904 --> 00:39:50,583
♪ ALL I KNOW IS I CAN’T KEEP ON ♪
644
00:39:50,677 --> 00:39:54,044
♪ WEARING THIS DISGUISE ♪
645
00:39:54,873 --> 00:39:58,419
♪ WHEN YOU’RE THE ONLY ONE THAT SEES ♪
646
00:39:58,505 --> 00:40:00,956
♪ WORTH REAL IN MY EYES. ♪
647
00:40:01,052 --> 00:40:04,135
♪ YOU TAKE ME TO ANOTHER SPACE AND TIME. ♪
648
00:40:04,873 --> 00:40:07,769
♪ YOU TAKE ME TO A HIGHER PLACE. ♪
649
00:40:07,810 --> 00:40:11,738
♪ SO I’M ABOUT TO GET OUT OF THE RACE. ♪
650
00:40:11,810 --> 00:40:12,894
♪ I DON’T MIND. ♪
651
00:40:12,935 --> 00:40:14,915
♪ YOU OUGHT TO KNOW THAT EVERY... ♪
652
00:40:14,956 --> 00:40:18,904
♪ THERE’S NOTHING IF I DON’T HAVE YOU. ♪
653
00:40:29,197 --> 00:40:30,975
What the fuck is wrong with you?
654
00:40:59,779 --> 00:41:01,790
You’re like a fucking mind reader.
655
00:41:01,872 --> 00:41:03,758
Who is it for?
656
00:41:07,565 --> 00:41:08,565
Mim.
657
00:41:08,829 --> 00:41:10,839
Mim from the label, Mim?
658
00:41:12,599 --> 00:41:16,558
Mim who we met one month ago. Mim?
659
00:41:18,511 --> 00:41:19,511
Yeah.
660
00:41:25,455 --> 00:41:27,403
Was she in LA with you?
661
00:41:30,333 --> 00:41:31,333
Yeah.
662
00:41:33,776 --> 00:41:35,682
I don’t know what to say.
663
00:41:37,967 --> 00:41:39,946
It just happened.
664
00:41:42,234 --> 00:41:44,214
Maybe it’ll go away.
665
00:41:44,956 --> 00:41:46,254
Maybe it’ll fade. I
666
00:41:46,372 --> 00:41:48,372
I have to see it through.
667
00:42:30,113 --> 00:42:33,002
Do you want to put your head
on this end or this end?
668
00:42:37,818 --> 00:42:38,933
Do you want a tea?
669
00:42:50,871 --> 00:42:53,094
I don’t remember if you take sugar or...
670
00:42:55,621 --> 00:42:57,641
I’m gonna wing it. I’ll wing it.
671
00:43:00,063 --> 00:43:02,250
Please won’t you come out with me tonight?
672
00:43:02,306 --> 00:43:04,535
I’m gonna play some songs down
at this open mic night.
673
00:43:04,590 --> 00:43:06,090
Why don’t you come with me?
674
00:43:06,115 --> 00:43:08,043
Cause I hate your fucking songs.
675
00:43:08,509 --> 00:43:11,270
I think we both know that isn’t true.
676
00:43:11,631 --> 00:43:14,725
Sorry, I didn’t... No, I love your songs.
677
00:43:17,371 --> 00:43:19,319
I’m paying fucking horrendous right now...
678
00:43:19,447 --> 00:43:21,660
which is exactly why I need to go home.
679
00:43:21,741 --> 00:43:24,130
That’s exactly
why you need to come with me.
680
00:43:24,155 --> 00:43:25,857
Come on. I insist.
681
00:43:26,082 --> 00:43:27,988
Pick that up & come with me.
682
00:43:28,062 --> 00:43:30,285
You’re coming. I’m not leaving you here.
683
00:43:30,310 --> 00:43:33,088
Come back,
I’ll find your fucking head in the oven.
684
00:43:34,842 --> 00:43:38,009
Hello, ladies and gentlemen.
I have a friend here tonight.
685
00:43:38,085 --> 00:43:40,530
And if it’s okay with you,
I was wondering...
686
00:43:40,555 --> 00:43:44,738
if you’d like her to come up here
and play one of her songs.
687
00:43:45,079 --> 00:43:46,580
Is that okay? Yeah?
688
00:43:46,749 --> 00:43:48,805
Gretta would you come up here please.
689
00:44:07,622 --> 00:44:08,278
Hello.
690
00:44:08,570 --> 00:44:09,570
Hey.
691
00:44:09,863 --> 00:44:12,308
Were you serious last night
about signing me?
692
00:44:12,478 --> 00:44:13,478
Who is this?
693
00:44:14,332 --> 00:44:15,332
Really?
694
00:44:16,313 --> 00:44:18,261
I’m joking. Yeah, I was serious.
695
00:44:21,226 --> 00:44:22,689
I have all my suits here.
696
00:44:22,814 --> 00:44:25,546
Would you get me a nice suit
and make me look nice, princess.
697
00:44:25,658 --> 00:44:28,280
I heard a song last night
and I’m telling you...
698
00:44:28,334 --> 00:44:31,668
it’s exactly what that shit ass
record label needs right now.
699
00:44:31,737 --> 00:44:33,291
You can’t just barge in here.
You can’t come in here like this.
700
00:44:33,446 --> 00:44:34,163
Why?
701
00:44:34,253 --> 00:44:35,432
Because that’s our arrangement.
702
00:44:35,488 --> 00:44:36,405
What you got somebody here?
703
00:44:36,447 --> 00:44:38,447
That’s not the point.
We have an arrangement.
704
00:44:38,488 --> 00:44:39,159
Hello!
705
00:44:39,227 --> 00:44:39,870
Stop that.
706
00:44:39,920 --> 00:44:42,837
Stray man! Any stray man!
Don’t worry about me.
707
00:44:42,941 --> 00:44:44,997
It’s just her husband taking a shower.
708
00:44:45,001 --> 00:44:46,835
You can continue fucking my wife.
709
00:44:46,930 --> 00:44:47,941
That’s not funny.
710
00:44:48,436 --> 00:44:49,478
Hey, I’m sorry.
711
00:44:49,535 --> 00:44:51,647
If I did, you’d be the first I’d tell.
712
00:44:51,672 --> 00:44:52,682
So you’re not.
713
00:44:53,499 --> 00:44:55,332
Get you a shirt and a...
714
00:44:55,374 --> 00:44:56,548
No razor.
715
00:45:02,772 --> 00:45:03,884
You want to come in?
716
00:45:04,933 --> 00:45:06,850
You want to sexy time?
717
00:45:07,384 --> 00:45:08,404
No.
718
00:45:17,550 --> 00:45:18,550
Ready?
719
00:45:19,126 --> 00:45:20,565
So where are we going mister A and R man?
720
00:45:20,646 --> 00:45:22,331
We’re going to my partner
to play him your music.
721
00:45:22,509 --> 00:45:23,426
You got your demo?
722
00:45:23,467 --> 00:45:24,467
No.
723
00:45:25,160 --> 00:45:26,383
You don’t have a demo?
724
00:45:26,405 --> 00:45:27,172
No.
725
00:45:27,242 --> 00:45:29,214
Do you have My Space or Facebook?
726
00:45:29,257 --> 00:45:31,284
My Space? No, I don’t.
727
00:45:31,724 --> 00:45:34,113
I told you.
I write songs from time to time.
728
00:45:35,415 --> 00:45:37,374
Well, what do you write them for?
729
00:45:37,457 --> 00:45:39,846
What do you mean what for? For my pleasure.
730
00:45:39,871 --> 00:45:40,488
For my cat.
731
00:45:40,524 --> 00:45:42,191
Oh, really? Does he like them?
732
00:45:42,216 --> 00:45:43,604
She. Yes, she seems to.
733
00:45:43,990 --> 00:45:44,990
How do you know?
734
00:45:46,129 --> 00:45:47,149
Because she purrs.
735
00:45:47,285 --> 00:45:48,348
Maybe she’s booing.
736
00:45:48,467 --> 00:45:51,322
No, she purrs at Leonard Cohen too.
She has very good taste.
737
00:45:51,363 --> 00:45:52,395
Maybe she’s fucking with you.
738
00:45:52,436 --> 00:45:53,834
Can we stop talking about cats now?
739
00:45:53,941 --> 00:45:54,498
Okay.
740
00:45:54,592 --> 00:45:55,592
Okay.
741
00:45:58,245 --> 00:46:00,690
Fuck it. Let’s do this
the old-fashioned way.
742
00:46:04,488 --> 00:46:09,374
♪ SO FIND YOURSELF AT THE SUBWAY. ♪
743
00:46:10,098 --> 00:46:14,139
♪ WITH YOUR WORLD IN A BAG BY YOUR SIDE. ♪
744
00:46:23,006 --> 00:46:25,229
Thank you, Gretta. Thanks for coming in.
745
00:46:25,254 --> 00:46:28,643
I’m just going to take a moment
to talk with Dan for a minute.
746
00:46:29,293 --> 00:46:30,345
Thank you.
747
00:46:34,149 --> 00:46:36,633
I’m not into it.
It’s a little undercooked for me.
748
00:46:36,795 --> 00:46:38,889
She seems to have kind of
an attitude problem and...
749
00:46:38,946 --> 00:46:40,810
What are you looking for man?
750
00:46:41,308 --> 00:46:44,235
You want some little teenaged pop star....
751
00:46:44,323 --> 00:46:47,435
whose mom’s been raising
since two years old for stardom.
752
00:46:47,457 --> 00:46:50,932
No, that’s not what I’m looking for,
but if you know someone...
753
00:46:50,991 --> 00:46:52,713
Just give me the money to make the demo.
754
00:46:52,847 --> 00:46:55,847
I’ll take her into the studio.
Get a hot shit producer.
755
00:46:55,933 --> 00:46:57,852
Get a couple of session musicians,
dial the thing out...
756
00:46:57,913 --> 00:47:00,080
and then you can hear what I’m hearing.
757
00:47:00,400 --> 00:47:01,575
And then you can tell me to fuck myself.
758
00:47:01,831 --> 00:47:03,371
People send us their demos.
759
00:47:03,796 --> 00:47:06,574
It’s not the other way around.
We don’t make demos.
760
00:47:06,599 --> 00:47:09,524
We’re prospectors man. We’re investors.
761
00:47:10,266 --> 00:47:11,544
We’re digging for gold.
762
00:47:11,674 --> 00:47:15,674
Make a tape and we’ll get back to you.
763
00:47:16,926 --> 00:47:19,149
That’s the best I can do right now, bro.
764
00:47:26,344 --> 00:47:27,622
So, I’ve been thinking.
765
00:47:28,662 --> 00:47:31,485
Why do we even need
to rent a fucking studio?
766
00:47:34,139 --> 00:47:38,222
Because you need a desk,
a live room and sound proofing.
767
00:47:38,304 --> 00:47:41,387
Laptop. Pro Tools.
A couple of dynamic mics.
768
00:47:42,148 --> 00:47:44,573
And the city is our fucking live room.
769
00:47:44,780 --> 00:47:46,114
You mean record outside?
770
00:47:46,139 --> 00:47:47,707
- That’s right.
- Like where?
771
00:47:47,749 --> 00:47:48,749
Everywhere.
772
00:47:48,801 --> 00:47:49,812
Fuck him.
773
00:47:49,853 --> 00:47:52,566
We don’t need a demo.
Let’s record an album.
774
00:47:52,605 --> 00:47:54,605
Every song we do in a different location.
775
00:47:54,655 --> 00:47:56,138
All over New York City.
776
00:47:56,178 --> 00:47:57,956
And we do it through the summer.
777
00:47:58,001 --> 00:48:01,501
And it becomes this tribute to
this beautiful, God damn crazy...
778
00:48:01,526 --> 00:48:03,770
fractured mess of a city. New York.
779
00:48:03,791 --> 00:48:04,791
Okay.
780
00:48:05,749 --> 00:48:07,707
Under the bridge on the lower east side.
781
00:48:07,749 --> 00:48:08,874
Top of the Empire State building.
782
00:48:08,916 --> 00:48:11,305
On rowing boats in the lake
in Central Park.
783
00:48:11,330 --> 00:48:14,330
Chinatown.
Cathedral of Saint John the Divine.
784
00:48:14,442 --> 00:48:16,776
In the subway. Fucking Harlem. Everywhere.
785
00:48:16,916 --> 00:48:19,749
So what happens if it starts raining.
786
00:48:19,791 --> 00:48:21,514
Whatever happens, we record it.
787
00:48:21,539 --> 00:48:22,626
If we get arrested?
788
00:48:22,718 --> 00:48:24,552
Keep rolling! It’ll be beautiful.
789
00:48:24,577 --> 00:48:25,619
You like it?
790
00:48:26,470 --> 00:48:28,397
What do you think? It’s good.
791
00:48:28,894 --> 00:48:30,089
Will you produce it?
792
00:48:30,631 --> 00:48:31,631
Me?
793
00:48:31,728 --> 00:48:32,728
Yeah.
794
00:48:32,729 --> 00:48:33,750
I haven’t produced in a long time.
795
00:48:33,853 --> 00:48:36,020
We’ll get somebody young to produce it.
796
00:48:36,082 --> 00:48:37,638
No, but I want you to do it.
797
00:48:37,663 --> 00:48:38,434
Why?
798
00:48:38,601 --> 00:48:39,684
Because I do.
799
00:48:40,686 --> 00:48:43,468
I give you strings,
but we definitely need piano.
800
00:48:43,728 --> 00:48:44,780
Then with the guitars underneath.
801
00:48:44,822 --> 00:48:45,822
Got it. I love it.
802
00:48:45,832 --> 00:48:46,749
- Done.
- Done.
803
00:48:46,791 --> 00:48:49,853
The world’s first Jag mobile recording studio.
804
00:48:49,907 --> 00:48:50,907
It’s done.
805
00:48:53,577 --> 00:48:55,027
It’s bloody genius it is.
806
00:48:55,144 --> 00:48:56,478
Where do you want to go?
807
00:48:56,579 --> 00:48:58,392
We need musicians.
808
00:48:58,433 --> 00:49:01,454
Terminally, miserably bored musicians.
809
00:49:02,288 --> 00:49:03,455
After that I think...
810
00:49:03,480 --> 00:49:06,747
then you bring in the violin and cello.
First cello then violin.
811
00:49:06,931 --> 00:49:09,265
When we get into that lead guitar thing...
812
00:49:09,290 --> 00:49:12,124
I want it to become
a whole different kind of sound.
813
00:49:19,644 --> 00:49:22,467
This is Malcolm.
Malcolm is a child prodigy.
814
00:49:22,832 --> 00:49:25,780
He’s been playing violin
since he was five years old.
815
00:49:25,822 --> 00:49:27,934
I technically started when I was four.
816
00:49:28,077 --> 00:49:29,077
Four.
817
00:49:29,754 --> 00:49:31,810
And this is his older sister, Rachel.
818
00:49:31,832 --> 00:49:34,780
She’s at the Manhattan School of Music
on a full scholarship.
819
00:49:34,822 --> 00:49:36,211
Top of her class cellist.
820
00:49:36,236 --> 00:49:36,903
That’s amazing.
821
00:49:37,202 --> 00:49:38,258
So here’s the deal.
822
00:49:38,526 --> 00:49:40,471
I can’t afford to pay you up front.
823
00:49:40,496 --> 00:49:44,360
So I want to offer you
a legitimate back end deal.
824
00:49:44,884 --> 00:49:45,895
Sound good?
825
00:49:46,160 --> 00:49:48,494
Yeah, as long as it’s not fucking Vivaldi.
826
00:49:48,621 --> 00:49:50,010
It’s not fucking Vivaldi.
827
00:49:50,035 --> 00:49:52,555
It’s great. No, no, no. It’s great.
828
00:49:52,864 --> 00:49:56,832
Definitely need piano.
Like fill in the guitar underneath.
829
00:49:56,874 --> 00:49:58,600
You got it. I love it.
830
00:49:59,265 --> 00:50:01,265
Steve, beautiful.
831
00:50:18,035 --> 00:50:19,258
Zach. What’s going on?
832
00:50:19,700 --> 00:50:20,700
I quit.
833
00:50:20,741 --> 00:50:21,741
Good luck girls.
834
00:50:22,826 --> 00:50:23,826
Keep in touch.
835
00:50:23,880 --> 00:50:25,205
When we get into that lead guitar thing.
836
00:50:25,309 --> 00:50:28,421
I want it to become just
a whole different kind of sound.
837
00:50:28,446 --> 00:50:30,965
I want it to be punk meets pop.
838
00:50:31,405 --> 00:50:33,238
And have some fun.
839
00:50:56,632 --> 00:50:57,632
Ah, he’s home.
840
00:51:02,241 --> 00:51:03,408
Dano, what’s up, man?
841
00:51:03,437 --> 00:51:06,489
Troublegum, my brother.
My troubles are over.
842
00:51:06,694 --> 00:51:08,726
What say you give me some love, man.
843
00:51:08,832 --> 00:51:10,251
This is it! Gangsta paradise.
844
00:51:10,311 --> 00:51:11,423
I’m glad to see you.
845
00:51:11,448 --> 00:51:12,358
Thanks to you.
846
00:51:12,392 --> 00:51:14,170
Give me a hug. I don’t know you.
847
00:51:14,195 --> 00:51:15,206
That’s Gretta.
848
00:51:15,376 --> 00:51:16,459
Great singer and songwriter.
849
00:51:16,728 --> 00:51:18,157
Let’s get another one.
850
00:51:18,520 --> 00:51:20,501
Where have you been?
It’s been two or years.
851
00:51:20,612 --> 00:51:22,273
I don’t appreciate this shit.
852
00:51:22,719 --> 00:51:24,843
Been on the down low a little bit.
Doing this. Doing that.
853
00:51:24,884 --> 00:51:27,259
Waiting for the next move.
854
00:51:27,359 --> 00:51:29,281
Anticipating the next groove.
855
00:51:29,980 --> 00:51:32,425
I know you got
a lot of shit to prove. Right?
856
00:51:32,462 --> 00:51:35,472
Been on the underground,
looking for that new sound.
857
00:51:36,080 --> 00:51:38,153
We aint fucking around.
858
00:51:38,926 --> 00:51:41,149
Cause if it ain’t right then it’s wrong.
859
00:51:41,174 --> 00:51:42,943
And the road is long,
860
00:51:42,964 --> 00:51:44,938
and you’re only as strong
861
00:51:44,964 --> 00:51:46,963
as your next move.
862
00:51:48,733 --> 00:51:50,432
You feel that?
863
00:51:50,777 --> 00:51:51,714
That’s pretty much it.
864
00:51:51,749 --> 00:51:54,728
Damn. That was like
some paranormal activity.
865
00:51:55,278 --> 00:51:56,299
You know me.
866
00:51:56,379 --> 00:51:58,275
I’m just so happy to see you, man.
867
00:51:59,262 --> 00:52:00,345
Yo! Fat Jimmy did you get that down.
868
00:52:00,762 --> 00:52:01,762
Yeah, I got it.
869
00:52:01,822 --> 00:52:03,196
Cause that was exceptionally good.
870
00:52:03,516 --> 00:52:04,600
Hold my hand, baby. Come on.
871
00:52:05,017 --> 00:52:06,573
How can I help you, brother?
872
00:52:06,600 --> 00:52:09,705
An outdoor album! That’s fucking crazy.
873
00:52:10,135 --> 00:52:11,533
I wish I could have thought of that.
874
00:52:11,603 --> 00:52:12,572
What do you want me to do?
875
00:52:12,606 --> 00:52:15,512
I need musicians.
I need a base player and a drummer.
876
00:52:15,579 --> 00:52:17,024
I got plenty of musicians.
877
00:52:17,049 --> 00:52:19,073
The problem is we can’t pay them.
878
00:52:21,924 --> 00:52:23,202
Fuck it. I’ll pay them.
879
00:52:23,227 --> 00:52:23,830
Why?
880
00:52:23,881 --> 00:52:25,944
What do you mean “why?” For him.
881
00:52:26,421 --> 00:52:27,442
Of course.
882
00:52:30,333 --> 00:52:33,281
Come on. Get your sexy self in the pool.
883
00:52:33,317 --> 00:52:34,317
I will kill you.
884
00:52:36,104 --> 00:52:38,272
She’s English. She’s a little uptight.
885
00:52:39,119 --> 00:52:40,842
Good luck on the album, Gretta.
886
00:52:40,867 --> 00:52:41,867
Thank you.
887
00:52:42,205 --> 00:52:45,220
Everything you see around here.
This crib. These cars.
888
00:52:45,863 --> 00:52:47,334
They’re because of him.
889
00:52:47,595 --> 00:52:49,087
I don’t ever forget that.
890
00:52:49,611 --> 00:52:50,278
I get it.
891
00:52:50,333 --> 00:52:51,260
No, no, no.
892
00:52:51,312 --> 00:52:53,229
You can’t know.
893
00:52:53,281 --> 00:52:56,337
A guy like that falls on his luck
for a couple of years.
894
00:52:56,362 --> 00:52:58,208
People lose sight of who he is.
895
00:52:58,249 --> 00:53:01,249
And they don’t treat him with the respect.
He deserves.
896
00:53:01,274 --> 00:53:03,402
Anything he’s saying is bullshit.
897
00:53:09,149 --> 00:53:10,483
Anything you need, okay?
898
00:53:10,508 --> 00:53:12,008
I love you, man. Thank you.
899
00:53:12,012 --> 00:53:13,012
I like her.
900
00:53:16,739 --> 00:53:19,530
Are you serious? Are you listening to this?
901
00:53:19,620 --> 00:53:22,682
We’re gonna use it. It’s gonna be genius.
902
00:53:24,166 --> 00:53:26,333
You’re a genius. I don’t have any fear.
903
00:53:26,358 --> 00:53:28,014
You don’t hear what I hear.
904
00:53:28,135 --> 00:53:30,191
You’re gonna make it real. I love it.
905
00:53:30,216 --> 00:53:31,240
Got it?
906
00:53:34,708 --> 00:53:38,320
- Those kids are gonna be all over this track.
- What do you mean?
907
00:53:43,453 --> 00:53:44,947
Take this.
908
00:53:48,135 --> 00:53:50,176
Little children. Yo! Yo! Yo!
909
00:53:50,533 --> 00:53:51,533
Let me see this for a second.
910
00:53:51,808 --> 00:53:53,750
I’m shooting a song down here...
911
00:53:53,794 --> 00:53:55,598
and I need you guys to be quiet
for five minutes.
912
00:53:55,681 --> 00:53:56,309
No way, man.
913
00:53:56,368 --> 00:53:57,385
I’ll pay you.
914
00:53:57,458 --> 00:53:58,653
- How much?
- A buck each.
915
00:53:58,770 --> 00:54:00,548
Hey, you’re funny. Five dollars.
916
00:54:00,573 --> 00:54:02,510
Five bucks for all of you guys.
917
00:54:02,647 --> 00:54:04,481
Okay. Two bucks! Two bucks each.
918
00:54:04,627 --> 00:54:05,658
No!
919
00:54:06,333 --> 00:54:09,145
All right. Five bucks each.
920
00:54:09,176 --> 00:54:12,454
Bring us five bucks and five lollipops.
One for each of us.
921
00:54:12,674 --> 00:54:14,952
Throw in a box of cigarettes and lighter.
922
00:54:15,652 --> 00:54:18,123
I’ll give you one cigarette for each of you
to smoke and you share it.
923
00:54:18,263 --> 00:54:20,819
And I’ll give you a pack of matches.
All right?
924
00:54:20,844 --> 00:54:21,229
Yes.
925
00:54:21,270 --> 00:54:22,322
Can you sing?
926
00:54:34,322 --> 00:54:40,704
♪ WHEN YOU WERE ASLEEP
AND I WAS OUT WALKING. ♪
927
00:54:40,851 --> 00:54:42,903
♪ THE VOICES STARTED TO SPEAK. ♪
928
00:54:44,374 --> 00:54:47,426
♪ AND THEY WOULDN’T STOP TALKING. ♪
929
00:54:47,679 --> 00:54:49,731
♪ THERE WERE SIGNS ALL AROUND. ♪
930
00:54:50,882 --> 00:54:54,788
♪ IT REALLY GOT MY MIND RACING. ♪
931
00:54:54,845 --> 00:54:56,845
♪ YOU WERE RIGHT ALL ALONG. ♪
932
00:54:57,944 --> 00:55:00,861
♪ SOMETHING’S GOTTA CHANGE ♪
933
00:55:03,777 --> 00:55:04,861
♪ HOLD ON. ♪
934
00:55:06,925 --> 00:55:09,904
♪ HOLD ON. THEY’RE NOT FOR ME. ♪
935
00:55:10,333 --> 00:55:12,229
♪ HOLD ON. ♪
936
00:55:12,819 --> 00:55:18,850
♪ CAUSE EVERYTHING’S COMING UP ROSES. ♪
937
00:55:22,976 --> 00:55:25,841
♪ ROSES. ♪
938
00:55:29,522 --> 00:55:31,543
♪ NOW WE’RE BACK ON THE STREET. ♪
939
00:55:32,812 --> 00:55:35,823
♪ FOR A SONG THAT’S WORTH SINGING... ♪
940
00:55:35,933 --> 00:55:38,850
♪ THE BLOODY NOSE OF DEFEAT. ♪
941
00:55:39,343 --> 00:55:43,176
♪ WHY ARE YOUR VICTORY BELLS RINGING? ♪
942
00:55:43,218 --> 00:55:46,229
♪ OH LIFE’S TURNED AROUND. ♪
943
00:55:46,865 --> 00:55:50,053
♪ FOR THIS THING YOU KEEP CHASING. ♪
944
00:55:50,611 --> 00:55:52,223
♪ YOU WERE RIGHT ALL ALONG. ♪
945
00:55:53,087 --> 00:55:56,108
♪ BUT IT’S ME WHO’S GOT TO CHANGE. ♪
946
00:55:58,902 --> 00:56:00,902
♪ HOLD ON. ♪
947
00:56:02,009 --> 00:56:05,092
♪ HOLD ON. THEY’RE NOT FOR ME. ♪
948
00:56:05,488 --> 00:56:07,488
♪ HOLD ON. ♪
949
00:56:07,857 --> 00:56:14,919
♪ CAUSE EVERYTHING’S COMING UP ROSES. ♪
950
00:56:15,988 --> 00:56:18,123
♪ HOLD ON, HOLD ON. ♪
951
00:56:20,208 --> 00:56:23,124
♪ HOLD ON, HOLD ON. ♪
952
00:56:23,436 --> 00:56:25,561
♪ HOLD ON, HOLD ON. ♪
953
00:56:26,301 --> 00:56:28,468
♪ HOLD ON, HOLD ON. ♪
954
00:56:29,866 --> 00:56:32,710
♪ HOLD ON, HOLD ON. ♪
955
00:56:34,148 --> 00:56:36,252
♪ HOLD ON, HOLD ON. ♪
956
00:56:37,074 --> 00:56:40,918
♪ HOLD ON, HOLD ON. ♪
957
00:56:42,301 --> 00:56:44,208
Yes! Yes! That was it.
958
00:56:45,057 --> 00:56:46,932
Yes! It’s gonna work!
959
00:56:54,145 --> 00:56:56,958
Oh my God! Is that the Empire State?
960
00:56:57,151 --> 00:56:58,151
Yeah, right here.
961
00:56:58,851 --> 00:57:01,747
Get up here. Get that.
962
00:57:02,179 --> 00:57:03,221
It’s really good.
963
00:57:03,270 --> 00:57:03,918
It’s great.
964
00:57:03,985 --> 00:57:05,355
The wind’s good, right?
965
00:57:05,442 --> 00:57:07,546
It’s not too loud. It’s good.
966
00:57:08,754 --> 00:57:11,921
And we can look into people’s windows
which is always fun.
967
00:57:11,963 --> 00:57:13,472
You want to come with me to get Violet.
968
00:57:13,514 --> 00:57:14,291
Is that okay?
969
00:57:14,333 --> 00:57:15,249
Yeah. Come on.
970
00:57:15,291 --> 00:57:17,322
My brother. There you go.
971
00:57:17,562 --> 00:57:18,697
Thank you very much.
972
00:57:32,270 --> 00:57:33,270
That’s her.
973
00:57:37,949 --> 00:57:40,074
This is Gretta. She’s the song writer
I was telling you about.
974
00:57:40,991 --> 00:57:42,103
My daughter, Violet.
975
00:57:42,128 --> 00:57:43,128
How are you doing?
976
00:57:53,301 --> 00:57:56,249
So who was the cute guy?
The one in the blue shirt.
977
00:57:56,330 --> 00:57:57,553
Greg. You noticed him?
978
00:57:58,204 --> 00:58:01,121
Sure. Who wouldn’t? He’s gorgeous.
979
00:58:01,769 --> 00:58:03,645
He’s totally out of our league.
980
00:58:03,705 --> 00:58:05,039
He’s out of your league?
981
00:58:06,281 --> 00:58:08,291
He didn’t look out of your league.
982
00:58:12,575 --> 00:58:14,408
Ignore him.
983
00:58:15,442 --> 00:58:17,695
How can you get someone to notice
you’re ignoring them...
984
00:58:17,749 --> 00:58:18,887
if they’re ignoring you?
985
00:58:18,947 --> 00:58:21,170
He’s not ignoring you. You’re beautiful.
986
00:58:21,195 --> 00:58:23,918
He knows you’re there.
He’s just hedging his bets.
987
00:58:26,354 --> 00:58:28,385
You have to be sure
that you actually like him.
988
00:58:28,833 --> 00:58:31,488
That he’s not just the guy in school
to be seen with.
989
00:58:31,530 --> 00:58:33,011
No, I do really like him.
990
00:58:33,064 --> 00:58:36,398
Well, then, you have to find a way
to get him to ask you out.
991
00:58:36,812 --> 00:58:38,324
Yes, but how?
992
00:58:38,429 --> 00:58:41,796
Well, for starters, stop dressing
like you’re totally easy!
993
00:58:45,054 --> 00:58:47,265
I thought this was sort of sexy.
It’s American Apparel.
994
00:58:47,459 --> 00:58:50,066
It is sort of sexy. It’s very, very sexy.
995
00:58:50,168 --> 00:58:54,002
But it doesn’t leave much
to the imagination. You know?
996
00:58:55,406 --> 00:58:56,406
I guess.
997
00:58:58,259 --> 00:58:59,593
You want to go shopping.
998
00:59:00,948 --> 00:59:01,948
I do.
999
00:59:02,049 --> 00:59:03,049
- Yeah?
- Yeah.
1000
00:59:03,103 --> 00:59:04,103
Okay, good.
1001
00:59:05,128 --> 00:59:06,295
We’re going shopping.
1002
00:59:16,962 --> 00:59:18,296
- Thank you.
- Thank you.
1003
00:59:18,881 --> 00:59:20,716
Good luck with the rest of your album.
It sounds cool.
1004
00:59:20,928 --> 00:59:21,610
Thank you.
1005
00:59:21,914 --> 00:59:23,012
You have your key?
1006
00:59:23,081 --> 00:59:24,081
Yep.
1007
00:59:24,472 --> 00:59:26,472
Hey you should come sing on a track?
1008
00:59:26,791 --> 00:59:28,604
I can’t sing.
1009
00:59:29,204 --> 00:59:30,444
I can play like a bit of guitar.
1010
00:59:30,509 --> 00:59:32,257
Can you? We’re doing one on Thursday.
1011
00:59:32,334 --> 00:59:34,189
It will be really simple.
You should come and play.
1012
00:59:34,381 --> 00:59:35,381
Can I dad?
1013
00:59:35,518 --> 00:59:38,434
I need to contemplate that.
1014
00:59:42,078 --> 00:59:44,098
What are you doing? That ain’t cool.
1015
00:59:49,085 --> 00:59:52,064
I don’t know if she can play guitar
well enough to play on a track.
1016
00:59:52,286 --> 00:59:55,286
I don’t won’t to embarrass her.
What if she can’t play?
1017
00:59:55,635 --> 00:59:58,024
Look, it’s going to be easy. Let her do it.
1018
01:00:06,475 --> 01:00:07,475
Yeah?
1019
01:00:08,187 --> 01:00:09,302
Hey, babe.
1020
01:00:11,697 --> 01:00:12,749
Where’s Violet?
1021
01:00:14,436 --> 01:00:15,468
Violet?
1022
01:00:16,595 --> 01:00:20,616
I was wondering...
You think it would be cool if she came...
1023
01:00:20,735 --> 01:00:24,807
and played guitar on a song
I’m recording on Thursday?
1024
01:00:26,666 --> 01:00:27,749
She’s terrible on guitar.
1025
01:00:27,791 --> 01:00:28,739
She’s not bad.
1026
01:00:28,781 --> 01:00:30,666
I think she’ll be okay.
1027
01:00:31,447 --> 01:00:32,364
When will she...?
1028
01:00:32,421 --> 01:00:34,296
Five o’clock. Will you bring her?
1029
01:00:35,314 --> 01:00:36,610
It’s up to you.
1030
01:00:36,773 --> 01:00:39,985
I’ll text you the address.
Why don’t you come to?
1031
01:00:44,348 --> 01:00:45,348
No way.
1032
01:00:46,604 --> 01:00:48,438
Come on. Just come. It’ll be fun.
1033
01:00:48,573 --> 01:00:49,900
I want you to come.
1034
01:00:50,663 --> 01:00:51,775
I’ll think about it.
1035
01:00:53,115 --> 01:00:54,838
- I’ll come, maybe.
- Thank you.
1036
01:01:13,168 --> 01:01:15,835
You know it was nice to see you
and Violet today.
1037
01:01:17,871 --> 01:01:19,871
It must be hard not seeing her more.
1038
01:01:19,938 --> 01:01:20,969
Yeah it’s...
1039
01:01:23,488 --> 01:01:25,307
So why don’t you?
1040
01:01:26,209 --> 01:01:28,654
She obviously really needs
her father around.
1041
01:01:29,168 --> 01:01:31,668
What are you
the fucking Social Services now?
1042
01:01:31,693 --> 01:01:33,746
No. I mean I’m just saying...
1043
01:01:34,825 --> 01:01:37,437
It must have been fairly tense
for you to leave.
1044
01:01:37,462 --> 01:01:40,796
Especially seeing as how much
she obviously wants you around.
1045
01:01:44,630 --> 01:01:47,186
I’m gonna split.
I’ll see you tomorrow morning.
1046
01:01:58,432 --> 01:01:59,516
Fuck, man.
1047
01:02:03,901 --> 01:02:04,901
Dan?
1048
01:02:06,040 --> 01:02:07,988
Hey, look. I’m sorry.
1049
01:02:08,753 --> 01:02:09,361
I’m sorry.
1050
01:02:09,464 --> 01:02:13,050
What do you want from me?
What game are you playing?
1051
01:02:13,240 --> 01:02:14,352
What does that mean?
1052
01:02:15,529 --> 01:02:16,529
I just...
1053
01:02:16,771 --> 01:02:17,308
What?
1054
01:02:17,334 --> 01:02:19,168
I saw how sweet she was today...
1055
01:02:19,209 --> 01:02:21,209
and I just felt sorry
for you being away from that.
1056
01:02:21,242 --> 01:02:23,223
That is such a crock of shit.
You were back there judging me.
1057
01:02:23,297 --> 01:02:25,245
You think that I left that relationship...
1058
01:02:25,365 --> 01:02:27,976
because I’m some sort of selfish,
depressed prick.
1059
01:02:28,013 --> 01:02:29,336
Which I am, by the way.
1060
01:02:29,386 --> 01:02:31,272
No. I don’t think you’re a selfish,
depressed prick.
1061
01:02:31,313 --> 01:02:34,178
I think you’ve let your troubles get in
the way of your entire life.
1062
01:02:34,220 --> 01:02:37,334
Oh, babe. You’re really showing
your age right now.
1063
01:02:37,376 --> 01:02:40,293
You have no idea what happens
between two people...
1064
01:02:40,334 --> 01:02:42,251
after 18 years of marriage.
1065
01:02:42,293 --> 01:02:45,293
And because you’re willing
to hang around for some asshole...
1066
01:02:45,334 --> 01:02:47,850
after he totally betrayed you,
that’s your business.
1067
01:02:47,930 --> 01:02:49,722
Oh no. I’m sorry. You’re right.
1068
01:02:49,747 --> 01:02:52,250
I put a lot of time and effort
into that relationship. And no!
1069
01:02:52,334 --> 01:02:55,109
I’m not walking away just because of
a bump in the road!
1070
01:02:55,178 --> 01:02:56,261
Bump in the road?
1071
01:02:56,334 --> 01:03:00,188
I left that relationship cause
I was having a nervous breakdown.
1072
01:03:00,230 --> 01:03:02,261
And she was out there
fucking some other guy...
1073
01:03:02,303 --> 01:03:04,261
planning how she was gonna start
a whole new life with him...
1074
01:03:04,303 --> 01:03:06,415
when I was here taking care of my kid!
1075
01:03:07,209 --> 01:03:09,987
You have no fucking clue
what you’re talking about!
1076
01:03:10,168 --> 01:03:11,324
You know nothing!
1077
01:03:24,649 --> 01:03:27,230
She goes a year up to work on a junket.
1078
01:03:27,272 --> 01:03:32,240
And she ends up meeting
and falling in love with this singer.
1079
01:03:32,282 --> 01:03:37,178
Bang. Boom. Thunder, lightning. Fireworks.
The whole bit.
1080
01:03:38,129 --> 01:03:42,450
And the arrangement was that
they were gonna come back...
1081
01:03:42,496 --> 01:03:44,980
and tell their partners that
they had fallen in love...
1082
01:03:45,016 --> 01:03:47,137
and they’re gonna spend
the rest of their lives together.
1083
01:03:47,220 --> 01:03:50,251
And so I go to the airport
to pick her up...
1084
01:03:50,293 --> 01:03:54,178
and she just comes out with it first off.
Whole story.
1085
01:03:54,261 --> 01:03:57,188
Then next day her bags are all packed...
1086
01:03:57,230 --> 01:03:59,842
and we’re telling Violet
what’s going to happen.
1087
01:04:00,220 --> 01:04:01,214
So what did happen?
1088
01:04:01,272 --> 01:04:04,384
He choked. He got on the airplane.
Went back to his life.
1089
01:04:04,426 --> 01:04:07,041
Turned his phone off
and she never heard from him again.
1090
01:04:07,102 --> 01:04:08,797
I move into another bedroom.
1091
01:04:09,199 --> 01:04:12,199
She’s waiting around for a phone call
that never comes.
1092
01:04:12,224 --> 01:04:13,359
And I turn into a...
1093
01:04:17,829 --> 01:04:19,797
I lose my shit a little bit.
1094
01:04:21,397 --> 01:04:23,178
So sorry.
1095
01:04:23,220 --> 01:04:24,220
No.
1096
01:04:24,939 --> 01:04:26,991
Maybe people in the music industry don’t...
1097
01:04:27,076 --> 01:04:29,866
just don’t make good life partners.
Or fathers.
1098
01:04:29,970 --> 01:04:31,970
Yeah. It certainly looks that way.
1099
01:04:34,568 --> 01:04:37,364
I didn’t mean about the father’s bit.
You make a very good father.
1100
01:04:37,410 --> 01:04:38,310
Yeah, right.
1101
01:04:38,375 --> 01:04:40,250
Maybe just not a good partner.
1102
01:04:46,578 --> 01:04:47,599
What is that?
1103
01:04:47,734 --> 01:04:49,693
This? That’s a splitter.
1104
01:04:50,507 --> 01:04:53,121
For two headphones go into one input.
1105
01:04:53,776 --> 01:04:57,401
It’s actually from my first date
with Miriam.
1106
01:04:57,651 --> 01:04:58,651
It is?
1107
01:04:59,578 --> 01:05:00,666
Where’d you meet?
1108
01:05:00,721 --> 01:05:04,651
We walked all over the city,
listening to her CD player.
1109
01:05:05,734 --> 01:05:08,213
I don’t think we said
more than two words...
1110
01:05:08,296 --> 01:05:09,963
to each other the whole night.
1111
01:05:09,988 --> 01:05:13,322
That was New Year’s Eve
and we were married two months later.
1112
01:05:14,630 --> 01:05:15,693
That’s lovely.
1113
01:05:16,588 --> 01:05:17,877
What kind of music you got on your phone?
1114
01:05:18,693 --> 01:05:21,651
I’m not giving you access
to my music library. I’m really not.
1115
01:05:21,693 --> 01:05:25,082
There’s a lot of embarrassing,
very guilty pleasures in there.
1116
01:05:25,107 --> 01:05:25,755
Mine too.
1117
01:05:25,797 --> 01:05:29,186
You can tell a lot about a person
by what’s on their playlist.
1118
01:05:29,211 --> 01:05:31,545
I know you can. That’s what’s worrying me.
1119
01:05:32,609 --> 01:05:33,992
So are we gonna do this?
1120
01:05:34,281 --> 01:05:36,765
Okay. Let’s do it.
1121
01:06:22,182 --> 01:06:24,296
This is a really good choice!
1122
01:06:27,752 --> 01:06:28,619
Oh yeah.
1123
01:06:28,689 --> 01:06:30,682
Genius. Perfect. Right?
1124
01:06:30,724 --> 01:06:31,724
Yeah. Yeah.
1125
01:06:37,117 --> 01:06:38,562
Oh no! I forgot the words!
1126
01:06:40,238 --> 01:06:41,961
Okay! Okay, we’ve got to dance.
1127
01:06:41,986 --> 01:06:42,693
What?
1128
01:06:42,968 --> 01:06:44,059
We’ve got to dance!
1129
01:06:44,693 --> 01:06:47,305
- Okay, we’ve got to dance.
- We’ve gotta dance!
1130
01:06:47,949 --> 01:06:49,630
This way.
1131
01:07:52,432 --> 01:07:55,488
I’m quite frightened cause
you might find this cheesy...
1132
01:07:55,513 --> 01:07:59,069
but it is one of my favorite songs
from one of my favorite films.
1133
01:07:59,094 --> 01:08:00,177
Are you ready?
1134
01:08:07,440 --> 01:08:08,491
It’s good, right?
1135
01:08:36,630 --> 01:08:38,630
That’s what I love about music.
1136
01:08:38,672 --> 01:08:39,588
What?
1137
01:08:39,630 --> 01:08:42,464
One of the most banal scenes
is suddenly invested...
1138
01:08:42,523 --> 01:08:43,690
with so much meaning.
1139
01:08:43,715 --> 01:08:45,588
All these banalities.
1140
01:08:45,630 --> 01:08:47,686
They’re suddenly turned into these...
1141
01:08:47,711 --> 01:08:50,701
these beautiful, effervescent pearls.
1142
01:08:50,776 --> 01:08:52,693
From music.
1143
01:09:03,919 --> 01:09:07,640
I’ve gotta say,
as I’ve gotten older these pearls...
1144
01:09:07,682 --> 01:09:11,776
are just becoming
increasingly more and more rare to me.
1145
01:09:13,356 --> 01:09:14,792
More string than pearls?
1146
01:09:16,661 --> 01:09:20,672
You’ve got to travel over a lot
more string to get to the pearls.
1147
01:09:22,161 --> 01:09:23,884
This moment is a pearl, Gretta.
1148
01:09:24,568 --> 01:09:25,902
It sort of is, isn’t it?
1149
01:09:26,651 --> 01:09:28,630
All of this has been a pearl.
1150
01:09:56,568 --> 01:09:57,599
Hey guys!
1151
01:09:59,309 --> 01:10:00,226
Hi.
1152
01:10:00,260 --> 01:10:01,271
Hello Steve.
1153
01:10:01,724 --> 01:10:05,169
Come on and check it out.
Your boyfriend just won a Music Gong.
1154
01:10:05,278 --> 01:10:06,278
No way.
1155
01:10:06,482 --> 01:10:07,649
You won’t believe it.
1156
01:10:07,693 --> 01:10:09,672
He’s done something to his face.
1157
01:10:09,713 --> 01:10:11,786
Wow. Thank you so much.
1158
01:10:11,919 --> 01:10:14,642
I’m a bit taken aback by this.
This is incredible.
1159
01:10:14,776 --> 01:10:17,609
It just proves that a guy from nowhere...
1160
01:10:17,651 --> 01:10:21,599
can actually make it
if he follows his dreams.
1161
01:10:21,786 --> 01:10:23,731
I’ve been practicing this speech...
1162
01:10:23,756 --> 01:10:26,704
into a shampoo bottle
in the shower my entire life.
1163
01:10:30,585 --> 01:10:31,658
Gosh. Thank you.
1164
01:10:32,599 --> 01:10:33,682
Nice beard, you fucking loser.
1165
01:10:33,724 --> 01:10:34,724
What dreams?
1166
01:10:34,765 --> 01:10:37,877
We never had those dreams.
I don’t remember those dreams.
1167
01:10:37,939 --> 01:10:38,939
How do you know?
1168
01:10:38,970 --> 01:10:40,672
Because, I know him.
1169
01:10:41,903 --> 01:10:43,626
Maybe they were private dreams.
1170
01:10:44,108 --> 01:10:46,331
Maybe he just never told you about them.
1171
01:10:47,191 --> 01:10:49,170
Who was I living
with for the last five years?
1172
01:10:49,212 --> 01:10:52,824
Baby, you’ve been living with a rock star.
Only he didn’t know it.
1173
01:10:52,849 --> 01:10:53,891
It didn’t matter.
1174
01:10:54,318 --> 01:10:55,690
But now that he does,
I’ve gotta tell you...
1175
01:10:55,740 --> 01:10:57,463
these people get married to it.
1176
01:10:57,488 --> 01:10:59,613
They fall in love with the music.
They fall in love with the lights.
1177
01:11:00,108 --> 01:11:02,180
They fall in love with the road.
The chicks. All that shit.
1178
01:11:02,949 --> 01:11:04,838
And no matter how hard he tries...
1179
01:11:04,903 --> 01:11:07,820
he’s never gonna be able
to make a woman happy.
1180
01:11:10,191 --> 01:11:11,469
See you in the morning.
1181
01:11:13,191 --> 01:11:14,108
See you.
1182
01:11:14,176 --> 01:11:15,343
He just looks a dick.
1183
01:11:15,373 --> 01:11:16,714
Why would he do that?
1184
01:11:16,763 --> 01:11:18,222
I don’t know. Well why would anyone?
1185
01:11:18,285 --> 01:11:19,274
I’ll tell you why he did it.
1186
01:11:19,316 --> 01:11:21,274
Cause he wants to look like
the guy who doesn’t realize it.
1187
01:11:21,316 --> 01:11:22,726
“Oh! I’ve grown a beard!”
1188
01:11:23,118 --> 01:11:25,149
“I was so busy,
lost inside myself writing music...
1189
01:11:25,191 --> 01:11:28,274
I didn’t realize
I’d grown a beard the size of my neck.”
1190
01:11:28,316 --> 01:11:31,180
I’m gonna sound quite cheesy over it.
1191
01:11:32,638 --> 01:11:34,554
I loved him like a fool.
1192
01:11:34,850 --> 01:11:36,115
I don’t think that’s cheesy.
1193
01:11:36,136 --> 01:11:38,525
I think that sounds like a phenomenal song.
1194
01:11:38,550 --> 01:11:39,038
Does it?
1195
01:11:39,118 --> 01:11:41,047
It sounds like a song
and I think it sounds like a song...
1196
01:11:41,139 --> 01:11:43,108
that you should write right now.
You should write it down.
1197
01:11:43,149 --> 01:11:44,149
Write it down.
1198
01:11:45,123 --> 01:11:47,164
Write it down, cause you’re in the zone.
Say, “I’m in the zone.”
1199
01:11:47,316 --> 01:11:48,253
I’m in the zone.
1200
01:11:48,295 --> 01:11:50,222
Don’t say it like
you’re those posh English girls.
1201
01:11:50,264 --> 01:11:53,118
Say it like someone in New York.
Say, “I’m in the fucking zone.”
1202
01:11:53,160 --> 01:11:55,108
- Say, “I’m in the fucking zone."
- I’m in the fucking zone.
1203
01:11:55,149 --> 01:11:57,118
I’ve gotta write a song.
And I don’t give a shit.”
1204
01:11:57,160 --> 01:11:59,605
I’m gonna write a song.
No, actually shut up.
1205
01:11:59,630 --> 01:12:01,742
All right. I’m shushing. I’m shushing.
1206
01:12:02,149 --> 01:12:02,812
Dialing.
1207
01:12:03,149 --> 01:12:04,372
All right, here we go.
1208
01:12:04,571 --> 01:12:05,592
Speaker.
1209
01:12:06,108 --> 01:12:07,170
Hey, this is Dave Kohl.
1210
01:12:07,212 --> 01:12:09,865
I am probably busy doing something awesome...
1211
01:12:09,930 --> 01:12:11,344
so leave me a message...
1212
01:12:11,370 --> 01:12:14,759
and I probably won’t be able
to get back to you. At all. Ever.
1213
01:12:25,139 --> 01:12:29,108
♪ WE TAKE A CHANCE FROM TIME TO TIME... ♪
1214
01:12:33,222 --> 01:12:37,191
♪ AND PUT OUR NECKS OUT ON THE LINE. ♪
1215
01:12:41,326 --> 01:12:46,108
♪ AND YOU HAVE BROKEN EVERY PROMISE... ♪
1216
01:12:46,149 --> 01:12:48,316
♪ THAT WE MADE ♪
1217
01:12:50,170 --> 01:12:53,222
♪ AND I HAVE LOVED YOU ANYWAY. ♪
1218
01:13:01,139 --> 01:13:08,347
♪ TOOK A FINE TIME TO LEAVE ME ♪
♪ HANGING OUT TO DRY. ♪
1219
01:13:09,212 --> 01:13:13,253
♪ UNDERSTAND NOW I’M GRIEVING... ♪
1220
01:13:13,991 --> 01:13:17,160
♪ SO DON’T YOU WASTE MY TIME. ♪
1221
01:13:19,180 --> 01:13:21,274
♪ CAUSE YOU HAVE TAKEN... ♪
1222
01:13:21,316 --> 01:13:25,347
♪ ALL THE WIND OUT FROM MY SAILS ♪
1223
01:13:27,497 --> 01:13:30,918
♪ AND I HAVE LOVED YOU JUST THE SAME. ♪
1224
01:13:31,884 --> 01:13:36,108
♪ WE FINALLY FIND THIS, THEN YOU’RE GONE ♪
1225
01:13:40,118 --> 01:13:44,222
♪ BEEN CHASING RAINBOWS ALL ALONG. ♪
1226
01:13:48,552 --> 01:13:50,667
♪ AND YOU HAVE CURSED ME ♪
1227
01:13:51,108 --> 01:13:54,316
♪ WHEN THERE’S NO ONE LEFT TO BLAME ♪
1228
01:13:57,216 --> 01:14:00,455
♪ AND I HAVE LOVED YOU JUST THE SAME. ♪
1229
01:14:26,108 --> 01:14:28,160
♪ AND YOU HAVE BROKEN ♪
1230
01:14:28,201 --> 01:14:32,139
♪ EVERY SINGLE FUCKING RULE ♪
1231
01:14:34,149 --> 01:14:38,201
♪ AND I HAVE LOVED YOU LIKE A FOOL. ♪
1232
01:14:43,318 --> 01:14:44,318
One more?
1233
01:15:59,203 --> 01:16:00,203
Hey!
1234
01:16:00,337 --> 01:16:04,108
Everybody! This is Miriam.
1235
01:16:04,149 --> 01:16:05,149
This is Gretta.
1236
01:16:05,454 --> 01:16:07,329
This is my daughter Violet.
1237
01:16:09,191 --> 01:16:10,285
Miriam. Thank you.
1238
01:16:12,139 --> 01:16:13,473
It’s not too high is it?
1239
01:16:13,764 --> 01:16:15,876
It’s not too high for a bass. Exactly.
1240
01:16:16,717 --> 01:16:19,217
No one should play bass
unless it’s this high.
1241
01:16:19,242 --> 01:16:21,631
You want me to set
your amp or are you good?
1242
01:16:22,191 --> 01:16:24,212
Hold up. Hold up. Hold up.
1243
01:16:25,191 --> 01:16:29,316
Rachel. At the top,
come in a little more gradually.
1244
01:16:29,679 --> 01:16:30,436
Bad Jimmy!
1245
01:16:30,515 --> 01:16:31,253
Yo, what’s up?
1246
01:16:31,295 --> 01:16:32,212
Come on, man.
1247
01:16:32,253 --> 01:16:33,191
All right. I got you.
1248
01:16:33,233 --> 01:16:35,897
The police ain’t gonna get you up here.
Let’s hear that bass.
1249
01:16:36,078 --> 01:16:37,217
I got you, baby. I got you.
1250
01:16:37,274 --> 01:16:39,233
Wait a minute. Do you play bass?
1251
01:16:39,274 --> 01:16:41,219
You were out of tune. You are flat.
1252
01:16:41,261 --> 01:16:44,428
Because I read on the internet
that you used to play bass.
1253
01:16:44,453 --> 01:16:47,264
If we can get Violet
doing some guitar on this?
1254
01:16:47,305 --> 01:16:49,375
This should be a family affair.
1255
01:16:49,516 --> 01:16:51,961
I’m a producer
cause I don’t play bass, baby.
1256
01:16:51,986 --> 01:16:55,233
Yes you are! You gotta do it.
You gotta do it!
1257
01:16:55,295 --> 01:16:57,149
All right! All right!
1258
01:16:57,295 --> 01:16:59,649
Come in whenever you want. You can wait.
1259
01:17:00,149 --> 01:17:02,118
Just keep it simple.
1260
01:17:02,875 --> 01:17:04,781
I don’t know if I’m gonna play.
1261
01:17:05,787 --> 01:17:07,437
Whatever.
If you feel like it you do it. Okay?
1262
01:17:08,227 --> 01:17:10,524
It’s totally cool.
But don’t feel like you have to overdo it…
1263
01:17:10,602 --> 01:17:13,148
or prove anything to anybody.
These guys are all, serious...
1264
01:17:13,187 --> 01:17:15,132
"Dave Kohl
Voicemail & Missed Call."
1265
01:17:15,157 --> 01:17:17,784
Guys? Sorry. Can we take five?
1266
01:17:17,860 --> 01:17:19,360
All right. Let’s take five.
1267
01:17:19,850 --> 01:17:21,338
Five, not ten.
1268
01:17:24,923 --> 01:17:27,501
Hey. I’m back in New York for a gig.
1269
01:17:27,579 --> 01:17:30,141
I got your singing message.
I have to see you.
1270
01:17:30,996 --> 01:17:32,944
Call me. Please call me.
1271
01:17:45,819 --> 01:17:50,975
♪ OH MAYBE YOU DON’T HAVE TO KILL SO KIND, ♪
1272
01:17:51,829 --> 01:17:56,912
♪ PRETEND TO EASE MY MIND, ♪
♪ WHEN BABY YOU WON’T. ♪
1273
01:17:58,902 --> 01:18:03,996
♪ OH SUGAR, YOU DON’T HAVE TO BE SO SWEET ♪
1274
01:18:04,860 --> 01:18:07,850
♪ I KNOW WHO YOU’RE GOING TO MEET ♪
1275
01:18:08,027 --> 01:18:10,048
♪ DON’T SAY THAT I DON’T. ♪
1276
01:18:11,985 --> 01:18:17,975
♪ SO MAYBE I WON’T LET YOUR MEMORY HAUNT ME ♪
1277
01:18:18,412 --> 01:18:23,933
♪ I’LL BE SLEEPWALKING WITH THE LONELY ♪
1278
01:18:24,860 --> 01:18:27,027
♪ IF YOU’RE TAKING ME HOME. ♪
1279
01:18:27,850 --> 01:18:30,048
♪ TELL ME IF I’M BACK ON MY OWN ♪
1280
01:18:30,933 --> 01:18:33,902
♪ GIVING BACK A HEART THAT’S ON LOAN ♪
1281
01:18:33,964 --> 01:18:36,964
♪ JUST TELL ME IF YOU WANNA GO HOME. ♪
1282
01:18:37,839 --> 01:18:40,058
♪ TELL ME IF YOU WANNA GO HOME. ♪
1283
01:18:40,954 --> 01:18:43,985
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1284
01:18:44,058 --> 01:18:47,027
♪ GIVING BACK A HEART THAT’S ALONE. ♪
1285
01:18:47,891 --> 01:18:50,860
♪ TELL ME IF YOU WANNA GO HOME. ♪
1286
01:19:01,839 --> 01:19:03,944
♪ IF YOU’RE TAKING ME HOME. ♪
1287
01:19:04,819 --> 01:19:07,048
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1288
01:19:07,871 --> 01:19:10,860
♪ GIVING BACK A HEART THAT’S ON LOAN. ♪
1289
01:19:11,412 --> 01:19:14,860
♪ TELL ME IF YOU WANNA GO, ♪
♪ WANNA GO, WANNA GO, ♪
1290
01:19:15,944 --> 01:19:21,902
♪ CAUSE I’M JUST NOT SURE ♪
♪ HOW TO GET BACK THERE. ♪
1291
01:19:22,860 --> 01:19:28,058
♪ "AND I JUST CAN’T BEAR ♪
♪ IF YOU’RE NOT THERE." ♪
1292
01:19:28,059 --> 01:19:30,975
♪ IF YOU’RE TAKING ME HOME. ♪
1293
01:19:31,058 --> 01:19:33,944
♪ TELL ME IF I’M BACK ON MY OWN. ♪
1294
01:19:34,860 --> 01:19:37,058
♪ GIVING BACK A HEART THAT’S ON LOAN. ♪
1295
01:19:37,912 --> 01:19:40,933
♪ JUST TELL ME IF YOU WANNA GO HOME. ♪
1296
01:20:03,912 --> 01:20:05,860
Turn down that fucking music!
1297
01:20:05,902 --> 01:20:07,402
Give us three more minutes!
1298
01:20:52,549 --> 01:20:55,933
Oh my God! Oh, Violet!
1299
01:21:03,488 --> 01:21:06,902
And now the police! Come on, let’s go.
1300
01:21:21,860 --> 01:21:22,819
Hello.
1301
01:21:22,860 --> 01:21:23,860
Congratulations.
1302
01:21:23,902 --> 01:21:26,347
Thank you. We should have a toast.
Right now.
1303
01:21:26,600 --> 01:21:27,605
To your album?
1304
01:21:27,677 --> 01:21:28,948
To our album.
1305
01:21:34,198 --> 01:21:35,209
Really?
1306
01:21:35,881 --> 01:21:38,850
Don’t get too excited.
I’m just trying it out.
1307
01:21:41,068 --> 01:21:42,802
Should we toast to that?
1308
01:21:47,985 --> 01:21:50,227
Goddamn. How do people drink that?
1309
01:21:57,902 --> 01:21:59,850
We’re going to play a game.
1310
01:21:59,891 --> 01:22:03,839
I’m going to play a song
that is impossible to not dance to.
1311
01:22:03,881 --> 01:22:06,944
I defy you not to dance to this song.
1312
01:22:16,027 --> 01:22:17,975
This is good.
1313
01:22:21,027 --> 01:22:23,944
You know you want to. You know you want to!
1314
01:22:28,912 --> 01:22:31,006
Oh, you know you want to. You do.
1315
01:22:31,944 --> 01:22:35,027
Oh! There it is! There it is!
1316
01:23:19,891 --> 01:23:21,669
I’m gonna give them a ride home.
1317
01:23:22,385 --> 01:23:23,830
- Good night.
- Good night.
1318
01:23:26,881 --> 01:23:28,270
Thank you for everything.
1319
01:23:28,295 --> 01:23:29,907
No, thank you for everything.
1320
01:24:07,850 --> 01:24:10,058
OK asshole, let’s meet.
1321
01:24:18,271 --> 01:24:19,774
So how was touring?
1322
01:24:20,489 --> 01:24:23,541
Touring was amazing. Grueling. Punishing.
1323
01:24:24,107 --> 01:24:25,169
Inspiring.
1324
01:24:25,590 --> 01:24:27,025
Did you find yourself?
1325
01:24:27,138 --> 01:24:28,138
I don’t know.
1326
01:24:28,940 --> 01:24:31,218
Well, you certainly found a beard anyway.
1327
01:24:31,243 --> 01:24:32,299
Look at that thing.
1328
01:24:33,086 --> 01:24:34,950
- It’s intense.
- It’s big.
1329
01:24:39,117 --> 01:24:41,469
Did Mim go with you? On tour?
1330
01:24:41,652 --> 01:24:43,344
You just wanna go straight into this then?
1331
01:24:43,481 --> 01:24:44,418
- Yeah.
- Yeah.
1332
01:24:44,479 --> 01:24:47,035
Are you the happiest couple ever?
Or did you...
1333
01:24:47,148 --> 01:24:50,537
break up after a month
and she came back to New York on a bus.
1334
01:24:50,562 --> 01:24:53,448
It was a train actually.
1335
01:24:55,723 --> 01:24:57,335
I’m sorry. I’m being a bitch.
1336
01:24:57,360 --> 01:24:58,370
No.
1337
01:24:59,393 --> 01:25:00,476
You’re entitled.
1338
01:25:02,972 --> 01:25:05,931
So, what’ve you been up to?
1339
01:25:07,510 --> 01:25:08,656
HOLD ON.
1340
01:25:10,573 --> 01:25:13,552
HOLD ON. THEY’RE NOT FALLING…
1341
01:25:13,573 --> 01:25:17,127
God... It’s amazing, Gretta.
1342
01:25:17,335 --> 01:25:18,335
Really?
1343
01:25:18,336 --> 01:25:22,315
Totally. Ambient sound. The city.
1344
01:25:23,794 --> 01:25:25,850
And that’s it? No over-dubs? Nothing?
1345
01:25:25,875 --> 01:25:28,209
No, no, no. It’s just the way you hear it.
1346
01:25:28,234 --> 01:25:29,290
God, it’s so great.
1347
01:25:29,656 --> 01:25:31,287
And they’re really offering you a deal.
1348
01:25:31,341 --> 01:25:34,570
Well, I don’t know.
He has to play it to his partner first.
1349
01:25:35,073 --> 01:25:36,073
So, we’ll see.
1350
01:25:38,834 --> 01:25:41,446
I cannot believe
what he’s done with your songs.
1351
01:25:41,471 --> 01:25:42,638
I know. He’s amazing.
1352
01:25:42,737 --> 01:25:44,793
You should get him to do your record.
1353
01:25:44,818 --> 01:25:45,870
Ah, it’s too late.
1354
01:25:47,025 --> 01:25:49,414
I just finished mastering the record in LA.
1355
01:25:49,684 --> 01:25:52,296
Yeah, I recorded in various studios
on the road.
1356
01:25:52,321 --> 01:25:54,046
Wow. So what’s it called?
1357
01:25:54,379 --> 01:25:55,420
“On the Road.”
1358
01:25:59,066 --> 01:26:00,983
So it’s kind of like Kerouac.
1359
01:26:01,985 --> 01:26:02,996
Yeah.
1360
01:26:03,317 --> 01:26:06,040
Yeah it is.
That’s actually a terrible album name.
1361
01:26:06,824 --> 01:26:07,824
No.
1362
01:26:08,699 --> 01:26:09,761
It worked for him.
1363
01:26:10,202 --> 01:26:12,077
No. It’s bad.
1364
01:26:12,186 --> 01:26:14,019
I know that you now it’s bad.
1365
01:26:14,319 --> 01:26:15,371
No. I’m... I’m…
1366
01:26:18,379 --> 01:26:19,991
Would you like to go hear it?
1367
01:26:20,481 --> 01:26:21,815
I would love to hear it.
1368
01:26:22,687 --> 01:26:27,615
♪ BUT ARE WE ALL LOST STARS ♪
1369
01:26:27,656 --> 01:26:32,510
♪ TRYING TO LIGHT UP THE DARK. ♪
1370
01:26:33,531 --> 01:26:36,542
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1371
01:26:37,708 --> 01:26:40,698
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1372
01:26:42,677 --> 01:26:45,656
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1373
01:26:45,698 --> 01:26:47,677
♪ OH, JUST THE SAME. ♪
1374
01:26:50,559 --> 01:26:51,559
All right.
1375
01:26:52,526 --> 01:26:53,609
What do you think?
1376
01:26:55,602 --> 01:26:57,658
I think I need to listen to it again.
1377
01:26:57,683 --> 01:26:58,683
No.
1378
01:26:58,904 --> 01:27:00,904
No, I want your immediate reaction.
1379
01:27:01,097 --> 01:27:02,993
My immediate reaction?
1380
01:27:03,954 --> 01:27:04,975
Okay.
1381
01:27:05,435 --> 01:27:09,298
I think that you’ve lost the songs
in the production.
1382
01:27:10,971 --> 01:27:12,919
Okay, take ”Lost Stars.”
1383
01:27:12,951 --> 01:27:14,899
I wrote it as a ballad.
1384
01:27:15,539 --> 01:27:17,873
And it sounds like a piece of stadium pop.
1385
01:27:18,396 --> 01:27:20,693
Yeah but, I wanted to turn it into a hit.
1386
01:27:20,899 --> 01:27:21,899
Why?
1387
01:27:21,953 --> 01:27:23,328
Why? What kind of question is that?
1388
01:27:23,384 --> 01:27:25,413
You’re the writer.
You get sole writing credit on it, Gretta.
1389
01:27:25,496 --> 01:27:26,663
This is huge for you.
1390
01:27:26,688 --> 01:27:30,740
Yeah, but you weren’t supposed
to lose the song in it. It’s…
1391
01:27:32,552 --> 01:27:33,552
It’s delicate.
1392
01:27:33,583 --> 01:27:36,490
I really…
I think you should get it remixed.
1393
01:27:36,531 --> 01:27:38,948
Yeah but, everyone loves it
when we do it. It’s amazing.
1394
01:27:38,997 --> 01:27:41,495
You have to come see it live.
The reaction to it.
1395
01:27:41,573 --> 01:27:42,615
The energy in the room just changes.
1396
01:27:42,656 --> 01:27:44,635
Why are you so worried
about what other people think?
1397
01:27:44,677 --> 01:27:46,035
It’s our song.
1398
01:27:46,103 --> 01:27:49,770
It is, but… Isn’t that what music is about?
Sharing it with people.
1399
01:27:49,795 --> 01:27:51,380
No, not that song, Dave.
1400
01:27:52,462 --> 01:27:54,846
Okay. Then… Who do we get to remix this?
1401
01:27:55,084 --> 01:27:56,596
Mim. Maybe you should get Mim to remix it.
1402
01:27:56,957 --> 01:28:00,124
Really? So this is obviously not anything
about the album.
1403
01:28:00,149 --> 01:28:01,149
You think?
1404
01:28:06,930 --> 01:28:09,375
Don’t become this music biz couple,
you know?
1405
01:28:09,400 --> 01:28:12,379
Arguing about our… our albums.
1406
01:28:14,531 --> 01:28:15,573
The funny thing about all this...
1407
01:28:15,623 --> 01:28:18,498
is that I would throw that fucking record
into the ocean...
1408
01:28:18,563 --> 01:28:20,563
if we could just continue
this conversation right now.
1409
01:28:20,628 --> 01:28:22,851
This is what I want to talk about. Okay?
1410
01:28:22,938 --> 01:28:26,719
And if I could somehow say something
or do anything...
1411
01:28:26,761 --> 01:28:28,803
that would undo what I did to us…
1412
01:28:28,905 --> 01:28:31,821
Just tell me what it is. Help me.
1413
01:28:32,118 --> 01:28:33,910
Would you?
1414
01:28:34,833 --> 01:28:36,833
Would you throw it in the ocean?
1415
01:28:39,433 --> 01:28:40,641
Would you want me to?
1416
01:28:46,139 --> 01:28:47,139
No.
1417
01:28:48,309 --> 01:28:50,497
No, I think...
1418
01:28:54,497 --> 01:28:56,528
I think everything’s changed.
1419
01:28:56,938 --> 01:29:00,569
And I’m…
I’m just finding it a big hard to adjust.
1420
01:29:00,617 --> 01:29:01,617
I know.
1421
01:29:02,139 --> 01:29:05,473
It makes sense. But we’re just gonna
have to find a way to...
1422
01:29:05,498 --> 01:29:08,467
get through this.
Get through this together.
1423
01:29:09,430 --> 01:29:11,461
When did you realize that?
1424
01:29:11,761 --> 01:29:13,761
When you sang to me on my voicemail.
1425
01:29:14,217 --> 01:29:17,384
And I realized that nobody on Earth
in their right mind...
1426
01:29:17,409 --> 01:29:19,941
would ever do anything remotely like that.
1427
01:29:20,003 --> 01:29:22,920
And that killed me. That crushed me.
1428
01:29:23,024 --> 01:29:25,641
You completely won me over.
1429
01:29:25,760 --> 01:29:28,024
You know I wasn’t actually trying
to win you over.
1430
01:29:28,117 --> 01:29:30,284
I was trying to tell you to “fuck off.”
1431
01:29:30,309 --> 01:29:31,392
And I had.
1432
01:29:32,643 --> 01:29:35,633
And now, you’ve come back and…
1433
01:29:36,849 --> 01:29:38,745
And you’ve opened the whole thing up again.
1434
01:29:38,904 --> 01:29:41,841
And I think actually,
I think I’m gonna have to go.
1435
01:29:41,899 --> 01:29:42,941
Take that.
1436
01:29:43,036 --> 01:29:45,203
I’m gonna go cause it’s all a bit much.
1437
01:29:45,328 --> 01:29:46,422
I hear you.
1438
01:29:48,638 --> 01:29:50,805
Take your time. I’m not going anywhere.
1439
01:29:51,401 --> 01:29:53,513
What? Are you gonna stay on the bench?
1440
01:29:53,538 --> 01:29:56,427
Yes. I’m gonna stay...
I’m gonna live on this bench.
1441
01:29:57,880 --> 01:30:00,953
Come to The Gramercy. On Saturday. Please.
1442
01:30:02,122 --> 01:30:03,430
Just hear the song.
1443
01:30:03,631 --> 01:30:06,735
I want you to see
how everyone’s just falling in love...
1444
01:30:06,816 --> 01:30:08,150
with what you created...
1445
01:30:13,118 --> 01:30:15,139
Please don’t play it like that.
1446
01:30:16,833 --> 01:30:17,874
Okay.
1447
01:30:29,058 --> 01:30:32,933
Well, look at you. A vision of pure class.
There’s my daughter.
1448
01:30:34,620 --> 01:30:35,620
No way.
1449
01:30:36,139 --> 01:30:37,139
Is this it?
1450
01:30:38,880 --> 01:30:39,880
There you are.
1451
01:30:39,984 --> 01:30:40,984
Yeah.
1452
01:30:41,164 --> 01:30:42,102
You look great.
1453
01:30:42,128 --> 01:30:43,351
Look how cool you are.
1454
01:30:43,378 --> 01:30:45,434
Can I keep this? Show all my friends?
1455
01:30:45,465 --> 01:30:46,971
That’s what it’s for, babe.
1456
01:30:47,035 --> 01:30:48,035
Look at you.
1457
01:30:48,110 --> 01:30:49,118
Hilarious.
1458
01:30:49,168 --> 01:30:50,391
Why is that hilarious?
1459
01:30:50,457 --> 01:30:53,846
I just had no idea you were that talented.
I just didn’t know.
1460
01:30:54,459 --> 01:30:58,480
You’re a real guitar player.
You got some talent. Seriously.
1461
01:30:58,904 --> 01:31:01,182
What? Do you want me to start a band now?
1462
01:31:01,196 --> 01:31:02,585
Yeah! Let’s start a band.
1463
01:31:03,097 --> 01:31:04,153
Let’s start a band.
1464
01:31:04,211 --> 01:31:06,711
Why not? I’ll record you. I’ll produce you.
1465
01:31:07,230 --> 01:31:08,282
I like this idea.
1466
01:31:09,014 --> 01:31:09,630
Do you?
1467
01:31:09,672 --> 01:31:10,339
Yeah.
1468
01:31:10,488 --> 01:31:12,623
You all motivated now?
1469
01:31:13,149 --> 01:31:16,045
It’s a family business.
It’s like the Jackson Five.
1470
01:31:16,107 --> 01:31:17,107
There you go.
1471
01:31:17,149 --> 01:31:18,982
The Mulligan Three.
1472
01:31:19,657 --> 01:31:20,657
You coming in?
1473
01:31:20,669 --> 01:31:24,392
No. I’m going to go play that for Saul
and see if we can get a deal.
1474
01:31:24,417 --> 01:31:26,589
Good luck. Let me know how it goes.
1475
01:31:28,433 --> 01:31:29,485
I love you.
1476
01:31:31,139 --> 01:31:32,910
I know you do.
1477
01:31:40,404 --> 01:31:43,404
Come on. Yeah… So pretty.
1478
01:31:46,498 --> 01:31:47,498
Bye!
1479
01:31:57,628 --> 01:31:59,073
Thanks for coming in guys.
1480
01:32:00,118 --> 01:32:02,563
This is fantastic.
You’ve got a great record.
1481
01:32:03,128 --> 01:32:06,795
I missed it on the first listen.
But I don’t want to miss it again.
1482
01:32:06,820 --> 01:32:08,779
We’re very glad that you like it.
1483
01:32:08,878 --> 01:32:12,174
Well, I reached out
to some of my studio connects in LA
1484
01:32:12,239 --> 01:32:16,198
and I was thinking we could get
the first track placed in a film.
1485
01:32:16,278 --> 01:32:19,001
Write a film.
There’s also pilot season right now.
1486
01:32:19,072 --> 01:32:21,906
Yeah man, we’re not interested in
any of that stuff.
1487
01:32:21,931 --> 01:32:23,500
Okay, so then…
1488
01:32:23,682 --> 01:32:26,460
What are you interested in?
What are we doing here?
1489
01:32:26,485 --> 01:32:28,541
Well, I think Dan needs his job back.
1490
01:32:28,646 --> 01:32:31,739
Yeah, sure. What? Take my office.
I don’t care.
1491
01:32:33,021 --> 01:32:36,980
Okay. I guess I want to know,
how does this work?
1492
01:32:37,107 --> 01:32:39,966
We put the album out. We sell it for…?
1493
01:32:39,998 --> 01:32:42,998
Let’s say an album
costs ten dollars a unit.
1494
01:32:43,281 --> 01:32:45,661
The artist gets a dollar.
1495
01:32:46,496 --> 01:32:49,330
It’s the same in publishing.
It’s a buck for a book.
1496
01:32:49,355 --> 01:32:51,744
Oh, I’m just thinking
for this specifically.
1497
01:32:51,979 --> 01:32:53,757
I have to get my head around it.
1498
01:32:53,782 --> 01:32:56,927
The album doesn’t have
any overhead because we did it.
1499
01:32:57,071 --> 01:32:59,040
And then, distribution…
1500
01:32:59,112 --> 01:33:01,835
It’s not gonna go in stores.
It’s gonna go online.
1501
01:33:01,854 --> 01:33:04,243
And publicity would be…
What? Word of mouth?
1502
01:33:04,268 --> 01:33:06,435
So, I think what I’m wondering is...
1503
01:33:06,728 --> 01:33:09,173
why do you get nine out of ten
of my dollars?
1504
01:33:09,891 --> 01:33:12,114
Gretta, you’re a very smart young woman.
1505
01:33:12,212 --> 01:33:14,201
And you’re a determined artist.
1506
01:33:14,329 --> 01:33:17,339
You have a wonderful project here.
1507
01:33:17,467 --> 01:33:21,300
And with the right team behind you
to push you and guide you...
1508
01:33:21,465 --> 01:33:24,521
Maybe hire a hot-shot producer
to remix a couple tracks.
1509
01:33:24,538 --> 01:33:28,371
You could have a hit record
and a very long career.
1510
01:33:28,413 --> 01:33:31,548
But you know, ultimately that’s up to you.
1511
01:33:32,236 --> 01:33:34,545
Ah, you had them. You wound him up.
1512
01:33:34,621 --> 01:33:35,621
I know.
1513
01:33:35,647 --> 01:33:37,850
It’s amazing
when you’re not actually that interested...
1514
01:33:37,883 --> 01:33:39,217
you always win the hand.
1515
01:33:39,242 --> 01:33:42,232
Yeah. That’s never really worked out
that well for me.
1516
01:33:42,975 --> 01:33:45,017
I found it worked very well.
1517
01:33:45,434 --> 01:33:48,879
You’re gonna get a deal.
That asshole is gonna give you a deal.
1518
01:33:48,889 --> 01:33:51,223
You might have to compromise a little bit.
1519
01:33:51,248 --> 01:33:51,970
Never.
1520
01:33:52,011 --> 01:33:53,011
Of course.
1521
01:33:53,396 --> 01:33:55,467
Hey, we should do a bunch of these.
1522
01:33:55,507 --> 01:33:56,423
What do you mean?
1523
01:33:56,486 --> 01:33:59,382
Do you like the European Series?
1524
01:33:59,503 --> 01:34:00,311
I like that.
1525
01:34:00,376 --> 01:34:02,432
The Paris Tapes. The Prague Sessions.
1526
01:34:02,707 --> 01:34:03,930
The Berlin Recordings.
1527
01:34:04,095 --> 01:34:06,095
We could go all over Europe by rail.
1528
01:34:06,409 --> 01:34:08,337
We could take the whole gang?
1529
01:34:08,496 --> 01:34:10,128
Rachel, Malcolm, Steve.
1530
01:34:13,465 --> 01:34:14,382
So…
1531
01:34:14,423 --> 01:34:15,423
So…
1532
01:34:17,882 --> 01:34:20,830
Oh look. I guess I’ll see you in awhile.
1533
01:34:22,150 --> 01:34:23,150
Thank you.
1534
01:35:24,507 --> 01:35:29,517
Come to the show. Your name is on the list.
Please. Dave.
1535
01:35:34,496 --> 01:35:37,392
An Evening with Dave Kohl.
1536
01:36:03,923 --> 01:36:05,027
Thank you so much.
1537
01:36:09,092 --> 01:36:10,123
Thank you.
1538
01:36:11,077 --> 01:36:12,119
Guitar change.
1539
01:36:12,874 --> 01:36:18,728
This next song was actually given to me
by an amazing songwriter...
1540
01:36:18,808 --> 01:36:20,531
and an even more amazing woman.
1541
01:36:22,015 --> 01:36:23,577
So it’s a very special song.
1542
01:36:23,609 --> 01:36:25,665
We’re gonna do her arrangement of it.
1543
01:36:25,759 --> 01:36:28,148
So If she’s here… I’m not sure that she is.
1544
01:36:28,173 --> 01:36:31,007
I’d love for her to come up
and join us on this one.
1545
01:36:31,243 --> 01:36:33,191
There’s a guitar right there, so…
1546
01:36:33,358 --> 01:36:35,400
If you’re here, please join us.
1547
01:36:35,450 --> 01:36:37,537
It’s a really special song to me.
1548
01:36:37,833 --> 01:36:39,968
See your vision of this song through.
1549
01:36:51,853 --> 01:36:56,822
♪ PLEASE DON’T SEE ♪
1550
01:36:56,989 --> 01:37:02,864
♪ JUST A BOY CAUGHT UP
IN DREAMS AND FANTASY. ♪
1551
01:37:03,676 --> 01:37:08,708
♪ PLEASE SEE ME ♪
1552
01:37:09,843 --> 01:37:13,916
♪ REACHING OUT FOR SOMEONE I CAN SEE. ♪
1553
01:37:13,958 --> 01:37:15,906
♪ TAKE MY HAND.. ♪
1554
01:37:15,947 --> 01:37:19,634
♪ LET’S SEE WHERE WE WAKE UP TOMORROW. ♪
1555
01:37:19,664 --> 01:37:21,695
♪ BEST LAID PLANS, ♪
1556
01:37:21,979 --> 01:37:25,833
♪ SOMETIMES I’M JUST A ONE NIGHT STAND. ♪
1557
01:37:25,875 --> 01:37:27,854
♪ I’LL BE DAMNED. ♪
1558
01:37:27,895 --> 01:37:31,895
♪ CUPID’S DEMANDING BACK HIS ARROWS. ♪
1559
01:37:32,196 --> 01:37:37,238
♪ SO LET’S GET DRUNK ON OUR TEARS ♪
1560
01:37:38,538 --> 01:37:42,663
♪ AND GOD, TELL US THE REASON ♪
1561
01:37:42,947 --> 01:37:46,781
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1562
01:37:46,822 --> 01:37:48,864
♪ IT’S HUNTING SEASON ♪
1563
01:37:48,906 --> 01:37:52,760
♪ AND THE LAMBS ARE ON THE RUN ♪
1564
01:37:52,802 --> 01:37:54,916
♪ SEARCHING FOR MEANING. ♪
1565
01:37:55,783 --> 01:38:01,679
♪ BUT ARE WE ALL LOST STARS ♪
1566
01:38:01,822 --> 01:38:07,791
♪ TRYING TO LIGHT UP THE DARK. ♪
1567
01:38:07,979 --> 01:38:12,833
♪ WHO ARE WE? ♪
1568
01:38:13,750 --> 01:38:18,833
♪ JUST A SPECK OF DUST WITHIN THE GALAXY. ♪
1569
01:38:19,593 --> 01:38:24,520
♪ WHO IS ME? ♪
1570
01:38:24,827 --> 01:38:29,858
♪ WHEN OUR CAREFUL TURNS INTO REALITY. ♪
1571
01:38:29,979 --> 01:38:33,854
♪ DON’T YOU DARE LET OUR BEST MEMORIES ♪
1572
01:38:33,895 --> 01:38:35,895
♪ BRING YOU SORROW. ♪
1573
01:38:35,937 --> 01:38:41,875
♪ YESTERDAY I SAW A LION KISS A DEER. ♪
1574
01:38:41,916 --> 01:38:43,916
♪ TURN THE PAGE ♪
1575
01:38:43,958 --> 01:38:47,864
♪ MAYBE WE’LL FIND A BRAND NEW ENDING. ♪
1576
01:38:48,610 --> 01:38:54,590
♪ WHERE WE’RE DANCING IN OUR TEARS ♪
1577
01:38:54,791 --> 01:38:58,885
♪ AND GOD TELL US THE REASON ♪
1578
01:38:58,927 --> 01:39:02,802
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1579
01:39:02,843 --> 01:39:04,875
♪ IT’S HUNTING SEASON ♪
1580
01:39:04,916 --> 01:39:08,770
♪ AND THE LAMBS ARE ON THE RUN ♪
1581
01:39:08,812 --> 01:39:11,781
♪ SEARCHING FOR MEANING. ♪
1582
01:39:11,822 --> 01:39:16,906
♪ BUT ARE WE ALL LOST STARS ♪
1583
01:39:17,833 --> 01:39:22,979
♪ TRYING TO LIGHT UP THE DARK. ♪
1584
01:39:24,802 --> 01:39:28,802
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1585
01:39:29,979 --> 01:39:33,958
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1586
01:39:35,958 --> 01:39:39,875
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1587
01:39:39,916 --> 01:39:43,833
♪ OH, JUST THE SAME. ♪
1588
01:39:47,833 --> 01:39:51,791
♪ GOD AND GIVE US THE REASON ♪
1589
01:39:51,833 --> 01:39:54,958
♪ YOUTH IS WASTED ON THE YOUNG. ♪
1590
01:39:55,750 --> 01:39:57,791
♪ IT’S HUNTING SEASON ♪
1591
01:39:57,833 --> 01:40:00,916
♪ AND THIS LAMB IS ON THE RUN ♪
1592
01:40:00,958 --> 01:40:03,833
♪ SEARCHING FOR MEANING. ♪
1593
01:40:03,958 --> 01:40:09,875
♪ BUT ARE WE ALL LOST STARS ♪
1594
01:40:09,916 --> 01:40:15,770
♪ JUST TRYING TO LIGHT... LIGHT UP THIS DARK ♪
1595
01:40:16,958 --> 01:40:20,885
♪ AND I THOUGHT I SAW YOU OUT THERE CRYING. ♪
1596
01:40:22,895 --> 01:40:26,822
♪ AND I THOUGHT I HEARD YOU CALL MY NAME. ♪
1597
01:40:28,854 --> 01:40:32,791
♪ AND I THOUGHT I HEARD
YOU OUT THERE CRYING. ♪
1598
01:40:32,833 --> 01:40:38,895
♪ OH, BUT ARE WE ALL LOST STARS ♪
1599
01:40:39,781 --> 01:40:44,927
♪ TRYING TO LIGHT UP THE DARK. ♪
1600
01:40:44,968 --> 01:40:50,937
♪ OH, BUT ARE WE ALL LOST STARS ♪
1601
01:40:50,979 --> 01:40:58,525
♪ TRYING TO LIGHT UP THE DARK. ♪
1602
01:41:23,968 --> 01:41:24,968
Hey.
1603
01:41:25,091 --> 01:41:26,091
Hey.
1604
01:41:26,720 --> 01:41:27,832
Where are you going?
1605
01:41:29,267 --> 01:41:30,298
Home.
1606
01:41:32,251 --> 01:41:33,363
What’s on your mind?
1607
01:41:35,673 --> 01:41:38,062
I don’t want your label
to release my album.
1608
01:41:39,577 --> 01:41:40,577
Fine.
1609
01:41:40,674 --> 01:41:41,674
Fine? Really?
1610
01:41:42,319 --> 01:41:44,986
No, because I thought that
you’d be really upset.
1611
01:41:45,011 --> 01:41:46,275
No, it’s your album.
1612
01:41:46,533 --> 01:41:48,756
So, what do you want to do with it then?
1613
01:41:49,060 --> 01:41:50,060
There it is.
1614
01:41:50,125 --> 01:41:53,135
That’s the whole album for a dollar.
A buck for a book.
1615
01:41:53,207 --> 01:41:56,819
The whole thing. Now, once
this goes out, that’s it. They’re gone.
1616
01:41:57,906 --> 01:41:58,656
Yeah.
1617
01:41:58,770 --> 01:41:59,773
Are you sure you want to do this?
1618
01:41:59,864 --> 01:42:00,395
Yeah.
1619
01:42:00,457 --> 01:42:01,569
How about two bucks?
1620
01:42:01,802 --> 01:42:03,833
Such a capitalist. No, a buck is fair.
1621
01:42:03,875 --> 01:42:06,487
And then we’ll split it evenly
between everyone…
1622
01:42:06,512 --> 01:42:08,679
Malcolm and Rachel – everyone! Come on!
1623
01:42:09,906 --> 01:42:11,518
Once I press this, that’s it.
1624
01:42:11,543 --> 01:42:14,460
I’m going to war with my whole business.
1625
01:42:23,802 --> 01:42:25,636
Gretta James – The Great Outdoors.
1626
01:42:25,661 --> 01:42:26,770
That’s so exciting.
1627
01:42:26,822 --> 01:42:27,878
What are you doing?
1628
01:42:27,903 --> 01:42:29,181
Calling reinforcements.
1629
01:42:32,885 --> 01:42:33,885
Check it out.
1630
01:42:33,927 --> 01:42:35,916
I got Troublegum to tweet out the album.
1631
01:42:35,958 --> 01:42:37,736
How many followers does he have?
1632
01:42:37,750 --> 01:42:39,750
Apparently the entire world.
1633
01:42:40,260 --> 01:42:42,354
Just about every living human being.
1634
01:42:44,906 --> 01:42:45,947
Mr. Mulligan.
1635
01:42:46,885 --> 01:42:47,843
Good morning.
1636
01:42:47,885 --> 01:42:48,802
Good morning.
1637
01:42:48,833 --> 01:42:51,750
News for you on the inter webs.
1638
01:42:52,750 --> 01:42:53,816
Shit!
1639
01:42:53,832 --> 01:42:54,869
You didn’t know nothing about this?
1640
01:42:54,968 --> 01:42:55,832
- No.
- No?
1641
01:42:55,854 --> 01:42:57,077
How many did she sell?
1642
01:42:57,102 --> 01:42:59,019
Ten thousand. Today.
1643
01:42:59,179 --> 01:43:00,735
Troublegum tweeted about it.
1644
01:43:01,070 --> 01:43:04,126
If Troublegum helped her out,
it’s because he liked her.
1645
01:43:04,151 --> 01:43:05,812
They’re artists.
1646
01:43:06,234 --> 01:43:08,179
You didn’t know nothing about this?
1647
01:43:08,204 --> 01:43:08,709
Nothing.
1648
01:43:08,750 --> 01:43:09,917
Kind of funny though.
1649
01:43:09,942 --> 01:43:10,833
Is it really?
1650
01:43:10,902 --> 01:43:12,756
It’s pretty funny, man.
1651
01:43:12,854 --> 01:43:14,410
Boo-boo, you know how to pick them.
1652
01:43:14,467 --> 01:43:15,738
It’s kind of good.
1653
01:43:15,833 --> 01:43:17,199
Sure is. Kind of uppity.
1654
01:43:17,236 --> 01:43:19,007
Clean out your locker.
1655
01:43:19,263 --> 01:43:20,263
See you later.
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